Aug 112017
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

wreckless eric

A few weeks ago, Cage The Elephant released a cover of Wreckless Eric‘s “Whole Wide World,” and a fine cover it is. Hearing it sparked a memory back to the late 1970s when the song was released by the fledgling Stiff Records (where Nick Lowe was the house producer) and became an unlikely “punk” classic. On the one hand, the song has given Eric Goulden a degree of lasting fame, and hopefully years of royalties, but on the other hand, it sadly has overshadowed Eric’s many other wonderful songs, written and performed as a solo artist, as a member of bands, and most recently with his wife, Amy Rigby, a great singer/songwriter in her own right.

According to Goulden, the genesis of the song was, as he wrote in the opening lines:

When I was a young boy
My mama said to me
“There’s only one girl in the world for you
And she probably lives in Tahiti…”

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Nov 112016
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

LeonardCohenLive

It’s hard to know where to start when talking about Leonard Cohen covers. In some respects, he might have been the most cover-friendly artist of all time. Only Bob Dylan would come close.

Why was his music so coverable? Well, for one he wrote terrific songs. Duh. But so do Bruce Springsteen and The Rolling Stones, and covers of their songs on average do not match covers of Cohen. Or look at the Beatles, who I’d put on the opposite end of this spectrum. The average Beatles cover is nowhere near as good as the original (though lord knows there are exceptions).

But no artist inspired more great covers than Cohen. Perhaps that is because unlike the Beatles, whose performances are hard to top, his original recordings were rarely definitive. His early albums were so barebones that one could do almost anything with this songs. Then there was the Phil Spector record, where great songs were buried under too much production. Then the ’80s came, a decade rarely kind to singer-songwriters, and Cohen’s records especially suffered from a reliance on instantly-dated production. In so many cases, Cohen’s perfect songs were presented with imperfect recordings. Hundreds of songs ripe for another artist to come along and make his or her own. Continue reading »

Aug 192016
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

sketch10

With Out of Time, R.E.M. completed their transition from college band to global stardom, and they wanted their next album to move away from Time‘s gentle lushness and move into harder-rocking territory, more suited to the grunge-y times. But when the band members reconvened, they found they were no longer of a mind to write loud ‘n’ angry. Result: Automatic for the People, a meditation on loss that’s downbeat without being depressing, from a band turning away from a world begging to be conquered so it could consider its disquiet. The record wasn’t what they originally promised, but it didn’t disappoint either – it went top-five worldwide, and today it’s considered the band’s masterpiece, the kind of album you put on and then you just lie down and you let it engulf you (or so it is said).

“Every one of its 12 songs is worthy of attention,” MOJO said, and in 2007 the website Stereogum proved it with their tribute album Drive XV: A Tribute to Automatic for the People. A celebration of Automatic‘s 15th anniversary, the tribute featured artists who grew up with R.E.M. as a constant in their lives, and hearing that familiar band speaking with a new voice clearly made an impression on these musicians who were still discovering their own voices and the ways they could be raised.
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Feb 112016
 
Photo Feb 11, 10 10 19 AM

It may be controversial, to the point of being nearly heretical, to compare anyone to David Bowie. In the weeks since Bowie’s passing, there has been a near-universal outpouring of emotion – not only of grief, but of inspiration and joy and freedom that Bowie brought to people’s lives. And, despite certainly being a very different artist, Amanda Palmer has roused very similar feelings in her fans ever since debuting as one half of the Dresden Dolls in 2000 and exploding into the spotlight with her massively successful Theatre is Evil Kickstarter. To her fans, Palmer has been a beacon of originality, artistic freedom, and rebellion for over fifteen years, and now she’s joined with Grand Theft Orchestra bandmate Jherek Bischoff (along with an incredible string quartet and additional vocals from Anna Calvi, John Cameron Mitchell, and Palmer’s husband Neil Gaiman) to record a benefit tribute to Bowie himself. Continue reading »

Nov 042013
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

LouReed

Not much can be said about Lou Reed that hasn’t already been said. When he died on October 27 at age 71, Reed left behind an indisputable legacy of influence that dwarfs some of the biggest names in rock and roll. You can ignore him, hate his music or his voice, dislike his politics or his openness with drugs and sexuality, or downplay his role in rock and roll history — but none of that matters. If you chopped down the tree of influence that grew from the roots of Reed and the Velvet Underground, what would come crashing down would take out most of the house of rock and roll as we know it. The leaf you listen to seems to be all its own, but the branches that hold it up are massive.
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Feb 282012
 

Despite initial detractors, Lana Del Rey’s album Born to Die debuted at #2 a few weeks ago. Moreover, judging by the number of covers churning out, her fellow musicians seem to be pretty unequivocally behind her. We’ve fallen behind with some recent LDR covers, so we’re gonna put ‘em together in a big roundup post. Continue reading »