Nov 192018
 
wil gold digger

Kanye West’s 2005 hit “Gold Digger” has origins that pass right through the heart of 20th century popular music. The story begins in 1954, when a black gospel group called The Southern Tones recorded a song called “It Must Be Jesus.” Its lyrics served as a warning to all sinners that Jesus is “Goin’ around” and “Takin’ names.” The song might have been lost to history, had it not been for a young R&B singer named Ray Charles who reworked it as “I Got A Woman.” The song would become one of Charles’ signature tracks and serve as an inspiration to Elvis and the Beatles, who both covered it.

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Nov 132018
 

The Wall ReduxOften ranked among the best concept albums of all time, Pink Floyd’s The Wall was released on November 30, 1979. Produced by band members David Gilmour and Roger Waters along with Bob Ezrin and James Guthrie, it’s overwhelmingly considered Waters’s baby. He conceived of Pink, the fatigued rock-star figure on whom the album centers, and who is widely thought to contain characteristics of both Roger Waters and Pink Floyd cofounder and original frontman, Syd Barrett. The musical narrative confronts war, the ugly side of stardom, and the conformity encouraged by many English private schools of the day – blending the nominally unrelated subjects into seamless theme.

Covering an album as entrenched in the musical culture as this one is ambitious and dicey by nature. Many well-known acts have covered Pink Floyd, and even the more celebrated among those covers are not immune to pushback from tie-dyed-in-the-wool Floyd fans. The bands behind The Wall Redux certainly get points for chutzpah. The newest redux effort from Magnetic Eye Records, this compilation invites artists from rock and metal to revisit all the songs on Pink Floyd’s 11th studio album.
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Nov 122018
 
lucius christmas time

As the clichéd complaint goes, the Christmas season seems to come earlier every year. That’s certainly true in the cover-song world, at least. While this may be the first 2018 Christmas cover we’re posting, it’s hardly the first we heard. That happened – really – in September (it was still technically summer!).

But today, we finally end our no-Christmas-covers blackout. And the cover that proved so good we couldn’t even make it to Black Friday? Lucius’s gorgeous cover of the A Charlie Brown Christmas standby “Christmas Time Is Here.” The duo of Jess Wolfe and Holly Laessig lend their ethereal harmonies to a version that retains the original’s swooning beauty, even with indie-pop twinkles replacing the jazzier touches. Continue reading »

Nov 062018
 
band of heathens abraham martin and john

When delivered with passion and a reverence for the record being covered, a track-for-track covers album reimagining an iconic album by someone’s musical heroes can result in an intoxicating listen. Norah Jones and Billie Joe Armstrong mined this territory on 2013’s Foreverly, an album paying tribute to the Everly Brothers’ Songs Our Daddy Taught Us. The Walkmen took the format to the next level, inhabiting the very essence of the John Lennon-produced Harry Nilsson cult classic Pussycats with Pussycats Starring The Walkmen. And now, in 2018, the Austin-based Americana group The Band of Heathens have delivered A Message from the People Revisited, a timely tribute to the Ray Charles record A Message from the People, originally released in 1972. Continue reading »

Nov 062018
 
parquet courts neil young cover

Are we undergoing a Trans-aissance? Neil Young’s least-loved album (which is saying something) – the one where he tried his hand at electronic music, the one where he got sued by his own label – may finally be on the verge of redemption. Last month, Danish producer Trentemøller covered the album’s “Transformer Man” and now indie-rock favorites Parquet Courts have tackled “We R In Control.” Continue reading »

Nov 052018
 
david crosby woodstock solo

In 1969, on the advice of her manager, the folk singer Joni Mitchell opted out of playing an event dubbed “An Aquarian Exposition” in the tiny farm community of Bethel, N.Y. Had she performed, it’s possible she would have played a rain-drenched set filled with technical difficulties and tried to forget the whole thing. Instead, while watching the events unfold on TV, she was inspired to write a song that would bear the festival’s more popular name: “Woodstock.” Continue reading »