Jun 062017
 
asgeir covers

When I first drove around Iceland in 2013, one album was in every record store window, in every coffee shop: Ásgeir Trausti’s 2012 debut Dýrð í dauðaþögn. My experience was no fluke; supposedly one out of every ten Icelandic households owned a copy. Even the biggest pop star in America wouldn’t have that kind of reach (Beyonce’s Lemonade didn’t even reach one out of every one hundred households).

Suffice to say, Trausti became massive back home. And he has since worked tirelessly to expand his reach, to become the next in the lineage of Björk and Sigur Rós. His debut was re-released internationally as In the Silence, with lyrics translated into English by John Grant. And last month he released his follow-up, Afterglow. No Icelandic-language version this time. Continue reading »

Dec 182014
 

Follow all our Best of 2014 coverage (along with previous year-end lists) here.

A few months ago, I read an interesting interview with an artist named Nouela. You probably haven’t heard of her, but you may have heard her music. She’s become a specialist in a weird but growing niche: covers recorded for movie and television trailers. Whether doing a piano “Sound of Silence” to promote a new HBO show or a brooding “Black Hole Sun” to promote Liam Neeson punching people, she’s found a quickly-growing way of getting her covers out there.

It struck me as part of a growing trend we’ve seen. More and more great covers seem to come from unexpected places. Sure, you’ve got still your standby sources, your b-sides, tribute albums, and radio shows. But new avenues for covers have increasingly crept in. This year saw a Sam Smith cover that is only available to hear under Grey’s Anatomy dialog (thankfully he’s recorded a few live versions too) and a whole covers album recorded to plug a Canadian TV show. Brands have fully embraced covers too, most recently My Morning Jacket’s “This Land Is Your Land” recorded for North Face ads, or Charli XCX and Bleachers trading covers for Kia.

We don’t care where they originated when we make our year-end lists, though, and we would up with some of everything. In our top five alone, we’ve got a live radio session, a deluxe-edition bonus track, and a cover hiding in plain sight on one of the most acclaimed country records of the year. You have to keep an eye on more places than ever to spot the best covers these days. Wherever they come from, we’re glad to have ’em.

Click on over to page two to begin our countdown, and thanks for reading.

– Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)