That’s A Cover? explores cover songs that you may have thought were originals.
If you’re a fan of power pop – roughly speaking, the place where early rock n’ roll, ‘60s bubblegum, and the British Invasion converge – then Blondie probably ranks high on your list of faves. Refracting modern rock through multiple lenses – ’50s pop, ’60s girl groups and ’70s punk, to name a few – the band sucked you in with clever, poppy melodies while maintaining a distance sharpened by dark, ironic humor.
If it doesn’t quite represent their commercial peak, the band’s 1978 album Parallel Lines is without much doubt their finest work, crashing out of the gate with “Hanging on the Telephone,” a near-perfect snapshot of illicit romance and sexual frustration, come and gone in 2 minutes 17 seconds.Continue reading »
In Pick Five, great artists pick five cover songs that matter to them.
We launched our new series “Pick Five” last week with Emel Mathlouthi, and today the great singer-songwriter Frank Turner tells us about his five favorite cover songs.
Dubbed “the people’s prince of punk poetry,” Turner has broadened his sound on upcoming seventh studio album Be More Kind (out May 4th), the follow-up to his acclaimed 2015 release Positive Songs For Negative People. He told NME that he incorporated sounds fans might not associate with the guitar-basher, like keyboard synths and sampled loops. For a taste of this lusher production, listen to the latest single:
Such eclectic influences can also be seen in the five covers he picked for us. He mixes in the guitar-strummers and punk-blasters fans might expect (Johnny Cash and NOFX, respectively) with artists like Joe Cocker and Tori Amos. He also illustrates the depth of his musical knowledge; as he notes, few people even realize the Blondie song he picks is a cover. So let’s turn it over to him.Continue reading »
Follow all our Best of 2017 coverage (along with previous year-end lists) here.
Year-end lists are a time to look back. That’s something we’ve been doing a lot of this year.
See, we turned ten years old in 2017 – practically ancient in internet-blog terms – so we’ve indulged in what we feel is well-earned nostalgia. At the beginning of the year, each of our writers picked the ten most important covers in their life (see them here and here and here and here and here and here and here and here and here and here). We even listed the ten most important covers in Cover Me‘s life, from the song that inspired the site to our very first Best of the Year winner.
Then, to cap things off, in October we commissioned a 25-track tribute to the cover song itself – which you can still download for free. We love the covers everyone contributed so much, incidentally, that we didn’t consider them for this list. It’d be like picking favorite children – if you had 25 of ’em.
Oh, and have I mentioned I wrote a book? … What’s that you say? I mentioned that constantly? Well, I’m quite proud of it. It’s called Cover Me: The Stories Behind the Greatest Cover Songs of All Time and it makes a great Christmas gift and – ok, ok, I’ll stop. You can find plenty more about it elsewhere.
Suffice to say, there’s been a lot of looking back this year. And we hope you’ll indulge us this one last glance rearward before we leap into 2018. Because if it’s been a hell of a year for us, it’s certainly also been a hell of a year for the cover song in general. Some of this year’s list ranks among the best covers we’ve ever heard, period. So dig in, and thanks for your support this past decade.
Our official list of the Best Cover Songs of 2017 comes next week. But first, we’re continuing the tradition we started last year by rounding up some of the songs it most killed us to cut in a grab-bag post. No ranking, no writing, just a bunch of knockout covers.Continue reading »
Texas’s Toadies first broke through in 1994 with their classic “Possum Kingdom,” an anthem for rural stalker-murderers everywhere. Twenty years later, they’re still going strong with a new album, Heretics, out this month. It features reimagined versions of fan favorites including, yes, “Possum Kingdom,” plus plenty of songs with equally creepy titles like “Queen of Scars” and “Dollskin.” One song that wouldn’t seem as creepy is a cover of Blondie‘s “Heart of Glass” – but it turns out they made that dark too – similar to what they did with LCD Soundsystem a few years back.Continue reading »