Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Chuck Prophet is the classic “under the radar” artist. He’s a musician who has been recording for nearly 30 years – first with Green on Red, a band that seems more respected in its absence than it was recognized during its existence, and then as a solo act, in which a small handful of his impressive songs have barely nudged into public consciousness. He has been a successful songwriter for hire, a sought-after sideman, and has a number of higher-profile admirers. His music is generally well reviewed, and he tours regularly and successfully. Although we at Cover Me are not privy to his tax returns, it is probably safe to say that he makes a pretty good living at the music thing, but that he isn’t using hundreds to light his smokes.
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Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

When your share your name with a father who’s a member of the Country Music Hall of Fame… when you grew up living next door to George Jones and Tammy Wynette… when you have Shel Silverstein for a mentor… a life in the music business would seem preordained. That’s what Bobby Bare Jr. has made for himself, from duetting with his father in 1973 to selling t-shirts and working lights at concerts to becoming a full-time musician when he was about thirty. It’s been a hard life [the documentary Don't Follow Me (I'm Lost) follows him and his band down the long road of touring], but it’s paying off. This year alone he stole the show at SXSW’s Lou Reed tribute with his take on “Oh! Sweet Nuthin’,” and he released his very first cover of a song of his father’s, “Shame On Me,” saying that he “figured after 8 of my own albums I can’t be accused of ‘coat tailing’ at this point.”
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Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Rasputina are number one in a field of one (unless you know of other steampunk cellist trios), but the territory they carved out for themselves has proven to be a touchstone for any artists who want to marry goth to chamber-pop. Melora Creager is the band’s sole constant, and she and her compatriots have been donning Victorian duds and partying like it’s 1799 for over two decades now.
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Oct 182013

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Sara Lov first made a name for herself with the Devics, an indie dream pop-rock (for openers) L.A. band with a small but highly appreciated catalog. Since they came to a close, she’s released two full albums and is working on a third. She’s a fine songwriter, but has shown a special flair for cover songs; whether the original is too cool for school or the guiltiest of pleasures, she makes it matter without making it unapproachable.
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Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Tara Jane O’Neil’s artistic work crosses multiple boundaries – she’s a singer-songwriter, multi-instrumentalist, and a drawer and painter whose creations have been exhibited worldwide. She calls Portland, Oregon home, with additional residencies in the hearts of thousands. Her website states that “her work innately crosses genres and boundaries,” a point brought home by her collaborating on an album with Nikaido Kazumi, despite their not sharing a spoken language. Perhaps most important, her skills at karaoke are unparalleled – people are still talking about her performance of “Xanadu” at the Experimental Filmmaker Karaoke Throwdown in 2008.
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Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Are you looking to discover a dream-poppy, trip-hoppy kind of singer? Do you want to learn about someone who invests her emotions in electronica? Have you been waiting far too long for the chance to learn about a singer-songwriter who can’t help but obliterate the way you think about famous songs with her covers? Boy, have we got an artist for you, and her name is Mimi Page.
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Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Back in 2010, Cover Me posted a Live Collection of the Drive-By Truckers, the Athens, GA band led by Patterson Hood. It featured “every DBT concert cover we could get our hands on,” adding that “Hood’s vast solo repertoire will wait for a later date.” That’s an undertaking for another day, but today we can at least scratch the surface and share a few of Hood’s covers.
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In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

We’re going to take it down a notch today with an artist known more for her songs than her performances. While some would say this is a dream come true for songwriters who also perform, for Patty Griffin it’s been both a curse and a blessing. Griffin’s “Let Him Fly” and “Top of the World” are more known by their Dixie Chicks covers; “Up to the Mountain (MLK Song)” is known for being American Idol-ized - in fact, four performers on American Idol have sung “Up to the Mountain,” turning it almost into a karaoke contest. Miranda Lambert, Jessica Simpson, and a cast of thousands just can’t stop singing Patty Griffin songs, and their covers have become wildly popular. But Griffin herself is much less known, and even though she’s won Grammys, the public at large often thinks that her songs belong to someone else. Continue reading »

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