Will Dailey has won the Boston Music Award for Best Singer/Songwriter. Five times. In his latest triumph, he takes on Arcade Fire‘s “Sprawl II (Mountains Beyond Mountains).” He strips the song from its playful disco beat vibes, instead offering a contrasting piece with gentle tapping drums and warm guitar lines in lieu of frisky synths and pianos.
A few years back, Ezra Furman dumped his band the Harpoons to go solo. Anyone familiar with the Ezra Furman and the Harpoons records – and you should be, Mysterious Power is one of the best rock and roll records of the decade – would have a hard time thinking they were holding him bach. They were pretty all over the place sonically, after all. But perhaps they were, as his latest album Perpetural Motion swings about even more wildly. Twisted doo-wop, lo-fi garage, twirly synth-pop, brash soul: the style changes from one song to the next, following his restless interests. And clearly he’s stayed restless, as he now has a five-song bonus EP too, a covers set available when you purchase the album at Rough Trade.
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question: What’s a cover song that introduced you to an artist?
Arthur Russell is one of those artists I keep promising myself I’ll make some time to listen to. I’ve heard and read lots of good things about him. But the only familiarity with his music I have is through covers of his songs. Joel Gibb’s version of ‘That’s Us/Wild Combination’ off the tribute EP ‘Four Songs By Arthur Russell’ is an absolute stunner of a song.
Arcade Fire got local during their Philadelphia tour stop, covering “Motown Philly” by hometown heroes Boyz II Men. The indie giants kept the track true to its funky R&B roots. From the look of the video the band had a grand old time with this tune, because who doesn’t love a little new jack swing? And if your dream is seeing Win Butler sing Boyz II Men in a giant fake head, then this video is absolutely for you.
I’m not sure there were more great cover songs this year than any other. But there were more good ones.
What I mean by that is, the average quality of the covers we come across in the time we’ve been around has risen, rather dramatically. Whether they’re iTunes homepage singles or some guy emailing us his Bandcamp, more cover songs in 2013 avoid the old pitfalls than ever before. They don’t sound like they were recorded in a cereal box, substitute ear-bleeding volume for actual creativity, or – the worst cover sin of all – try to carbon-copying the original. With the ease of production and distribution available now, artists seemed to record covers only when they felt they had something to add, and do a halfway decent job committing those ideas to 1s and 0s.
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
Arcade Fire has a new album out. Reception: a trifle mixed, shall we say. But don’t let that stop you from engaging in a little cover love.
Their songs can be sweeping, epic, with almost a cinematic quality about them. Indeed, “Wake Up” was heavily featured in the trailer for Where the Wild Things Are (which was arguably the best thing about that film). We thought we’d invent some movie and television synopses to go with the covers below, both widely featured on the internets and by some newer unknown artists. Coming soon to a delusional theater in your mind…
Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.
Sara Lov first made a name for herself with the Devics, an indie dream pop-rock (for openers) L.A. band with a small but highly appreciated catalog. Since they came to a close, she’s released two full albums and is working on a third. She’s a fine songwriter, but has shown a special flair for cover songs; whether the original is too cool for school or the guiltiest of pleasures, she makes it matter without making it unapproachable.