To Emmylou, the Fleeing Ghost Records’ compilation of LA-based artists covering the songs of Emmylou Harris, features eleven reverential performances. Each of the largely unknown artists collected here do a fine job of recasting her songs, both those well-known and those that run a little deeper, in a contemporary framework without sacrificing the heart and soul of the original. Not surprisingly, the primary focus throughout is on each artist’s voice, something for which Harris has long been known both on her own, as a collaborator and as one of the finest interpreters of Americana.
Fittingly then, opening track “Timberline” from Harris’ 1985 release The Ballad of Sally Rose is performed by the Silver Lake Chorus. Unfettered by musical accompaniment, the chorus of voices help establish the primary focus of the collection from the start. And while there are plenty of fine instrumental performances throughout, the over-arching element running through these songs – performed in styles ranging from straight country to contemplative indie rock – is the purity of the human voice. And in this case, the “voice” in question is that of Harris as a songwriter, something that is occasionally lost due to her high-profile collaborations and the immaculate nature of her voice.