May 212018
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

frightened rabbit covers

As a musician that avidly records cover songs, I often think about what draws me to putting my stamp on a particular song.

In the thirty years I’ve been playing covers, I find myself drawn to music that could be described as “emotional” without always fitting neatly into a genre box. I connect with a song’s content craft enough to try to reinvent it from the inside out. I am always drawn to songs of love lost, forlorn, or unrequited. The “breakup” song itself is something I immediately can empathize with, which is why a lot of my covers fall under the category of “ballad,” for better or worse.

Now one of my favorite writers of such songs has left us, and it’s really hit me hard. Having first seen Frightened Rabbit live in an intimate setting in Chicago after the release of The Midnight Organ Fight about a decade ago, lead singer Scott Hutchison was one of those frontmen that I immediately identified with. Continue reading »

May 142018
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

frank sinatra sad covers

On this day 20 years ago, America lost its greatest entertainer when Francis Albert Sinatra passed away at the age of 82 after suffering a fatal heart attack. The renowned singer/actor/producer had been in ill health and out of the public eye for over a year following an earlier heart attack. While it’s appropriate to celebrate his amazing, resilient life, today marks the silver anniversary of a sad day. With that, we thought it would be just as appropriate to remember his talent for interpreting some of the sad songs that were often a source of comfort for many.

I was inspired to take this approach after reading an insightful thread in the popular Steve Hoffman music forum titled “Sinatra’s best sad songs.” There, one member astutely posted: “With Sinatra, there are sad songs, sadder songs, and ‘dark night of the soul’ sad songs.” Many have become pop/jazz standards and Sinatra is often credited with recording a definitive version. Here are covers of five songs that were mentioned frequently; we believe The Chairman would have smilingly approved. Continue reading »

Apr 162018
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

joey ramone covers

Jeffrey Ross Hyman was an odd boy. Disturbingly tall, gangly and gaunt, his facial features -typically hidden under an unruly thatch of hair – seemed disproportionate to his angular head, giving him a distinctly amphibian cast. Crippled by obsessive-compulsive disorder so severe that his mother feared he would spend his life housebound, he instead channeled his anxiety and alienation into music, starting a band with three other self-described “creeps” from the neighborhood, giving himself a new name and in the process changing pop music forever.

Onstage, he was transformed: Long limbs draped casually around an overextended mic stand, left heel pumping to the blistering jackhammer beat of his unstoppable band, it was impossible to take one’s eyes off this otherwise gawky and unsteady-seeming kid.

We’re talking, of course, about Joey Ramone. Continue reading »

Jan 292018
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

mark e smith covers

When it comes to musical taste, there’s a million shortcuts to figuring out which side of the tracks you stand on. Here’s one of the fastest: Do you like The Fall?

If the answer is “no,” you’re in good company. Of course, there’s no definitive way to tell how many people aren’t Fall fans, but statistically speaking, almost nobody likes the band’s clattering, repetitive, willfully out-of-tune, misanthropic, oblique and downright perplexing music.

But if the answer is “yes,” you’re in even better company. The Fall may represent the apex of the cult band, an aggressively obtuse art project spinning out over 40 years and a stunning number of ex-band members, mainly disgruntled ones at that. The only constant was the dark, twisted figure at its center: Mark E. Smith, who died January 24th, at the age of 60. Continue reading »

Jan 162018
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

cranberries covers

2017 was a particularly tough year with the loss of so many musicians, and 2018 is starting out with more sadness. Dolores O’ Riordan, lead singer of The Cranberries and one of the most recognizable female vocalists in history, has passed away at the age of 46. Their influence, and specifically, O’Riordan’s leadership, can be felt in the generations of musicians who have followed them, as described beautifully by Hozier: “My first time hearing Dolores O’Riordan’s voice was unforgettable. It threw into question what a voice could sound like in that context of rock. I’d never heard somebody use their instrument in that way.”

The Cranberries released very few covers in their career: two for tribute albums, and a third, a cover of Elvis Presley’s “In The Ghetto” on their album Wake Up and Smell the Coffee.

The first of two compilation covers, “(They Long to Be) Close to You”, can be found on If I Were a Carpenter, a tribute album to The Carpenters. O’Riordan’s voice is the immediate tip off that we have flashed forward almost 25 years from the original hit. With sparse instrumentals, the Irish lilt is especially pronounced, as is the slightly darker tone of O’Riordan’s voice from Karen’s sweetly sung rendition. It’s a lovely cover, and a standout on the album. Continue reading »

Oct 202017
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

It’s been a few weeks since we lost Tom Petty. A few weeks since one of the major music artists of my teenage years left this world. I can vividly recall so many memories of driving with my boyfriend in his old brown Toyota…listening to “Wildflowers,” “It’s Good to Be King,” “Free Fallin,” “I Won’t Back Down.” The simple chord progressions and repetitive chorus lines perfectly capturing the spirit of a wild (and internet-free) childhood. In that simplicity, Petty was able to create hit after hit that would span generations.  Continue reading »