Bat For Lashes aka Natasha Khan is known for crafting haunting, shockingly catchy pop songs like “What’s a Girl to Do?” and “Daniel” (which was recently given the covers treatment by both Josh Reichmann and Paul Dempsey). Her live cover of 1950s pop sensation Johnny Mathis’ 1957 love ballad “Wild is the Wind” is no exception. Though the romantic standard has been covered by the likes of Nina Simone and David Bowie, Khan lends the song her own dreamy pop chops and makes a version unlike any before it. Continue reading »

Download This scours the web’s dark corners for cool cover freebies. View past installments.

Toronto-based indie label Paper Bag Records boasts an impressive roster of bands, featuring both Canadian and international artists. SXSW breakthrough band P.S. I Love You, The Rural Alberta Advantage and Born Ruffians all call the label home. You Say Party! also worked with the label before breaking up last month. Continue reading »

It’s been a while since we’ve heard from Bat For Lashes. Sure, we’ve been making do with “Daniel” covers (1, 2), but her own covers have been missed. Her cover of Depeche Mode’s “Strangelove” finds her back at her best though. Thumping bass, ominous guitar effects, and Natasha Khan haunted-pop vocals return in full force. Continue reading »

Last year’s remake of the Karate Kid came and went pretty quickly. If that franchise cash-in failed though, another recent Kid throwback continues to inspire nostalgia. It’s Bat for Lashes’ song “Daniel.” Though she’s never officially confirmed that song concerns the beloved 1984 film, on the cover of the single she sports a tattoo of protagonist Daniel LaRusso. The lyrics stray a bit from the plot, true, but this could still soundtrack a solid training montage.

Something for Kate singer Paul Dempsey mused on the Karate Kid connection when he covered the song yesterday for Australia’s Triple J radio. “If this song is from the perspective of Mr. Miyagi, it’s really creepy,” Dempsey notes. His falsetto keeps things more positive, bouncing off the understated “Daniel” backing chorus for a fun cover that veers away from the original’s pop production without losing the instantly-catchy groove. Continue reading »

Song of the Day posts one cool cover every morning. Catch up on past installments here.

Concept albums are a dicey proposition. For every Quadrophenia, you get ten Metal Machine Musics (concept: making your ears hurt). When you base an album around your imaginary alter ego, the ground gets even shakier. Remember Garth Brooks aka. Chris Gaines?

Bat For LashesTwo Suns certainly doesn’t lack for pretension, but the meticulous attention to detail helps it rise above the mire. Natasha Khan takes on the persona of Pearl, a sprite who has a series of hazy encounters with sirens, planets, and the like. It doesn’t entirely fit together narratively, but the sounds Khan conjures unite the eleven songs in an ambitious fairy-pop dreamscape. It was nominated for Britain’s Mercury Prize (as was her previous offering, Fur and Gold) and apparently Ringo Starr is a fan.

Last year Josh Reichmann covered lead single “Daniel” for Paper Bag Records’ free Seven Year Itch compilation (which you can still download for free). Where Khan’s version was all grand synth anthem though, Reichmann strips it back to folk harmonies and electro blips. A great listen, whether or not you know the original. Continue reading »

The record that propelled Bruce Springsteen to superstardom, Born in the U.S.A. hasn’t aged all that well. Though the songs are still top notch, the how-80’s-can-we-make-it production sounds tacky to modern ears and, from Reagan’s misinterpretation of the title track to the white-tee music video for Dancing in the Dark, it’s hard to disassociate the songs from the decade that spawned the. Fifteen million copies later though, the record still resonates with people, and hearing the songs in a new format can remind even the most jaded about how good they really are.

Richard Shindell – Born in the U.S.A.
Stripped of its bombastic drum blasts, the song’s less likely to be interpreted as a rah-rah-America song this time around. Vaguely country-ish, but don’t hold that against it.

Thea Gilmore – Cover Me
An alt-folk sort of version here, the hauntingly brushed drums propel the echo of Gilmore’s subdued voice that replaces the originals swagger with a sort of desperation.

The Gourds – Darlington County
I couldn’t believe what a tough time I had finding a cover of this one. The best I could do was this live take from The Gourds. You may not recognize the name, but any cover-lover knows their bluegrass version of Gin & Juice. If anyone has a better cover of this one though, pass it along!

Joe Ely – Working on the Highway
Off of the Light of Day tribute album, it doesn’t stray too far from the original.

Kirk Kelly – Downbound Train
One of the album’s underrated gems, this ukulele take strips down the unnecessary production to a simple hootenanny jam.

Bat for Lashes – I’m on Fire
A lot of great covers of this track, I debated putting up the Johnny Cash version up, but will save that for a later post. This one is delicate and fragile, with strings subtle enough not to overpower the track. Bruce Goes Indie.

Pat McGee Band – No Surrender
The Eddie Vedder version is excellent, but has circulated so widely already I thought I’d give a little publicity to another live take, also acoustic, but with some great manly-man harmonies.

Jennifer Glass – Bobby Jean
Bobby Jean is not my lover…oh wait, sorry, different song. This is a track, originally about guitarist Steve Van Zandt’s departure from the E Street Band, that gets a lot of shit from fans. True it’s not amazing, but hearing it in this new format gives some fresh air to a tired classic.

Kid Harpoon w/ Florence – I’m Goin’ Down
Kid Harpoon is a favorite of mine, a wharf rat vagrant whose songs about milkmaids and murder sound like Decemberists outtakes. So this isn’t his normal style, but the combination of the two voices sounds like a nice, lowkey demo.

Matt Tyler – Glory Days
My least favorite song on the album, Tyler takes away most of the synthetic production and lets you actually hear the lyrics. From his Springsteen cover album Brilliant Disguise.

Charlotte Martin – Dancing in the Dark
I could do a whole post on this song alone. Tegan and Sara do a beautiful cover you can find here, but once again I’d like to showcase a lesser-known take. It’s a live recording, and imperfect in that she takes a while to get into the song, but the soulful solo piano arrangement is worth the wait. Almost enough to make you forget about that video.

Kallet, Epstein and Cicone – My Hometown
U2 did a cover of this too. Whatever. I stole this folk cover from Cover Lay Down, and I thank him for it. If Peter, Paul and Mary did the Boss.

And for more Springsteen cover excitement, check out my Bruuuuuuce post a few months back. Still not enough? Read my concert reviews of his shows in Hartford, Montreal, and Milwaukee this year. What can I say, I’m a fan.

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