Mar 252022
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

decemberists covers

For this month’s Best Covers Ever, we polled our Patreon supporters. Voting among five 2000s (ish), indie-rock (ish) bands they’d previously nominated – Arcade Fire, Bon Iver, The Decemberists, The Killers, Vampire Weekend – an underdog won by a single vote. Unless you scrolled so fast you missed the headline and photo, you already know who that underdog was: The Decemberists!

The Decemberists are arguably the least widely-known band of the bunch – they certainly don’t have Killers-level hits – but you wouldn’t know it from the depth and breadth of covers. Other musicians love the Decemberists, and have dug deep into their catalog to cover tracks from across their entire career. They lean a bit Americana on the whole, but some covers cross over into heavy metal, pop-punk, or even mariachi. Their songs have been covered by legends, sure – Patti Smith, Nick Cave – but even more often they get covered by under-the-radar bands, genuine fans who just happen to possess a heap of musical talent themselves.

As The Decemberists prepare to embark on their Covid-delayed 20th anniversary tour this summer, we salute their songs of crane wives and engine drivers, butchers and barrow boys, with thirty covers that were meant for the stage.

PS. Join our Patreon if you want a say in the next band we cover!

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Aug 292014
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Are the Decemberists a band that “craft theatrical, hyper-literate pop songs that draw heavily from late-’60s British folk acts like Fairport Convention and Pentangle and the early-’80s college rock grandeur of the Waterboys and R.E.M.,” as described by Allmusic, or are their songs an “unbearable exercise in indie high-quirkiness, with each new release deepening the impression that Meloy thinks he’s Edmund Spenser or, at least, the only rock singer smart enough to keep a copy of The Faerie Queene on his bedside plinth,” as writer Jody Rosen wrote in Slate?

Although I lean toward the former, I can understand believing the latter.

There can be no doubt that the Decemberists’ focus on tales of pirates, highwaymen, shape-shifters, and interpretations of myths and legends from around the world, plus primary lyricist Colin Meloy’s empty-the-thesaurus writing style, not to mention their practice of performing live historical reenactments in their shows, set them up for being mocked by some, and beloved by others. And that is what makes life interesting.
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