In support of the release of their new album Father of the Bride, Vampire Weekend is hot on the performance circuit. They recently appeared on Jimmy Kimmel Live to perform “Sunflower” from the new album, and also delivered a stunning cover of Bob Dylan’s “Jokerman.” This isn’t the first time Vampire Weekend have performed the Dylan classic. The band performed the song on GQ Live in Los Angeles back in December, though this current performance is far more nuanced.
It’s been 23 years since Sublime released their self-titled studio album. It was their breakout record, gaining tons of airplay and new fans for the band. It was also their final album, released just months after lead singer Bradley Nowell’s death. One of the hit singles was “Doin’ Time”, a song built largely on samples and influenced heavily by George Gershwin’s oft-covered “Summertime”. Although it has aged well, it’s still a song that evokes the late 1990s. And then Lana Del Rey got a hold of it.
There is a strong early Bob Dylan vibe blowin’ in the wind of J.S. Ondara’s debut album Tales of America released earlier this year. The record, a sublime set of stark sometimes melancholy tunes that perfectly frames the boyish vocals and nuanced delivery inherent in Ondara’s voice has earned him a nomination for emerging artist of the year to be presented by the Americana Music Association later in the year.
Growing up in Nairobi, Kenya listening mostly to rock music, Ondara apparently always thought that “Knockin’ On Heaven’s Door” was a Gun’s ‘N’ Roses song. After he lost a bet to a friend who told him that the song’s true origins, folk music became his passion. And so began his travels down the Dylan rabbit hole that eventually lead him to Minneapolis, in Dylan’s home state, to pursue his career.
For the new documentary I’m Leaving Now (Ya Me Voy), about an undocumented worker in Brooklyn, singer-songwriter Xenia Rubinos covered The Clash’s “Should I Stay or Should I Go.” It features all the energy and passion of the original, with a twist: with the personal approval of The Clash’s Mick Jones, she translated the lyrics entirely into Spanish.
Mark Kozelek is no stranger to finding the gourmet meal in what others might consider fast food. A prolific songwriter whose own tunes have gotten progressively less melodic and lyrics have gotten more and more literal, Kozelek has not lost his touch in turning rock songs into acoustic vignettes. Here, he takes the Huey Lewis and the News 1985 pop rock song “The Power of Love” and, with the help of singer/violinist Petra Haden, he finds the beauty at its core.