In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

We’re going to take it down a notch today with an artist known more for her songs than her performances. While some would say this is a dream come true for songwriters who also perform, for Patty Griffin it’s been both a curse and a blessing. Griffin’s “Let Him Fly” and “Top of the World” are more known by their Dixie Chicks covers; “Up to the Mountain (MLK Song)” is known for being American Idol-ized - in fact, four performers on American Idol have sung “Up to the Mountain,” turning it almost into a karaoke contest. Miranda Lambert, Jessica Simpson, and a cast of thousands just can’t stop singing Patty Griffin songs, and their covers have become wildly popular. But Griffin herself is much less known, and even though she’s won Grammys, the public at large often thinks that her songs belong to someone else. Continue reading »

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Kevin Dotson got the name Linus of Hollywood from his wardrobe bearing a similarity to that of the Peanuts character. A self-described metalhead in his youth, he started out in the pop-punk band Size 14; by the time he was releasing solo work, he was radiating California, from his nom de tune to the good vibrations coming off his sunny melodies in waves. Continue reading »

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Susanne Mohle and Pete Klein are Night Bird, a jazz-inflected Deutschland duo who take popular songs and transform them into tunes that fit right into any smoky basement with a cover charge. It’s not an uncommon approach, but the end results are a lot rarer – quality performances that don’t leave you pining for the original hits by the original artists.
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Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

It feels a little strange putting the Great Lake Swimmers in the “Under the Radar” category. After all, they’ve been recording albums for over a decade – their fifth, New Wild Everywhere, came out earlier this year. They’ve toured the world and elsewhere, with adoring crowds currently flocking to see them throughout Europe. They have nearly 50,000 Facebook fans and hundreds of thousands more around the planet. And yet, they’re still known for being little-known, their ambient-folk sound ever reluctant to cross the mainstream. Continue reading »

Oct 192012

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Rumer is one of those performers who works for years to become an overnight success; she won Mojo’s 2011 Best Breakthrough Act award more than a decade after she started performing. One listen to her and you’ll wonder what took the world so long. Her voice is regularly compared to Karen Carpenter’s, and she doesn’t just sound at home singing the soft-pop sound of ’70s AM radio – she makes that sound matter like no one else has dared to in a long time.
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Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

The Bobs are an a cappella group that pride themselves on their originality – and when you’re writing songs with titles like “Mopping, Mopping, Mopping,” “Andy Always Dreamed of Wrestling,” and “Please Let Me Be Your Third World Country,” there’s clearly a lot of originality to be proud of. There’s just as much originality in their renditions of songs they didn’t write, and they’ve been entertaining audiences across the US and Europe with them for almost a third of a century with nothing but voices and self-percussion. Continue reading »

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

A good ’60s cover act has two duties: 1) come up with a creative, memorable name to help them stand out among their peers, and 2) play the songs that everybody knows. The Strolling Scones handle the first part with an enviable nonchalance – how could anybody forget that name? But when it comes to the second part, they go in another direction entirely. Continue reading »

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

They’ve been called “the ABBA of bluegrass punk,” and their label’s beautifully written artist page says they’re “doing their best to keep bluegrass from tottering meekly into a dust-covered coffin.” They’re the Meat Purveyors, and while their name may suggest a Victorian butcher shop, one listen to their musicianship and you’ll know that butchering is the last thing on their mind. Continue reading »

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