“Unique” is an overused word, so when a press blurb landed plugging an “incredibly unique cover album,” we were skeptical. But if ever something deserved to be called “unique,” a collection of avant-garde jazz covers of Blink-182’s massive 1999 album Enema of the State is it.
Bassist Benjamin Ryan Williams records as B.E.N. so his version is called, naturally, Benema of the State. It’s a concept as dumb and goofy as Blink-182 themselves, but Williams takes the project seriously. Despite appearances, Benema of the State is no novelty album. “The main reason I wanted to [make this record] is because I thought the composition and the melodies are really good,” he said. “It’s to try to recreate the feeling of listening to Blink-182 as a kid, but doing it as an adult playing their music.”