Feb 102020
 

Bonny Light Horseman reviewYou could be forgiven for thinking Bonny Light Horseman is an album of original material, so rigidly is it embedded in a certain sound, that of the bevy of (largely) acoustic troubadours who occupy that hinterland between folk and country, producing a timeless style of music that could have come from anywhere in the last 30 years. But no Americana, this. What we have here is material culled from way further back. All these songs are centuries old, usually with Anglo-Celtic roots, often veterans of the trans-Appalachian routes that applied new tunes, new arrangements and new interpretations, with the lyrics ever-evolving. And so here, as when many modern themes become seamlessly drawn into the mix.

Title track, and the name of the band, “Bonny Light Horseman,” is a good case in point. Nominally a song about Napoleon, it somehow also seems to cast reference to current political leadership foibles. This is no celebration of hey-nonny-no or of toora-loora-lay, barely (bar that Napoleonic name check) does any sense of the past or of any austere tradition creep in. Even the album’s best known song, “Blackwaterside,” scarcely reminds of previous iterations, whether the “authenticity” of Anne Briggs or the casual appropriation of Jimmy Page’s Led Zeppelin. That takes some skill when acoustic guitars and light percussion are all you have to play with. OK, having some more than half-decent voices is no hindrance.
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Dec 132019
 
best cover songs of 2019

In 2019, Cover Me wrote about more new covers than in any year in our 12-year history. I know; I checked the numbers. Our News team wrote amazing stand-alone stories on sometimes tight deadlines, adding context and research beyond “here’s a new cover” quickie. Plus, we rounded the best of the best into monthly 30+ lists, and added even more for supporters of our new Patreon. Even our Features team, who ostensibly couldn’t care less whether a cover came out last month or last century, seemed to be constantly finding new things to slip into their deep dives.

The point here is not to toot our own horn… well, that’s not entirely the point. What I want to do is emphasize just how high the bar to appear on this list has been set. Calling these covers great almost does them a disservice. There were way more than 50 great covers in 2019. In fact, we’ve already got 150 more bonus tracks lined up for Patreon supporters (which, I know I mention it a lot, but it’s how we keep this site afloat, so please consider supporting us if you like what we do). Honestly, we could throw all of the above in the trash and still come up with a pretty impressive batch of 2019 covers. But these 50 below – these are the cream of the crop, the belles of the ball, the toppermost of the poppermost.

You won’t agree. I guarantee it. As you go through this list, there will be at least one cover you hate. Maybe more than one. And if you followed cover news yourself this year, you’ll probably be outraged when a personal favorite placed too low, or didn’t make it at all. Great! That’s the beauty of these lists: It’s all opinion. Extremely educated opinions in our cases – I can pretty much guarantee that we collectively listened to more 2019 covers than any other site out there – but opinions nevertheless. So dive in and discover something new. Then help us discover something new by adding your own favorites in the comments.

– Ray Padgett, Editor-in-Chief

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Jul 312019
 

Check out the best covers of past months here.

best new cover songs july
Anais Mitchell & The Staves – Strong Enough (Sheryl Crow cover)

For a few years now, long-running French video company La Blogothèque has been filming a series they call “One to One” at Bon Iver’s various European festivals. They blindfold one audience member and bring them into a private room for a concert for one. Bon Iver did one, and Damien Rice’s is a must-watch. Personally, that experience sounds more awkward than enjoyable – especially with all the cameras in your face – so I’d rather just watch someone else’s personal concert on video. This one is a gem, feature The Staves with Anais Mitchell delivering a gorgeously-harmonized Sheryl Crow cover. Continue reading »