Aug 282017
 
cover me book

Cover Me: The Stories Behind the Greatest Songs Of All Time comes out October 3. It dives deep into twenty iconic covers, from Elvis’s “Hound Dog” through Adele’s “Make You Feel My Love.” I interviewed artists like David Byrne and Roger Daltrey to get the untold stories behind their greatest covers. You can read all about it here.

Now we’ve got a special bonus for anyone who preorders: a free digital album of other covers of those same songs.

What’s the greatest “Take Me to the River” that’s not by Al Green or the Talking Heads? My favorite “Hurt” untouched by either of those men in black? An “I Will Always Love You” that sounds like the artist has never heard either Dolly Parton or Whitney Houston’s versions? This mix answers all those questions. Continue reading »

May 192017
 
Cover Me

As we’ve noted already, 2017 marks Cover Me’s tenth birthday. We’ll have some more celebratory posts leading up to the actual date this fall, but I’m thrilled to announce one thing that’s on deck for October: the release of my first book, Cover Me: The Stories Behind the Greatest Cover Songs of All Time!

Ever since I started this site, friends and readers have suggested that I should write a book about cover songs (surprisingly, a comprehensive book doesn’t really exist). For years, I resisted. “That’s like saying ‘I’m going to write a book about original songs’,” I’d snarkily reply – i.e., that’s a stupid idea. Cover songs seemed too broad a category. There’s no grand unifying theory of cover songs to fit tidily between two book covers; it’s too big and messy and wonderful a tent for that.

Aretha FranklinAfter years of saying no, I finally came up with the solution. I wouldn’t write a book about cover songs – instead, I would write a book about twenty specific cover songs, and through those twenty covers, a broader narrative would emerge.

The story of covers as traced in Cover Me involves artistic triumphs and music-industry shenanigans. It touches on trends in record-making, music videos, and the internet’s impact on music (did you know the first viral song was a cover?). There are beautiful moments of unlikely artists coming together, and some uglier instances of exploitation and racism. Every major change in the music industry since the advent of rock and roll finds some expression in the world of cover songs. Continue reading »

Feb 232017
 
MarcBroussard

Last fall, Louisiana soul singer Marc Broussard released covers album S.O.S. 2: Save Our Soul: Soul On a Mission. The second in a series of charity albums supporting Atlanta anti-poverty nonprofit City of Refuge, the record tackled soul classics by the likes of Otis Redding and Sam Cooke in big, brassy arrangements.

One of those songs was Aretha Franklin’s “Do Right Woman, Do Right Man.” Broussard’s album take was huge and passionate, with horns and backing singers galore. But in a new video that we’re pleased to premiere below, he takes it in a different direction – with a little help from his dad.

“I probably heard this song 10,000 times throughout my life,” Broussard says. “Aretha was a favorite of my father’s, this song in particular. Honestly, the first thing that struck me about it was the piano. It’s out of tune! I wouldn’t find out why until much later.” Continue reading »

Feb 162017
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

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Seuras Og is 59 and ought to know better. Tipped toward journalism by his careers teacher, he instead opted for a career in Family Medicine. He lives in Lichfield, England. His Gaelic mother would be proud to see his nom de plume, a direct translation. Less proud that he is still talking about pop music in his 60th year. This is his 3rd year of writing his essays for Cover Me. He particularly enjoys drafting whole album covers like Legend or Hunky Dory.
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Jun 032016
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

rotary_connection-songs

With the rise and, more importantly for the record companies, financial success of the pop music market in the mid-to-late-’60s, it should come as little surprise that this era served as one of the most prolific for cover songs. Some artists merely issued them as singles, while others saw fit to fill entire albums with pop hits of the day. And while the majority were given something of an easy listening makeover or subtle rewrite, there were a handful who saw fit to take this well-known, well-loved material and turn it on its ear. One of the best one-off examples of this is Smith’s smoldering reworking of Burt Bacharach’s song “Baby It’s You,” in which co-lead vocalist Gayle McCormick gives one of the best vocal performances of the era.

Taking a similar tack, psychedelic soul group Rotary Connection set their sights on the psych and pop hits of the day to create something wholly new and different with their 1969 album Songs. Where others who chose to take songs like the Band’s “The Weight,” “Respect” (either Otis Redding’s original or Aretha Franklin’s iconic version) and Cream’s riff-tastic “Sunshine of Your Love” stuck largely to the recognizable for understandable commercial reasons, Rotary Connection opted to take each song in an entirely new, often wildly experimental direction. By stripping the songs of their melodic and rhythmic familiarity, even the most played-out of these covers feels entirely new and different.
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May 032016
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

sister sparrow covers

“Our music is loud, fun, and it’s supposed to make you feel good.”

That’s straight from the mouth of Arleigh Kincheloe, the lead singer and Sister Sparrow to the collection of Dirty Birds that backs her up in this amazing rock/soul/funk band. Arleigh and her brother Jackson, who plays the prominently-featured harmonica for the ensemble, came from the Catskills to the band’s base of operations, Brooklyn. They formed in 2008, and by 2010 they had their self-titled debut album available. Since then, they’ve been road warriors, hitting venues and festivals all over the country. They’ve won listeners over the old-fashioned way: putting on the best damn shows they can and bringing to music to every pair of ears they can find.
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