For the past couple years, Bob Dylan has stuck to a pretty standard setlist on tour – kind of a bummer from an artist famous for switching it up night to night. And when he kicked off his new European tour over the weekend, he finally did just that. He’s brought in more songs from his terrific new Frank Sinatra cover album, and in Germany he debuted a cover of Willie Nelson‘s 1973 classic “Sad Songs and Waltzes.”
Is there an unwritten rule that all of the best dream pop has to come from Baltimore, Maryland? With Beach House, Future Islands, and Lower Dens all hailing from the birthplace of the Star Spangled Banner, it seems like it is. Lower Islands, whose latest release Escape From Evil is making every indie critic swoon, celebrated their recent success with this cover of Hall & Oates “Maneater.”
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question, from Cover Me staffer Raphael Camara: What’s a song that’s been covered too many times?
Samples in hip hop are a main ingredient of many successful hits. “No Church In The Wild” is no exception. That beautiful looped guitar riff comes from the talented master, Phil Manzanera, of Roxy Music. Phil’s solo work, “K-Scope” from 1978, was sampled by Kanye West and Jay-Z in their 2011 song.
Justin Vernon of Bon Iver has put together a music festival in his hometown of Eaux Claire, WI this summer, and they’ve been putting some cryptically-titled videos to promote it. One, titled “It Was a Train That Took Me Away From Here…” turns out to be a cover of Tom Waits‘ “Train Song” by Francis and the Lights. Performed surrounded by lights, it’s a beautifully-shot minimalist piano cover a far cry from the full band’s dancier work.