Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question, courtesy of staffer Jordan Becker: What’s a cover song you hate, and why?
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They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

When it comes to religion and spirituality, I still haven’t found what I’m looking for. The paint-by-numbers elements of most religious rituals leave me cold. I am not moved by scripture, nor am I frightened by hellfire and brimstone preachers – all fury, self-righteousness, and condemnation, their empty words matched by their outstretched empty palms.

In my darker and much more cynical moments, I wrestle with the notion of a human soul. Does a soul really exist, or is it something that we conjured up to serve as a salve?

And then I remember Bruce Springsteen.
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Kathleen Edwards has covered Bruce Springsteen’s “Human Touch” live a number of times, usually with the assistance of Jenn Grant, a frequent touring companion. The online YouTube versions are okay, but suffer from less than stellar performances or shaky recording. Apparently, that almost perfect performance has been tucked away in the record vaults. Edwards recently decided to share it with her fans via a Facebook post. Continue reading »

Bruce Springsteen’s “Born in the U.S.A.” has been misinterpreted many times by casual listeners, politicians and fist-pumping audience members. The rock anthem’s buoyant arrangement, designed for arenas in the 1980s, and the simplicity of the single line chorus, make it easy to overlook the verses that describe the hardships and challenges faced by veterans of the Vietnam War. Continue reading »

Bruce Springsteen’s “Drive All Night” is a heart wrenching tune – a slow, meandering, soulful eight minutes and twenty seven seconds of gritty Bruce to tug at your heartstrings. Recently, Glen Hansard covered this song, using his trademark impassioned vocals to try and work up to Bruce’s level of intensity. It’s a fantastic cover (with an Eddie Vedder appearance to boot), and on its heels comes yet another emotionally driven cover of the tune. Continue reading »

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Chuck Prophet is the classic “under the radar” artist. He’s a musician who has been recording for nearly 30 years – first with Green on Red, a band that seems more respected in its absence than it was recognized during its existence, and then as a solo act, in which a small handful of his impressive songs have barely nudged into public consciousness. He has been a successful songwriter for hire, a sought-after sideman, and has a number of higher-profile admirers. His music is generally well reviewed, and he tours regularly and successfully. Although we at Cover Me are not privy to his tax returns, it is probably safe to say that he makes a pretty good living at the music thing, but that he isn’t using hundreds to light his smokes.
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Bruce Springsteen is famous for many things, chief among which is the sheer epic-ness of his live shows with the E Street Band (and, now, new addition Tom Morello). “Epic” may be a massively overused word, but it applies to Bruce. One of the best things, especially for cover fans, is that he seems to love performing other artists’ music as much as his own. And that’s what has landed us with this latest news – the Boss adding the classic INXS single ”Don’t Change” to his live repertoire for the first time ever. Continue reading »

Dec 192013

I’m not sure there were more great cover songs this year than any other. But there were more good ones.

What I mean by that is, the average quality of the covers we come across in the time we’ve been around has risen, rather dramatically. Whether they’re iTunes homepage singles or some guy emailing us his Bandcamp, more cover songs in 2013 avoid the old pitfalls than ever before. They don’t sound like they were recorded in a cereal box, substitute ear-bleeding volume for actual creativity, or – the worst cover sin of all – try to carbon-copying the original. With the ease of production and distribution available now, artists seemed to record covers only when they felt they had something to add, and do a halfway decent job committing those ideas to 1s and 0s. Continue reading »

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