Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
By the time he recorded Rock ‘n’ Roll, John Lennon had been through quite a lot. From the dissolution of the Beatles to the fracturing of his marriage to the ever-present threat of deportation, he clearly had a great deal weighing on him. It was during this same time that he embarked on his legendary “lost weekend” in Los Angeles while estranged from Yoko Ono. Tearing through the city with drinking pal Harry Nilsson, Lennon seemed to fully embrace his chaotic path of self-destruction. While he would eventually come around enough to bring himself out of his increasingly fraught downward spiral, there was a clear spiritual line of demarcation between what came before and what was cut tragically short just a few years later.
It is within this self-reflective/post-self-destructive climate that Lennon embarked on the sessions that would produce Rock ‘n’ Roll. Not only would it represent a return to the music that inspired him in the first place, it also served as a swan song/love letter to fans, as he would, for all intents and purposes, retire from music and the public eye for the next half decade to concentrate on being a father to his son Sean. Because of this, there’s a heavy air of nostalgia at play. From the cover image (John in 1961 Hamburg, with a blurred Paul, George, and Stu Sutcliffe walking past him) down to the track listing, Rock ‘n’ Roll represents something of a mid-life reanalysis of self for the erstwhile Beatle. By returning to his roots, he was able to reassess his own position within and feelings toward the world of pop music.
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