May 062022
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Strangers in the Night

SecondHandSongs says that the two most-covered songs written in 1966 were by the Beatles – “Eleanor Rigby” and “Here, There and Everywhere.” That’s no surprise. The next two most-covered songs from that year were written by another songwriting team; Burt Bacharach and Hal David came up with “The Look of Love” and “Alfie.” Also no big surprise.

But then comes the fifth-most-covered song of 1966: “Beddy Bye” by Bert Kaempfert. Ring any bells? If not, perhaps you’ll recognize it from the movie it appeared in – the James Garner comedy-thriller A Man Could Get Killed. Still no? Well, at the time it had no lyrics, but once they arrived, and once Frank Sinatra sang them, it became immortal as “Strangers in the Night.”
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Aug 232019
 

That’s A Cover? explores cover songs that you may have thought were originals.

Sinatra Strangers

At the peak moment of the 1967 Summer of Love, Jimi Hendrix’s performance at the Monterey Pop Festival electrified the audience and punctuated his triumphant return to the United States. At the conclusion of his show, he wowed audiences with a cover of The Troggs’ “Wild Thing,” drenched in feedback and baptized in fire. During the guitar solo, Hendrix played the melody to “Strangers in the Night.” (Learn more about that magic night here.)

The song was in the popular consciousness. It had been a #1 Billboard hit for Frank Sinatra for seven weeks in the summer of 1966. And it remained on the charts for 20 weeks. It also was remarkable for being Sinatra’s first and only #1 hit in the era of rock music, his first in a decade. On top of which, it knocked down The Beatles’ “Paperback Writer.” The song earned Sinatra two Grammys in 1967, for Best Male Pop Vocal and Record of the Year, as well as winning Best Arrangement Accompanying a Vocalist or Instrumentalists.

However, Sinatra was not the originator. His crooning gave a platform for the English lyrics written by Charles Singleton and Eddie Snyder. But the melody belonged to German composer and orchestra leader Bert Kaempfert.
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