Adele dominated the cover song landscape in 2011, but Two-Aught-Twelve saw no similar galvanizing figure. Yes Lana Del Rey got covered a lot, but Leonard Cohen and Arcade Fire also seemed to garner an unexpected landslide of great covers (and speaking of landslides, so did Fleetwood Mac). “Call Me Maybe” was a huge hit that didn’t lead to much in the way of classic covers, and few seem to have even bothered attempting the Korean raps on “Gangnam Style.”
Which means that cover songs in 2012 were more diverse, ambitious, and left-field than ever before. A given YouTube search or Hype Machine browse would be as likely to turn up forgotten hits or underappreciated songwriters as it would the latest Top 40 smash. Find a sampling of all the diversity in Cover Me’s official Best Cover Songs of 2012 countdown. Start with #40-31 on the next page, and check back daily as we’ll be adding more til we hit #1.
This year’s cover albums offered ambition on a scale we’ve never seen before. Moving beyond the normal “cover a bunch of random songs we like” tossoff, 2012 offered deeply thought-out conceptual collections. One updated kiddie folk songs for raved-out rockers, others reworked complete albums to their own ends. Even the all-star tributes that pop up every year aimed higher – one of the year’s most high-profile had 70+ tracks! So today we count down the best of the bunch, the ones that swung for the fences and got there. With every passing year there seems to be less sigma attached to the phrase “cover album,” and these sets move that needle even farther forward.Continue reading »
For their latest single, ZZ Top draw on an unlikely inspiration: Houston rapper DJ DMD, who had a minor local hit in 1999 with “25 Lighters (ft. Lil’ Keke & Fat Pat).” The bearded trio have renamed it “I Gotsta Get Paid,” and fuzz-riffed it out with a classic chicks and hot rods video.Continue reading »
This was the first year that the free, three-day music festival Hardly Strictly Bluegrass was without it’s founder Warren Hellman. Warren passed late last year and left a San Francisco tradition that is being faithfully carried out by an army of music lovers, bigger and better than ever. This year’s festival in Golden Gate Park featured 6 stages, a crowd of 600,000 and 88 acts with a variety of artists like Patti Smith, Elvis Costello, The Lumineers, Steve Earle, Emmylou Harris, Conor Oberst, The Civil Wars, Son Volt, Ralph Stanley, Nick Lowe and many more. Check out a handful of the many covers from the weekend below!Continue reading »
As the crumbled fliers and crushed PBR cans across the Lower East Side and Williamsburg will attest, another CMJ has come and gone. In a year that didn’t seem to quite have the star power leading into it, hundreds of under-the-radar bands had a reasonably level playing field on which to try to impress to industry and tastemaker types who swarm the city’s diviest clubs. Here are five standout acts we caught, complete with a great cover each has done in the past.Continue reading »
Despite initial detractors, Lana Del Rey’s album Born to Die debuted at #2 a few weeks ago. Moreover, judging by the number of covers churning out, her fellow musicians seem to be pretty unequivocally behind her. We’ve fallen behind with some recent LDR covers, so we’re gonna put ‘em together in a big roundup post.Continue reading »
Every Wednesday, our resident Gleek Eric Garneau gives his take on last night’s Glee covers.
In “Extraordinary Merry Christmas,” Artie (Kevin McHale) is offered the chance to direct McKinley’s glee club in a televised Christmas special. Little do the other club members know he takes his Christmas inspiration from some bizarre sources.
“Extraordinary Merry Christmas” is not the first Christmas special to air on television this year. It’s not even the first Glee Christmas special to air, thanks to the irreverent, genius and criminally unpopular NBC sitcom Community, which last Thursday dedicated its entire Christmas episode (entitled “Regional Holiday Music”) to spoofing the Fox musical juggernaut. The staff behind Community probably couldn’t have predicted that they’d get payback for spending a half hour in Glee‘s shoes; this week, Glee decided to live in Community‘s world with an episode you’d expect to see on that show or, really, anywhere but Glee. The Christmas special Artie ends up producing is a (directly referred-to) mash-up of the much-maligned 1978 Star Wars Holiday Special, Judy Garland’s classic 1963 Christmas special, and at the end some Charlie Brown Christmas for good measure. The result basically ends up a cover of a TV show. Though Glee certainly likes to allude to existing pop culture, even going so far as to recreate certain music videos shot-for-shot, it has never lived in another universe for two acts before. That’s Community territory, but Glee pulls it off marvelously.Continue reading »