Kid Moxie’s upcoming score for indie film Not To Be Unpleasant, But We Need To Have a Serious Talk is, as film scores typically are, mostly instrumental. But it closes with a surprising cover, as Kid Moxie aka. Elena Charbila tackles Alphaville’s ’80s synth-pop classic “Big in Japan.” Her cover keeps it synthy, but adds a wistful dreampop sheen that gives it a darker undercurrent. No surprise if it sounds vaguely Twin Peak-sy; she’s worked with David Lynch and his longtime composer Angelo Badalamenti (on a new version of Blue Velvet’s “Mysteries of Love”).
Dom Thomas is perhaps best known for his other gig, as founder of acclaimed reissue label Finders Keepers. So no surprise that the songs he selected for his band Whyte Horses’ new covers album dig deep. With a shifting group of collaborators, he covers some real cratedigger picks by groups like Belgian music polymath Plastic Bertrand (“Ca̧ Plane Pour Moi”) and Long Island twin soft-rockers Alessi Brothers (“Seabird”).
Paul McCartney’s classic ballad of elderly isolation is given a bluegrass update in The Brothers Comatose‘s new cover of “Eleanor Rigby.” The Beatles‘ summer 1966 single (paired with “Yellow Submarine”) is their first song to feature no instruments by the band members, though McCartney wrote it on piano. Instead, George Martin wrote a string arrangement for a doubled up string quartet, giving the song a cinematic quality no Beatles songs and few pop songs had previously. The Beatles only contributed vocals to the finished product.
In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.
Neil Peart, the deep-thinking, world-traveling, book-reading, book-writing, virtuosic drummer and primary lyricist for the Canadian power trio Rush, has died at age 67. Peart died of glioblastoma, an aggressive form of brain cancer, that had first affected him just over three years ago. He joined Rush in 1974, replacing original drummer John Rutsey, who had to leave the band due to health-related issues. Peart was a drummer’s drummer, with dozens of industry and press awards and hundreds of accolades from his peers. While his technical prowess is beyond impeccable, he received nearly as much attention for the lyrical direction in which he steered the band. As we mark his passing here at Cover Me, we’ll look at cover versions of Rush tunes that honor both of these equally important contributions.
At the end of every year, Norwegian singer-songwriter Sondre Lerche covers one of the past 12 month’s biggest hits. In the past he’s tackled Ariana Grande, Drake, and Beyoncé (that one made our recent Best Beyoncé Covers Ever countdown). For the project’s tenth year, though, he pulled a twist, covering not one song but three – and not entirely new songs either.
Perhaps no new artist was covered as often in 2019 as Billie Eilish. And as the year wound down, two more high-profile covers snuck in under the wire – both live, and both quite different than Eilish’s original recordings.