Few musicians would have the artistic audacity to imagine Foo Fighters‘ aggressive guitar-chugging “The Pretender” as a folksy banjo-driven track, but dutch multi-instrumentalist Tessa Rose Jackson isn’t one to shy away from a challenge, effortlessly taking on the American rock group favorite and transforming it into a light and playful homage.
First and foremost, I will start off by admitting I had no clue this was originally Cher‘s song. Then again, on first hearing Nancy Sinatra in Kill Bill Vol.1, I should have expected no less from Quentin Tarantino than to feature yet another brilliant cover song to accompany his film (after all, he did do it in Reservoir Dogs, Pulp Fiction, and Jackie Brown).
Warren Zevon was one of the most underappreciated artists in his time, at least by the general public. Sure, “Werewolves of London” gets heavy rotation between “The Monster Mash” and “Ghostbusters” on radio stations in October, but the rest of his catalog goes mostly unnoticed.
Suzanne Vega’s “Tom’s Diner” has likely popped into your head many times since the late 80s’, when it was first released. With a simple melody, a visual storyline for lyrics, and recurring “da-da DA-da, da-da DA-da da-da DA-da, da-da DA-
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question: What’s a favorite country & western cover of a non-country & western song?
A couple nights ago, the Mountain Goats played an intimate show at a NYC winery to to celebrate the release of their pro wrestling-themed album Beat the Champ (which is way better than that description might imply). They threw a couple covers into the mix, one of Ozzy Osbourne’s “Shot in the Dark,” which they released on a 7″ last year, and a new solo take on the Grateful Dead‘s “St. Stephen.”