Jul 082011

Live Collection brings together every live cover version we can find from a prolific artist.

Warren Zevon had paid his dues for years before his self-titled 1976 release would finally get him a fair amount of critical attention and a modest amount of airplay. In his first pass through L.A. he was a session musician and jingle writer, penned a few songs for the Turtles and released a forgettable solo debut in 1970. Then he spent a couple years on the road with the Everly Brothers, both together with Phil and Don and then with each of them solo, like a child of a divorce custody battle, as the brothers were beginning their estrangement. A self-imposed exile in Spain would follow and when Zevon returned to L.A. in late 1975, his pal Jackson Browne was there to help him get a record deal. Zevon had some things in common with his laid-back Asylum label contemporaries, but what separated his music from Browne, Linda Ronstadt and the Eagles was his ability to write caustic and satirical songs about unconventional people often in awkward situations. Continue reading »

May 132011

Live Collection brings together every live cover we can find from an artist. And we find a lot.

Remarkably prolific by today’s standards,  Ryan Adams has released 12 albums (some solo and some with The Cardinals) since the breakup of his seminal alt-country band Whiskeytown in 2000. Not like your typical modern artist with three or four year gaps between releases. He’s also made friends in high places, including Elton John, Willie Nelson and Phil Lesh of the Grateful Dead. Not just a hard-working studio musician, Adams also tours extensively, with an upcoming European tour marking his return to the stage after his 2009 ‘retirement.’

Never one to hide his influences, Adams regularly includes cover songs as part of his live show. We’ve compiled a selection of his covers for our latest Live Collection. Remember this is no one-album artist. Given his back catalog, Adams chooses covers that, for the most part, really mean something to him. Country and ‘70s rock figure heavily in his choices: five songs associated with Gram Parsons, three classics by The Rolling Stones, and the obligatory Neil Young nod. Continue reading »

Live Collection brings together every live cover we can find from an artist. And we find a lot.

Over the past decade, Portland quintet the Decemberists have gone from indie darlings to indie darlings with a number-one album. This year’s The King is Dead took the band to new levels of commercial success, shining some national attention on a band whose name was once known only to the chamber pop-obsessed and English majors. It may not be too unfounded to compare this band’s story to that of R.E.M.’s in the ‘80s; in fact, given the unabashed fandom they display on The King is Dead, that’s a comparison they’d probably happily invite.

The collection of covers crooned by the Decemberists mostly betrays their too-cool-for-school nature. They seem to have hit all the requisites that prove you listened to hip music in the ’80s – the Velvet Underground, the Smiths, Echo & the Bunnymen, etc. However, there’s a few genuine surprises here. Embarrassing reading of the Outfield‘s “Your Love” notwithstanding, there’s some real pleasure to be had in the band’s delight at ripping into Heart‘s “Crazy on You,” or in their surprisingly earnest rendition of Bad Company‘s “Feel Like Making Love.” Band leader Colin Meloy also turns in an intimate, slowed-down version of Cheap Trick‘s “Summer Girls” to great effect. Even the band’s usual bombast makes itself known in the 16-minute epic of Pink Floyd‘s “Echoes.” Continue reading »

The Low Anthem first hit the Cover Me radar with their 2008 album Oh My God, Charlie Darwin. Alongside 11 haunting folk originals lay a barnyard rave through “Home I’ll Never Be.” A piece by written by Jack Kerouac and given music decades later by Tom Waits, “Home I’ll Never Be” instantly indicated the cover potential of this Rhode Island quartet. The just-released Smart Flesh continues the pattern, opening with a cavernous take on George Carter’s “Ghost Woman Blues.”

With those two on our radar, we figured they’d probably covered other songs in their brief career. We were right. Below we’ve collected 20 cover songs by the Low Anthem. It’s not quite enough for an official Live Collection, but it’s quite a set nevertheless. They dig into folk music in all its forms, from old-timey tunes like “Two Sisters” to modern folk gems like the David Wax Museum’s “Let Me Rest.” Continue reading »

Live Collection brings together every live cover we can find from an artist. And we find a lot.


Hailing from Chicago, IL, the Smashing Pumpkins helped blaze a trail for the wave of apathy that infected most ’90s alternative rock. They also gave hip kids from the Midwest the first nationally-recognizable band they could take pride in since Cheap Trick. Formed in 1988, the Pumpkins enjoyed over a decade of fame and influence until noted in-fighting brought about their dissolution at the turn of the millennium. After numerous side-projects and member-shuffling, the Pumpkins have once again taken to the stage under the leadership of Billy Corgan, perhaps one of rock music’s true auteurs.

The Pumpkins have celebrated their diverse influences via cover songs throughout their career. A quick scan of their recorded catalog reveals studio takes of tracks originally by acts like the Cars, Van Halen, Alice Cooper, the Cure and Missing Persons. Their live shows are similarly peppered with covers that one might not expect to hear from these iconic slackers. Some of these do seem like a natural fit though: it’s not too hard to draw a line to the Pumpkins from Neil Young, Depeche Mode or Pink Floyd, for instance. Continue reading »

Live Collection brings together every live cover we can find from an artist. And we find a lot.

Hailing from the barren Canadian wilderness – make that the suburbs of Toronto – the Cowboy Junkies have come a long way in the 25 years since they formed. Clichéd though it may be, they recorded their first album, 1986′s Whites Off Earth Now!, in an actual garage. The band, consisting of the three Timmins and a friend on bass, have always featured cover tunes as an essential part of their repertoire, from the blues tracks on Whites, to their breakthrough version of The Velvet Underground’s “Sweet Jane”, to their upcoming collection of Vic Chesnutt covers.

For the latest edition of the Live Collection, we sifted through the Live Music Archive to bring you a set that spans the Junkies’ entire career (right up to a Chesnutt cover from October). Dedicated fans may not gasp at the song selection; the band does not throw in novelty “Like A Virgin” or “Run To The Hills” covers. Instead, they honor more obvious influences such as Townes Van Zandt, Bruce Springsteen and Neil Young. However, the casual listener who only knows the band through their one platinum album (1988′s The Trinity Session) may not expect the darkness of “State Trooper” or the foreboding of Robert Johnson’s “32-20 Blues”. Continue reading »

Nov 102010

Live Collection brings together every live cover we can find from an artist. And we find a lot.

The recent release of Easy Wonderful has given Guster fans reason to fall in love with them all over again. As their album title insinuates, they have an agreeable sound that resonates with you and has aged well over the past (almost) 20 years. If the Beach Boys went to college in the 90′s, added some bongos, and stayed out of the sun, Guster is what they would sound like.

Featured on soundtracks like Life as a House and Wedding Crashers, their songs can pull at the heartstrings as you croon along with them. On the other hand, they are better known for their laid-back, wisecracking personalities that beam from the stage and infect their fans. During their years of touring, they have taken on many cover songs with both their sensitive and playful dispositions (but mostly the latter). Typically at the end of a show, Guster will rile up the crowd with a number from Madonna, Talking Heads, or whoever sings the “Cheers” theme song (Portnoy) and get everyone involved.  Most of the time, it’s just an excuse to get drummer Brian Rosenworcel out in front showing off his questionable vocals, calling in the crowd for backup.  It’s just like being at a karaoke bar. Continue reading »

Oct 142010

Live Collection brings together every live cover we can find from an artist. And we find a lot.

It was almost 17 years ago now that frontman Jay Farrar split ways with his alt-country group Uncle Tupelo due to differences with bassist Jeff Tweedy, leaving Tweedy and the rest of the band in the dust. Since that time, Farrar’s career has skyrocketed, and Tweedy and the boys haven’t done anything.

Wait. I’m wrong. They formed a band called Wilco, which continues to prosper as one of the most important and influential bands in indie music.

To conclude that Wilco’s longevity is due to some sort of a constant and timeless sound would be dead wrong, however, as our latest Live Collection shows. The covers below, which include romps through the works of David Bowie, Sheryl Crow, the Ramones, and even a few half-hearted attempts at tracks by one of Farrar’s subsequent projects, Son Volt, show just how much Wilco has changed through the years. The Wilco who covers “Organ Blues” in 2000 sounds little like the one who does Tom Petty’s “Listen to Her Heart” in 1995. Sure, their 2002 cover of The Stooges’ “TV Eye” anticipates the pulsating pianos and dissonant guitars that would not truly define their albums until years later, but as a general rule, you can follow the arc of the band’s sound through the years pretty closely via the covers below. Continue reading »

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