No stranger to an exquisitely crafted cover song, Kendra Morris is back with a nuanced version of Madonna’s “Like a Virgin” that was just released as the B-side of her new single “Playing Games.” With her cover song mettle already on display with her 2013 release Mockingbird, Morris ramps up her game even more on her new release.
In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.
Jeffrey Ross Hyman was an odd boy. Disturbingly tall, gangly and gaunt, his facial features -typically hidden under an unruly thatch of hair – seemed disproportionate to his angular head, giving him a distinctly amphibian cast. Crippled by obsessive-compulsive disorder so severe that his mother feared he would spend his life housebound, he instead channeled his anxiety and alienation into music, starting a band with three other self-described “creeps” from the neighborhood, giving himself a new name and in the process changing pop music forever.
Onstage, he was transformed: Long limbs draped casually around an overextended mic stand, left heel pumping to the blistering jackhammer beat of his unstoppable band, it was impossible to take one’s eyes off this otherwise gawky and unsteady-seeming kid.
We’re talking, of course, about Joey Ramone.
Who but Donald Trump or Hillary Clinton can divide Americans quite like Taylor Swift? Practically anything she does gets scrutinized and overanalyzed, becoming fodder for conspiracy theorists and internet trolls. On Friday, Swift seemingly broke the internet again when she unleashed a banjo-infused, country cover of Earth, Wind & Fire’s classic “September” as a single on Spotify. Judging by the reactions of her fans and detractors, you’d think she had either discovered the Holy Grail or desecrated the Shroud of Turin.
With the exception of a small-minded baker in Colorado with a penchant for litigation, the wedding-service industry has mostly welcomed the legalization of gay marriage in the U.S. because of the new business it brings. Same-sex couples strutting down the aisle in greater numbers presents another hot-button cultural issue: how to find the perfect song for that first dance? Despite the fact that pop music has been loosening its collar since Elvis first shook his pelvis, when it comes to gender roles, mainstream songs tend to be as heteronormative as a ‘50s sitcom, no matter how suggestive the lyrics may be.
To address this issue, and no doubt tap into a lucrative commercial market, MGM Resorts sponsored a six-track EP called Universal Love. The collection features reworked versions of popular love songs with altered pronouns to celebrate same-sex love. The company must be betting big as they tapped serious star power, namely Bob Dylan, St. Vincent, Kele Okereke (lead singer of Bloc Party), Valerie June, Benjamin Gibbard (lead vocalist of Death Cab for Cutie) and Kesha.
Playing The Beatles classic “Something” still gives me goosebumps. Originally released on Abbey Road in 1969, George Harrison’s masterpiece was dubbed the best love song in 50 years by none other than Frank Sinatra. Wikipedia mentions over 150 artists who have covered the song (and that’s surely just a fraction). Well, we have a new addition.
Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.
Two weeks ahead of their much-hyped, one and only studio album in 1977, the Sex Pistols – for the last time as a complete unit – first chummed the water with the release of their fourth and final UK single following “Anarchy in the UK,” “God Save the Queen,” and “Pretty Vacant.” The iconic sound of marching boots from the introduction of “Holidays In The Sun” marked the beginning of the single and also the first track on Never Mind The Bollocks Here’s The Sex Pistols.
Lyrically, the song can be best described as John (Johnny Rotten) Lydon’s sarcastic observations about the band’s getaway from London and as a critique of consumer culture. To escape its pressures, an ill-fated trip to the Channel Islands (“They threw us out.” said Lydon.) gave way to a two-week blowout in Berlin. He likened it to the exchange of one “prison camp environment” for another. Musically, the song lifted its chord progression from the Jam’s “In The City” and the riff subsequently went on to become recognized as one of Rolling Stone’s 100 Greatest Guitar Songs of All Time. It was also the first Sex Pistols single to give a co-writing credit to John Simon Beverly – also known as – Sid Vicious. It’s not clear who came up with the repeating chant of “Reason! Reason! Reason!”
A deep look at the countless covers available turned up the widest variety of genres for any Sex Pistol single (nearly a dozen) but only a relatively small group of standouts. No “cheap holiday” here – so join us as we go over the Berlin Wall!