Dec 092011

When we think back to this year, we might remember 2011 as the year that the whole concept of the “cover album” became more fluid, and not always for the better. Thanks to the increased prominence of sites like Bandcamp and Soundcloud, a cover album could be conceived, recorded, and shared in the space of a weekend. This didn’t necessarily lead to better cover albums, but it certainly led to more of them. They came in all formats – digital, CD, vinyl, and even cassette-only – and from all directions – labels, blogs, and even some magazines.

Which, we like to think, makes this list that much more helpful. In a year where the biggest single-artist cover album we got came from William Shatner, it proved a particular challenge to dig through the many obscure artists and assorted tributes and extract the gems. Gems there certainly were though, be they from newcomers making an impression with their favorite songs or old-timers honoring groups that influenced them decades ago. It may have taken a bit more work to find them, but the end result is as strong a selection as we’ve seen.

Continue to page 2 to read the list…

Aug 242011

Go put on “Gold Soundz.” Sunny alterna-pop at it’s finest, sonically summing up that twentysomething drunken summer spent at the moon tower. Feel the UV rays coming from the speakers. Did you ever think you’d hear a version you’d want played at your funeral?

Astrid Swan, already no stranger to the covers scene, looked to the catalog of one of the most revered bands in alternative music and put it through her Finnish-pixie prism. Hits (Pavement For Girls) is the result, as varied as it may be. The first question that comes to the male mind while letting Swan’s icily-expansive interpretations seep their way in: is this really how Pavement sounds to women? Continue reading »

Jul 142011

Pavement has never been a band that has been loved by one gender more than the other. However, in just the past year alone, the iconic ’90s band has been covered mostly by dudes (like Dale Earnhardt Jr. Jr., Surfer Blood, and Benjamin Shaw). Now, Finland singer-songwriter Astrid Swan steps up to the plate to bat for the females with a Pavement cover album aptly titled Pavement for Girls, set for release in August of this year. Check out two tracks below. Continue reading »

Dirty Pop

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Nov 032007

Doing a 180 from the last post’s Dylan covers, today we’re gonna showcase covers of the lowest of the low, the pop song. We’re talking the song that’s written by a team of middle-aged men for some dimwit nineteen year old to auto-tune her way through. Basically, everything you hear on the radio these days. As you might imagine, take away the elaborate production and the irritating fact that someone’s making a killing with these songs, and you wind up with lots of potential for fun covers. With comps like Pop Goes Punk selling big, the pop cover is almost a genre by itself. Here it is, done right.

Jenny Owen Youngs – Hot In Herre (Nelly)
Probably my favorite of the bunch, it takes a real talent to turn a rap song into a…non rap song. But she does it, adding a cutesy tune that is fabulously inappropriate for the lyrics, complete with awkward white-dude backing vocals. Finds like this are why I follow covers.

The Mountain Goats – The Sign (Ace of Base)
A folky duet by a group that seems to be enjoying this one a little too much. The lead singer was quoted as saying this was not supposed to be a joke cover, but rather should bring out the lyrical quality of the original. Whatever.

Willie Nelson – Time After Time (Cyndi Lauper)
If you didn’t know the original, you’d be hard-pressed to figure out this wasn’t a Willie Nelson song with a particularly catchy melody. He plays with the rhythm of the chorus in a way that throws you at first, but works.

Matt Weddle – Hey Ya! (Outkast)
A Youtube sensation, this version takes the quirky pop sensation and plays it straight, an irony-free meditation on hype and failure. When people perform pop songs as if there’s a deep meaning, 99% of the time they sound like idiots. This is the other 1%.

Jamelia – Numb (Linkin Park)
This was on pretty constant rotation for weeks after I discovered it at Copy, Right. Stripping down the heavy-handed production of the original in favor of heavily-strummed acoustic guitars (perhaps the main staple of good pop covers) reveals an incredibly catchy melody.

Shawn Colvin – Crazy (Gnarls Barkley)
One of today’s premier cover artists, this one floated around the blogosphere when it came out last year. It’s very tightly done, if perhaps a little precious.

The Raconteurs – Crazy (Gnarls Barkley)
And, on the exact opposite end of the spectrum, we have Jack White’s side project here. They performed this live a few times in ’06, including this version at Lollapalooza, thrash-rocking it out with some banshee squealing choruses.

Fountains of Wayne – Baby One More Time (Britney Spears)
Sounds about like what you would think Fountains of Wayne doing a Britney Spears song might sound like.

Nickel Creek – Toxic (Britney Spears)
More modern Britney here, this one’s a little love or hate, with fiddle, banjo, and loads of falsetto. I love it.

Dartmouth Aires – Ask the Lonely (Journey)
What pop cover set would be complete without a little Journey, the definition of guilty pleasure? And with a soloist who can belt it like just like Steve Perry, it doesn’t get better. [Note: Apparently Journey’s just good for acapella; Petra Hayden (formerly of the Decemberists) does a nice Don’t Stop Believing.]

Astrid Swan – When You Were Young (The Killers)
I feel like I’m showing all my cards in this entry, as many of these are among my favorite covers ever. The piano by itself would be pretty enough; add on top of it her gorgeous voice and you’ve got a version better than the original.

The Mooney Suzuki – Just Like Jesse James (Cher)
Just released on the album Guilt By Association, it’s another one that sounds so perfect for its context that it’s hard to remember it used to be very, very different.

Hurra Torpedo – Total Eclipse of the Heart (Bonnie Tyler)
The rhythm is off, the guitar playing is out-of-tune, and the vocalist can’t sing. But it’s being played by the leading Norwegian kitchen appliance band, so really what more do you need? (Don’t believe me…to youtube!)

John West – Umbrella (Rihanna)
There are a billion cover versions of this already, by everyone from Mandy Moore to Tegan and Sara, but the cello in this one makes it better than most. It takes the über-catchy factor out of the song, making it an acoustic slow jam that rocks you to sleep.