Aug 042023
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Badlands

Bruce Springsteen’s Nebraska confounded a lot of people when he released it in 1982. Probably still does, especially among recently converted followers. I mean, how do you explain it someone who’s yet to hear it? I tried in my book Heart of Darkness: Bruce Springsteen’s Nebraska, writing this:

Nebraska is raw, primitive, ancient, otherworldly, spiritual, nihilistic, heartbreaking, horrifying and a whole bunch of other things that come to you like apparitions whenever you enter its province (ideally under cover of darkness)….And like the great films and the great novels, it holds up well. It holds up well because it still has something to teach us about ourselves and the world we live in, and maybe even the world beyond this one.

Just as Springsteen was inspired by Woody Guthrie and Flannery O’Connor and Night of the Hunter and Suicide and Terrence Malick and Martin Scorsese on Nebraska, so too has Nebraska become a touchstone for artists of myriad forms – Bruised Orange theatre company’s The Nebraska Project, Tennessee Jones’ short story collection Deliver Me from Nowhere, and Sean Penn’s directorial debut The Indian Runner, based on the song “Highway Patrolman.”

And then there is, of course, the tribute album, Badlands: A Tribute to Bruce Springsteen’s Nebraska, helmed by producer and filmmaker Jim Sampas.
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Jul 112023
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Kevin Rowland

Under whose radar?, shout all the UK readers, as Dexys frontman and brand identity Kevin Rowland truly struggles hard to stay out the spotlight in his own land. (OK, struggles may be a stretch, he no wallflower in the publicity seeking stakes, as some of his sartorial choices all too brashly display.) His right to crave our attention today is twofold. You may have enjoyed our recent best one-hit-wonders covers of the ’80s extravaganza, here if you missed it, but, his presence came at some price, our US contingent knowing nothing much of him beyond drunken dance floor filler “Come On Eileen.” A fair old transatlantic barney took place around his right, or otherwise, to appear. Here in the UK, Rowland has been suffering for his art for nearly 45 years (voice from the back: So have we! Yes yes, hilarious, go away now), and we have borne witness to much, much more. (To be fair, longtime readers may recall a 2013 In Defense piece that popped up here, and might have alerted you to all of this. Forgive a little duplication.) But time’s old jet plane is still moving, and there is now an announcement of some forthcoming new, an all new album and a tour for the autumn.

Does any of that sound snarky? It shouldn’t, as I have utmost respect for Rowland and his ever-changing moods, even as, on occasion, he has strained both the credulity and the patience of his audience. I think he’s great, and have even the deemed dodgiest of his output proud on my shelves. I had tickets for his cancelled tour of last year, which a Dylanesque motorbike accident put paid to. A pity, as that was his opportunity to present the revisited remastering of his moment of most fame, 1982’s Too-Rye-Ay album, which spawned the song so loved and hated by Eileens everywhere. Unable to fulfil, give or take a book by then fiddle player Helen O’Hara, who had been re-recruited for that tour, he has, as ever, moved on to new climes. I can’t wait, but, until then, catch a handful (and some) of his influences, disguised as just covers. (Believe me, there is no such thing as “just a cover.”)
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May 012023
 
best cover songs
The Flowers of Hell – Atmosphere (Joy Division cover)

Toronto-London ensemble The Flowers of Hell first released this cover on their 2012 orchestral-pop covers album Odes, but, in honor of its first vinyl release on Record Store Day, it got a new music video. If you missed this wonderful Joy Division cover the first time around, it’s a perfect time to catch up. There’s a new “Calling Occupants Of Interplanetary Craft” video too. Continue reading »

Apr 032023
 
best cover songs of march 2023
Bria – When You Know Why You’re Happy (Mary Margaret O’Hara’ cover)

Bria’s “Where Have All The Cowboys Gone?” made our list of the Best Covers of 2022. The track was a sneak peak at her covers EP Cuntry Covers Vol. 2, and the full thing dropped a few weeks ago. It includes a wonderful version of this much more obscure song. Bria explains: “Mary Margaret O’Hara is a creative force and one of my favorite Canadian artists. I have been a huge fan of hers for quite some time and really wanted to try my hand at one of her songs for Vol. 2. She is a real queen of vocal improvisation. It’s a trait of hers that I’ve always admired, so I really wanted to explore that when recording this cover. The video for this track is special to us, a sort of collage of memory; fragmented footage of summer taken over the last two years is dispersed throughout shots of a vast winter scene, filmed while we finished the record up North with our live band.” Continue reading »

Mar 312023
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Tom Waits covers

“Downtown Train.” “Ol ’55.” “Jersey Girl.” These are just three of the Tom Waits songs better known for their covers (respectively: Rod, Eagles, Bruce) than for Waits’ own performances.

It probably doesn’t need saying that Tom’s recordings are, in the best way possible, idiosyncratic. So it makes sense that, like Dylan, like Cohen, his songs often become more popular when more “traditional” voices sing them. Many of the best covers, though, keep some of that strangeness. No, they don’t do “the Tom Waits voice” – most people wouldn’t be able to talk for a week after attempting that. But they don’t sand off the strangeness.

Tom’s debut album Closing Time came out 50 years ago this month; he’s doing a reissue to celebrate. It, and its successor The Heart of Saturday Night, are in some ways his least representative albums, though. The songwriting is already strong on these, but it comes in – if you can believe it – a fairly conventional package. His voice hasn’t revealed its true character (to pick one among many memorable descriptions: “a voice like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car”), and he hadn’t discovered that hitting a dumpster with a two-by-four makes great percussion.

Some of those very early songs get covered in our list below. But his later, weirder, songs abound, too. Tom’s wife Kathleen Brennan, his musical co-conspirator for decades now, said her husband has two types of songs: “Grim Reapers” and “Grand Weepers”. On his Orphans box set, Tom divided them up another way: Brawlers, Ballers, and Bastards. You’ll find some of all flavors below. (And, if you want more new writing on Tom Waits music, subscribe to a newsletter called Every Tom Waits Song that – full disclosure – I also run).

– Ray Padgett

PS. Find Spotify and Apple Music playlists of this list, and all our other monthly Best Covers Ever lists, at Patreon.

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Oct 312022
 
avril lavigne
Avril Lavigne & All Time Low – All the Small Things (Blink 182 cover)

One way you can tell millennials are getting old: There are now nostalgia-bait festivals catering to the music of their (our) youth. Such was the case with When We Were Young, the emo and pop-punk fest in Vegas a couple weeks ago with Paramore, My Chemical Romance, Bright Eyes, and dozens more. A video high point is this extremely fun and infectious cover of “All the Small Things” by All Time Low and Avril Lavigne, performed right after Blink 182 announced they were getting back together. Best part: When the entire crowd hollers alone to “Work sucks / I know”! Continue reading »