Jun 242020
 
Emma Swift

Bob Dylan just released his 39th studio album Rough and Rowdy Ways and in case you haven’t heard, it is very, very good. “I Contain Multitudes” was the LP’s second single and remains one of its undeniable highlights. Upon first listen, the song feels very stream of consciousness, with Bob reeling off, well, absolutely everything rumbling in his head about his life from the seemingly trivial (“I eat fast foods”) to the profound (“I sleep with life and death in the same bed”) and listing the sounds, pages, and images that have enveloped and defined it. And yes, the sound you just heard was Bob explaining the meaning of life in under 5 minutes because unlike the rest of us, he can just do that.

Australian singer-songwriter Emma Swift has recorded an album of Dylan covers titled Blonde on the Tracks which is set for release in August. And the first track she opted to release was not a familiar classic but a stunningly warm, heartfelt version of “I Contain Multitudes.” She serves it up as a hypnotic, melodic hymn, very reminiscent in style of vintage Gillian Welch, resulting in something exceptionally beautiful.
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Jun 082020
 
quarantine covers
Angelique Kidjo – Beds Are Burning (Midnight Oil cover)

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May 292020
 

Check out the best covers of past months here.

best cover songs may 2020
Daniel Romano’s Outfit – Sweetheart Like You (Bob Dylan cover)


This one’s for all the Dylan superfans. In 1984, Bob Dylan played three songs on Letterman with L.A. punk band The Plugz. They were gritty and garagey and raw. It boded well for his new sound. And then he never played with them again. The album he was ostensibly promoting, Infidels, was much smoother, helmed by Mark Knopfler. For those who still wonder what could have been, Daniel Romano covered the entire album as if he’d recorded it with The Plugz. Continue reading »

May 192020
 
quarantine covers
Amy Helm – Twilight (The Band cover)

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May 122020
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Good As I Been To You

Similar to Superman’s periodic retreats to his Fortress of Solitude, Bob Dylan occasionally turns to the music of the past to gather strength for challenges ahead. Most of the great comebacks of Bob’s career – including the one we’re seeing right now – have been proceeded by intense periods of covering old songs. In 1992, after a decade of butting heads with producers and wrestling with 1980s recording technology, Dylan decided to strip things back – all the way back. No producer, no band; just Bob Dylan, his guitar, and a bucketload of folk and blues songs.

The idea had probably been taking shape in Dylan’s mind since the summer of 1988, when he began what would soon become known as the Never Ending Tour (or NET to its friends). While the earliest NET shows were largely devoted to Bob and his band tearing through his back catalogue punk rock-style, the highlight for many fans were the mid-show acoustic sets, where Bob often unearthed traditional songs from the western world’s distant past. “Trail of the Buffalo,” “The Lakes of Pontchartrain,” “Barbara Allen,” “The Wagoner’s Lad,” and many others made regular appearances. Bob didn’t just perform these songs: he inhabited them.
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May 112020
 
brian fallon license to kill cover

“License to Kill” is one of the most well-known tracks from Bob Dylan‘s notorious reggae-influenced album Infidels. At the time, Infidels was viewed by some as a bit of a return to form, as he stopped singing explicitly Christian songs for the first time in half a decade. Working with Sly & Robbie, Dylan delivered his new songs in a style he’d never attempted before. Continue reading »