Back in November, an Instagram clip was released of Ben Gibbard covering Alvvays’ “Archie, Marry Me,” and made the Internet swoon. Recently, a full video of the simple but powerful piano cover was released. Continue reading »

While Jose Gonzalez has a strong body of original work, he is best known for his incredible anthology of covers. The singer-songwriter is in full promotional swing for his first solo album in almost eight years and recently stopped by a game show in his native Sweden to perform this folksy cover of TLC‘s “Waterfalls.” Continue reading »

Happy 2015, folks – I sincerely hope you had an awesome start.

Let’s kick back and enjoy our first under-the-radar news post of the year – Kuma’s “Falling For Somebody New”, a re-imagining of the talented Kim Vallido’s “Do I Wanna Know?”, itself, a mellow piano rework of the gloomy Arctic Monkeys’ tune. Continue reading »

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

“Hey Joe” ranks right up there with “Stagolee” in the list of deathless murder ballads, and we have Billy Roberts to thank for its existence.

Billy Roberts? Who he, you ask, as did I, long believing the tale that Tim Rose spun about it being trad.arr. It certainly should be, call and refrain being common features within the traditional canon, but there isn’t enough evidence to nail that theory, so Billy Roberts, a ’60s coffeehouse folkie, has the official rights thereto. (Never mind the theory that he “gave” the song to Dino Valente, author of the Youngbloods’ “Get Together,” in order to give Valente some royalty income while he was in prison.)
Continue reading »

Dec 312014

We’ve done a lot of best-of-the-year rundowns already – you’ve surely seen our Best Cover Songs and Best Cover Albums of 2014 lists right? – but before the new year hits, we decided to do one more, a little postscript. For a last look back on 2014, here are the most popular posts of the year (with the disclaimers that posts made early in the year have an obvious advantage here, and we omitted popular pre-2014 posts like this one).

We’ll be back next week to kick off 2015. Until then, some highlights from the year that was… Continue reading »

Dec 182014

Follow all our Best of 2014 coverage (along with previous year-end lists) here.

A few months ago, I read an interesting interview with an artist named Nouela. You probably haven’t heard of her, but you may have heard her music. She’s become a specialist in a weird but growing niche: covers recorded for movie and television trailers. Whether doing a piano “Sound of Silence” to promote a new HBO show or a brooding “Black Hole Sun” to promote Liam Neeson punching people, she’s found a quickly-growing way of getting her covers out there.

It struck me as part of a growing trend we’ve seen. More and more great covers seem to come from unexpected places. Sure, you’ve got still your standby sources, your b-sides, tribute albums, and radio shows. But new avenues for covers have increasingly crept in. This year saw a Sam Smith cover that is only available to hear under Grey’s Anatomy dialog (thankfully he’s recorded a few live versions too) and a whole covers album recorded to plug a Canadian TV show. Brands have fully embraced covers too, most recently My Morning Jacket’s “This Land Is Your Land” recorded for North Face ads, or Charli XCX and Bleachers trading covers for Kia.

We don’t care where they originated when we make our year-end lists, though, and we would up with some of everything. In our top five alone, we’ve got a live radio session, a deluxe-edition bonus track, and a cover hiding in plain sight on one of the most acclaimed country records of the year. You have to keep an eye on more places than ever to spot the best covers these days. Wherever they come from, we’re glad to have ‘em.

Click on over to page two to begin our countdown, and thanks for reading.

- Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)

Dec 122014

Follow all our Best of 2014 coverage (along with previous year-end lists) here.

Back when we redesigned the site in 2010, we created basic star icons to represent the ratings we’d give an album when we reviewed it. 2 stars, 3.5 stars, etc. When we posted an album review, we’d find the corresponding icon where we last uploaded it. However, earlier this year we couldn’t find one of the icons we were looking for. Why? It turns out we’d never used it. We’d never before given an album a perfect five stars.

This year, for the first time, we did. Which should suffice to say it’s been an excellent year for cover albums. True, a few of the marquee tributes we most eagerly anticipated fell flat, either too formulaic (The Art of McCartney) or too out-there (that Flaming Lips’ Sgt. Peppers tribute we’ll never speak of again). But in the cracks and under the radar, cover and tribute albums thrived.

In our list of the twenty best, we’ve got everything from big names on major labels to DIY projects thrown up on Bandcamp. We’ve got New Orleans jazz, Parisian dub reggae, and songs that were popular when your great-great-great-great grandfather was calling town dances. Something for everyone, I guess. Something for all our fwends (sorry, that was the last time, promise).

Start the countdown on Page 2…

Some cover songs you know are going to fall short. However good the attempt is, all it’s going to do is remind you how good the original was. Richard Thompson’s “1952 Vincent Black Lightning” is one of those songs that, generally speaking, shouldn’t be covered. There are a handful out there, but the only cover truly worth noting is one by The Del McCoury Band. Their version is a bluegrass foot-tapper that fits the song perfectly. Continue reading »

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