Jan 132017
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

keith richards

Over the years, the perception of Keith Richards has changed from “He’ll die any day now” to “How has he not died yet?” to “He’s never going to die.” In 2016, a year that wiped out Bowie, Prince, and Abe Vigoda, not to mention Emerson, Lake, and (Arnold) Palmer, the soul of the Stones kept right on glimmering. A popular meme shows him reading the paper and saying, “Hey, Mick, look who I outlived this week.” In a way, it’s self-fulfilling prophecy; Keith is rock and roll, and rock and roll – especially in the form of the Rolling Stones’ songs – will never die.

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Jan 062017
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Jose Feliciano

“You know,” Steve Buscemi famously says in Fargo, “Jose Feliciano, you got no complaints.” That wasn’t always the case – his rendition of “The Star-Spangled Banner” before game five of the 1968 World Series caused much wailing and gnashing of teeth back in the day – but Feliciano’s sheer talent and the undeniable prowess of his guitar playing, not to mention the length of his career, have seen him outlast all the negativity and become one of the most admired musicians playing today.
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Oct 312016
 
LarkinPoe

Elvis Costello’s recent Detour run (detour… de tour… get it?) was billed as a solo gig, but for half of the show I caught, he wasn’t up there alone. Flanking him was his opening band, the duo Larkin Poe. For instance, here’s the trio on one of Costello’s classics, “Blame It On Cain”:

You can see why Costello has come to depend on them so much at these “solo” dates; he even turned over lead vocals on an unreleased new song, “Burn the Paper Down to Ash.” Larkin Poe’s opening set was every bit as impressive – the fact that they still had energy left to join Costello after it, even more so. Atlanta sisters Megan and Rebecca Lovell stormed the stage, making a mandolin and steel guitar howl and holler with a blues-rock fever. They’ve earned themselves the tagline “the little sisters of the Allman Brothers,” and for good reason. Continue reading »

Jun 102016
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

golden smog

Back in the late 1980s, as the alt-country/No Depression sound began to spread, a group of bands centered in the Minneapolis area often played in the same venues. Sometimes members of these bands would do cover shows for fun. Although even the members of the band remember the band’s fittingly murky origins differently, ultimately, some of these friends began to perform as “Golden Smog” (originally a Flintstones reference), mostly playing covers. The core membership coalesced as Gary Louris and Marc Perlman of the Jayhawks on bass, Dan Murphy and Dave Pirner of Soul Asylum, Kraig Johnson of Run Westy Run (and later the Jayhawks) and Chris Mars of the Replacements (although the drum chair in the band has a near Spinal Tap-level rotating door), often augmented by guest musicians and singers. It was like seeing an incredibly talented bar band.
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Apr 152016
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Kelly Clarkson - Piece by Piece 2015 Press Art

Kelly Clarkson is a genuine pop idol – idol is the key word there. She found fame as the original winner of American Idol back in 2002, mostly on the strength of her amazing voice. Not content to simply rest on those laurels, she quickly put her TV show winner past behind her and sought out a bigger, different sound. Her second album, Breakaway, accomplished that; she netted the Grammy for Best Pop Vocal Album and sold over fifteen million copies. That’s not bad for an album used as a statement piece about taking control of her own career.

Clarkson has continued refining her sound. At times she’s flirted with rock, as she did with the My December album. She’s indulged in country music as well, duetting with Reba McEntire on several occasions, finally leading to their co-headlining 2 Worlds 2 Voices tour in 2008. No matter what she chooses to sing, Kelly brings that amazing voice. Rolling Stone‘s Arion Berger said that “her high notes are sweet and pillowy, her growl is bone-shaking and sexy, and her midrange is amazingly confident.” With that kind of instrument at her command, any song she chooses to sing is worth listening to.
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Mar 172016
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Dolly-Parton

 
Dolly Parton is one of the true legends of country & western music. Half a century after the release of her first true C&W album, 1966’s Hello, I’m Dolly, she’s announced a 60-city North American tour that will promote her upcoming 2-CD set Pure & Simple, containing both new material and greatest hits from throughout her career. For all her years in the musical industry, Dolly has never forgotten her roots, and she continues to perform at a high level at an age when most artists are tired of the road.

When looking back over her career, it’s clear that she’s an original, and her critical and commercial success as a songwriter reflects that. But like any true great, she knows the value of a good cover song. Millions and millions of dollars, in the case of Whitney Houston’s version of Dolly’s “I Will Always Love You,” but the cover songs that Dolly herself records have worth that goes beyond the bank. She’s had huge success with covers in each of the last several decades. Here are some of her best.
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