Apr 142017
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

al green

A belated happy birthday to the Reverend Al Green, who turned 71 years old yesterday. The soul giant teamed with producer Willie Mitchell on the Hi Records label to create some of the most memorable singles and albums of the early ’70s, then moved away from secular music into gospel and preaching – his Full Gospel Tabernacle Church in Memphis recently celebrated the 40th anniversary of its founding. His original songs have been covered by people up to and including the president of the United States, but today we’ll look at the holy spirit that he brought to the songs of others.
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Mar 312017
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

mavericks

Read any article about the Mavericks and you are almost guaranteed to see the word “eclectic.” And that is fair. Their music is a cocktail of country, rock, blues, folk, Cuban, Tex-Mex, swing, and probably other genres, that somehow all works together. It is surely a testament to the strong writing, tight playing, and maybe most of all, the rich vocals and riveting stage presence of singer Raul Malo, that the band is able to meld these influences into a coherent body of work.

Also, they are an amazing live act, which doesn’t hurt.
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Jan 132017
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

keith richards

Over the years, the perception of Keith Richards has changed from “He’ll die any day now” to “How has he not died yet?” to “He’s never going to die.” In 2016, a year that wiped out Bowie, Prince, and Abe Vigoda, not to mention Emerson, Lake, and (Arnold) Palmer, the soul of the Stones kept right on glimmering. A popular meme shows him reading the paper and saying, “Hey, Mick, look who I outlived this week.” In a way, it’s self-fulfilling prophecy; Keith is rock and roll, and rock and roll – especially in the form of the Rolling Stones’ songs – will never die.

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Jan 062017
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Jose Feliciano

“You know,” Steve Buscemi famously says in Fargo, “Jose Feliciano, you got no complaints.” That wasn’t always the case – his rendition of “The Star-Spangled Banner” before game five of the 1968 World Series caused much wailing and gnashing of teeth back in the day – but Feliciano’s sheer talent and the undeniable prowess of his guitar playing, not to mention the length of his career, have seen him outlast all the negativity and become one of the most admired musicians playing today.
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Oct 312016
 
LarkinPoe

Elvis Costello’s recent Detour run (detour… de tour… get it?) was billed as a solo gig, but for half of the show I caught, he wasn’t up there alone. Flanking him was his opening band, the duo Larkin Poe. For instance, here’s the trio on one of Costello’s classics, “Blame It On Cain”:

You can see why Costello has come to depend on them so much at these “solo” dates; he even turned over lead vocals on an unreleased new song, “Burn the Paper Down to Ash.” Larkin Poe’s opening set was every bit as impressive – the fact that they still had energy left to join Costello after it, even more so. Atlanta sisters Megan and Rebecca Lovell stormed the stage, making a mandolin and steel guitar howl and holler with a blues-rock fever. They’ve earned themselves the tagline “the little sisters of the Allman Brothers,” and for good reason. Continue reading »

Jun 102016
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

golden smog

Back in the late 1980s, as the alt-country/No Depression sound began to spread, a group of bands centered in the Minneapolis area often played in the same venues. Sometimes members of these bands would do cover shows for fun. Although even the members of the band remember the band’s fittingly murky origins differently, ultimately, some of these friends began to perform as “Golden Smog” (originally a Flintstones reference), mostly playing covers. The core membership coalesced as Gary Louris and Marc Perlman of the Jayhawks on bass, Dan Murphy and Dave Pirner of Soul Asylum, Kraig Johnson of Run Westy Run (and later the Jayhawks) and Chris Mars of the Replacements (although the drum chair in the band has a near Spinal Tap-level rotating door), often augmented by guest musicians and singers. It was like seeing an incredibly talented bar band.
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