Mar 012024
 
best cover songs february 2024
Annie Lennox — Nothing Compares 2 U (Prince/Sinéad O’Connor cover)

The emotional highpoint of the Grammys—well, other than Tracy Chapman’s return (covers-adjacent!)–was Annie Lennox’s tribute to Sinéad O’Connor during the In Memoriam. Bonus points because she was backed by two longtime bandmembers of Prince (who, of course, wrote the song), Wendy and Lisa. The teardrop on Lennox’s eye was very Prince, and the political statement at the end was very Sinéad. Continue reading »

Feb 212024
 

Nouvelle Vague is back with a new collection titled Should I Stay or Should I Go? I’m going to hesitate in answering that question, as there is the one more demanding, about how this lot are still going. No offense intended, mind; back in the day, Nouvelle Vague’s bossa nova revisiting of punk and new wave songs was really something to behold, with both the novelty and the application well worthy of praise and merit. But now? I know a version has been touring, but I hadn’t appreciated they were still marketing something new, or, more to the point, new to them. So, is this a soft sophisticated samba swirl through the song cycles of Eilish and Swift, Sheeran and whoever else the young people adore? Ummmm, nope. This is a further trawl through the hallowed dusty halls of the last century. Or, more to the point, hoping the audiences who loved them near two decades ago will still love them now, and are still listening to their tired old record collections.

I needed to check out the rationale, hastening to the requisite website. The fact that one of the originators, Olivier Libaux, is now the late Olivier Libaux should be enough confirm him spinning gently, counterclockwise, in his grave. I am presuming his then co-conspirator Marc Collin is still at the helm, as the agenda is seemingly unchanged, setting up a set of chanteuses unfamiliar with the originals, ironically perhaps all the more available as time flits by. So why does it seem now to, largely, pall, where it once delighted? Follow me…..
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Dec 172021
 

Follow all our Best of 2021 coverage (along with previous year-end lists) here.

best cover songs of 2021

To come up with our year-end list, we listened to thousands of covers.

That’s not an exaggeration, or loosely throwing around “thousands” for effect. My iTunes tells me I personally listened to and rated 1,120 new covers in 2021. And I’m just one of a dozen people here. Many of those thousands of covers were very good! But “very good” isn’t good enough for our annual year-end Best Cover Songs list. So when we say these 50 are the cream of the crop, we mean it.

They, as usual, have little in common with each other. A few tie into current events: Artists we lost, social justice concerns, live music’s fitful return. Most don’t. But does a doom metal cover of Donna Summer really need a reason to exist? How about African blues Bob Dylan, New Orleans bounce Lady Gaga, or organ ballad Fleetwood Mac? Nah. We’re just glad they’re here.

So dive into our countdown below – and, if you want us to send you a couple hundred Honorable Mentions culled from those thousands, join the Cover Me Patreon.

– Ray Padgett, Editor in Chief

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Sep 302021
 
best cover songs of september
Beyoncé – Moon River (Mancini/Mercer cover

Any month with a new cover by Beyoncé is a big month. Admittedly, her piano-crooning “Moon River” like so many others have piano-crooned “Moon River” – and for a Tiffany’s ad no less – is slightly underwhelming. But we’ll take what we can get, and, even if the approach is hardly novel, Beyoncé’s got the pipes to deliver. Continue reading »

Aug 202021
 

It would be easy to assume, on first acquaintance with the Aisles EP, that Angel Olsen is hopping on the bandwagon of artists who’ve found success making slowed-down and sulky covers of iconic ’80s pop tunes. She’s continuing a trend initiated by Gary Jules on “Mad World,” you might think, which M. Ward developed on “Let’s Dance,” Lorde on “Everybody Wants to Rule the World,” Kari Kimmell on “Cruel Summer,” and Greg Laswell on (yes, honestly) “Girls Just Wanna Have Fun,” a brooding version of the Pointer Sisters’ “I’m So Excited” surely just around the corner.

It might also seem that Olsen is tapping into the Stranger Things-assisted revival of analog synthesizers so central to the ’80s sound, which “boy from Michigan” John Grant has done so much to bolster in recent times. But, while there may be some truth in all of this, Olsen is way too singular an artist to be remotely obvious or predictable in her reinterpretations of tracks made famous by Laura Branigan, Billy Idol, Men Without Hats, OMD, and Alphaville.
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Feb 162021
 
miley super bowl covers

Last week Miley Cyrus continued her epic run of recent covers during her pre-game performance at this year’s Super Bowl. Along with a cover of “Heart of Glass” by Blondie (which we previously covered here), Miley also performed a modified version of “Mickey” by Toni Basil, “Head Like A Hole” by Nine Inch Nails and “Rebel Girl” by Bikini Kill. Her versions of “I Hate Myself for Loving You” by Joan Jett and the Blackhearts and “White Wedding” by Billy Idol, featured special appearances by their original singers, to the delight of the crowd. Continue reading »