In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.
It’s hard to know where to start when talking about Leonard Cohen covers. In some respects, he might have been the most cover-friendly artist of all time. Only Bob Dylan would come close.
Why was his music so coverable? Well, for one he wrote terrific songs. Duh. But so do Bruce Springsteen and The Rolling Stones, and covers of their songs on average do not match covers of Cohen. Or look at the Beatles, who I’d put on the opposite end of this spectrum. The average Beatles cover is nowhere near as good as the original (though lord knows there are exceptions).
But no artist inspired more great covers than Cohen. Perhaps that is because unlike the Beatles, whose performances are hard to top, his original recordings were rarely definitive. His early albums were so barebones that one could do almost anything with this songs. Then there was the Phil Spector record, where great songs were buried under too much production. Then the ’80s came, a decade rarely kind to singer-songwriters, and Cohen’s records especially suffered from a reliance on instantly-dated production. In so many cases, Cohen’s perfect songs were presented with imperfect recordings. Hundreds of songs ripe for another artist to come along and make his or her own.