First Aid Kit’s own records have gotten progressively poppier in recent years, but their cover choices still stick with their winning formula: beautiful harmonies, an acoustic guitar, maybe a little subtle percussion – and did we mention the harmonies? We last heard them covering 20 different Leonard Cohen songs in a stunning tribute concert (oh, they did Lorde too for good measure), and now they’re back to tackle Kate Bush’s “Running Up That Hill.”
Despite reports to the contrary, jazz is still not dead. Leading the genre well into the 21st century is saxophonist Kamasi Washington, whose experimental, freeform playing style has earned him comparisons to jazz legends from John Coltrane to Pharoah Sanders. Washington recently released a double-album Heaven and Earth and an EP The Choice that included covers of the Fist of Fury movie theme, “Will You Love Me Tomorrow” and “O-o-h Child.”
The theme to the 1972 Bruce Lee film Fist of Fury is like a snapshot of Hollywood themes of old, somewhere between the majestic sounds that defined old Westerns and the soundtracks to early James Bond films. Washington transforms the cover, which he renamed “Fists of Fury,” into a nine-minute experimental protest anthem. With the song, he merges the orchestral soul that defined the spirit of ‘70s blaxploitation flicks with fusion jazz.
Cover Me’s top-ten covers of 2017 featured everyone from Chance the Rapper to Bob Weir. But scroll all the way down the #1 and you’ll see an unexpected combo: Lucinda Williams and jazz sax virtuoso Charles Lloyd, covering “Masters of War.” Now they’ve collaborated on an entire album – and the first single is another cover.
Williams has never been one to be pigeonholed into one genre or another. Whether she is turning her car wheels down the gravel road of blues, rock, or folk, everything she touches seems to turn into eclectic gold. And now, with the upcoming Vanished Gardens, a collaboration with Lloyd and his band The Marvels, Williams expands the jazz section of her genre-spanning resume.
Ocean’s, the girl/buddy heist film starring Sandra Bullock, Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, Rihanna, Helena Bonham Carter, and Awkwafina was spawned from the George Clooney – and before that, Frank Sinatra – series’ of similar name. The film opened on Nancy Sinatra’s birthday (June 8) with her iconic, Lee Hazelwood-penned 1966 #1 hit “These Boots Are Made for Walkin’” featured predominantly in the trailer and the soundtrack. Both trailer and soundtrack include the original and an even more up-tempo cover version by electronic artist Nick West.
In the ‘50s when Elvis Presley shook his pelvis and sang his rowdy brand of rock n’ roll, America exploded. Kids loved it, parents hated it, religious nuts denounced it and racists accused him of infecting white America with black culture.
By the late ’80s, he was practically considered wholesome, harmless entertainment when Guns N’ Roses came along. They were loud, dirty, drunken buffoons, who dressed like slobs and played fast, dirty, misogynistic music. The MTV generation went wild, while their parents, who grew up on Elvis, naturally freaked. One of my fifth-grade classmates’ moms actually mailed copies of the group’s lyrics around to all of our parents warning them of the music’s dangers.
Three hours after we posted our Best Beyoncé Covers Ever countdown last month, Zayn Malik released a terrific version of “Me, Myself, and I” (it came at least in time for our Best of June list). Luckily, his new Elvis cover arrives before any best-Elvis-covers ranking – because it would surely rank high.
Zayn’s former One Direction bandmate Harry Styles has made notable rock moves since the boy band’s hiatus, having a genuine hit with a song that sounds like ’70s rock radio. So Harry covering Elvis would not surprise (frankly, judging by the number of “Styles Channels Elvis with…” headlines in the past year, it’s shocking he hasn’t). But Zayn Malik displays less overt affinity for rock and roll, which makes his new “Can’t Help Falling in Love” cover more surprising – and also, probably, better.