Oct 302015

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.


Bruce Springsteen may not be rock ‘n’ roll’s future anymore, but he’s been so prolific – by 1998, three-quarters of his catalog consisted of unreleased songs – that we could very well see new albums coming out from him long after he’s gone. That abundance of gifts he’s given have not only made him a natural for the tribute album treatment, they’ve also given the covering artists a lot to work with – top-ten hits stand shoulder to shoulder with the barely bootlegged, and with no loss in song quality. The 2003 tribute album Light of Day: A Tribute to Bruce Springsteen showcased the breadth of Springsteen’s catalog – two and a half hours long, holding over three dozen songs – just as surely as it showcased the depth of his songwriting.
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Oct 282015

Indie-electronica group Hot Chip know how to rock a cover, as they proved when they put out one of last year’s best covers of the year. Now they’re back with one that could put them on that list in 2015 as well. The group is on tour now and has been performing Bruce Springsteen‘s “Dancing in the Dark” live at shows this summer. They recently released an official video and studio version of the song and its well worth a listen. Continue reading »

Sep 162015

Fifth in a string of record-tying Top 10 singles released from the massively successful Born In The U.S.A, “Glory Days” remains a Bruce Springsteen cornerstone – a thumping, nostalgia-inducing tune sprawling with upbeat guitar riffs, playful synth lines and honky-tonk piano. Continue reading »

Jul 172015

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.


Let’s start with a given — the best version of “(What’s So Funny ‘Bout) Peace, Love and Understanding” is a cover. It would be hard to dispute that Elvis Costello’s version is the standard to which all others fall short, including the original. I’ll pause here to allow those readers unaware that Elvis wasn’t the first to record the song to go on the Internet and confirm this. (Don’t feel bad, by the way—we self-proclaimed cover experts don’t know everything, either.) That’s right, the song was written by Nick Lowe and originally recorded by his pub-rock band Brinsley Schwarz and released on the band’s 1974 album The New Favourites of… Brinsley Schwarz. Although Lowe had written the bulk of the songs on the band’s prior five albums, he has claimed that it was the first truly original song that he ever wrote. However, he has admitted to having stolen a lick from Judee Sill’s “Jesus Was a Cross Maker.” (See if you agree.)

Brinsley Schwarz’s version is a Byrds-esque bit of nostalgic folk rock. Lowe wrote it in 1973, when the hippie era of peace and love was being supplanted by harder edges, harder drugs, alcohol and cynicism. As Lowe has said, “this song was supposed to be an old hippie, laughed at by the new thinking, saying to these new smarty-pants types, ‘Look, you think you got it all going on. You can laugh at me, but all I’m saying is ‘What’s so funny about peace, love, and understanding?’” It is, in that version, a perfectly fine song. But it took a fan of the Brinsleys, who would one day rename himself Elvis Costello, to turn the song into something more. Lowe acknowledged that Costello “brought it to the world, so to speak. Because when he recorded it, he gave it that anthemic quality which everyone reacted really well to.”
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May 222015

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.


When Bruce Springsteen was touring behind his 2005 album Devils and Dust, he closed his shows with a cover of the song “Dream Baby Dream” by the protopunk band Suicide. Most fans of the Boss were unfamiliar with it, and didn’t know how to take the moody mantra, sung over the drone of a pump organ and an offstage synth – “Glory Days” it ain’t. It turned out Bruce had been a fan of Suicide’s since meeting them in a studio in the ’70s, and had claimed in one interview that “You know, if Elvis came back from the dead I think he would sound like Alan Vega.” As for Vega, once he’d heard Springsteen’s interpretation, he said, “Now I can die…. He interpreted my song, he did it his way, and such a great way that I’m going to have to sing it that way, or not sing it at all anymore…. On my death bed, that’s the last thing I’m going to listen to. I’ll play it at my funeral.” So it’s safe to say he liked it.
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Dec 182014

Follow all our Best of 2014 coverage (along with previous year-end lists) here.

A few months ago, I read an interesting interview with an artist named Nouela. You probably haven’t heard of her, but you may have heard her music. She’s become a specialist in a weird but growing niche: covers recorded for movie and television trailers. Whether doing a piano “Sound of Silence” to promote a new HBO show or a brooding “Black Hole Sun” to promote Liam Neeson punching people, she’s found a quickly-growing way of getting her covers out there.

It struck me as part of a growing trend we’ve seen. More and more great covers seem to come from unexpected places. Sure, you’ve got still your standby sources, your b-sides, tribute albums, and radio shows. But new avenues for covers have increasingly crept in. This year saw a Sam Smith cover that is only available to hear under Grey’s Anatomy dialog (thankfully he’s recorded a few live versions too) and a whole covers album recorded to plug a Canadian TV show. Brands have fully embraced covers too, most recently My Morning Jacket’s “This Land Is Your Land” recorded for North Face ads, or Charli XCX and Bleachers trading covers for Kia.

We don’t care where they originated when we make our year-end lists, though, and we would up with some of everything. In our top five alone, we’ve got a live radio session, a deluxe-edition bonus track, and a cover hiding in plain sight on one of the most acclaimed country records of the year. You have to keep an eye on more places than ever to spot the best covers these days. Wherever they come from, we’re glad to have ’em.

Click on over to page two to begin our countdown, and thanks for reading.

– Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)

Nov 142014

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Dan Bern should not be under anyone’s radar. Not only is he an incredibly prolific songwriter — only a small fraction of the thousand or so that he has acknowledged writing have been officially released — he is also an artist, a poet, a novelist, a children’s book author, and a filmmaker. His stage banter and lyrics are funny enough that he could definitely do standup. He has written songs for movies and television, and is a pioneer in online performing. He tours constantly, and what with all of those songs, he probably never plays the same set twice.
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Oct 222014

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question, courtesy of staffer Jordan Becker: What’s a cover song you hate, and why?
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