Jul 312015
 

In Defense takes a second look at a much maligned cover artist or album and asks, “Was it really as bad as all that?”

babyheadphones

When it comes to parenting, there are really only two rules you need to follow:

1) Mammas, don’t let your babies grow up to be cowboys.

2) Mammas, don’t let your babies grow up to listen to bad music.

I’m sure there’s something else in there about head injuries and not touching the stove, but I don’t have kids so that’s not really my area of expertise.
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Jul 302015
 

In Defense takes a second look at a much maligned cover artist or album and asks, “Was it really as bad as all that?”

JJ-001-Web

It is easy to understand how someone could find a pre-school appropriate cover of “Big Pimpin” musically lacking. By stripping all lyrical content from hip-hop and infusing a heavy dose of xylophone, artistic value becomes shaky. While this style of cover might fit well in a high school talent show, superficially they offer little more than a tight chuckle and warrant slightly more than a participatory prize.

So, why are these covers being defended?
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Dec 022014
 

In Defense takes a second look at a much-maligned cover artist or album and asks, “Was it really as bad as all that?”

Defense? I never knew Linda Ronstadt was under attack. OK, not true, I’ve known she tends to get many a sneery put-down from “real” musos, dissing both her voice and her choices of material, citing that “real” artists have way more credibility (and way fewer sales.) Beautiful but soulless, they call her and her voice, short on originality and innovation. A famous early putdown was around her being merely a competent backing singer, the irony being that ability potentially defines far greater technique than the relative ease of a solo performance, as those who have sung with her (Neil Young, Emmylou Harris, and legions more) have been more than happy to testify. I guess it stems down to generalizations around any successful artist, particularly if blessed also with photogenicity and famous boyfriends.
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Sep 112013
 

In Defense takes a second look at a much-maligned cover artist or album and asks, “Was it really as bad as all that?”

News flash: Dexys Midnight Runners are more than just “Come On Eileen.” However, Kevin Rowland’s adenoidal voice and over-the-top emotion are not for everyone. Not only that, Rowland’s behavior and strange decisions definitely hindered the band’s popularity. With that in mind, we embark on a defense of the band that released some great music during their brief (if recently revived) career. If you are a Dexys skeptic, or are unaware of their output beyond “Eileen” – and let’s face it, that’s most of the world – maybe this selection of their covers will convince you to dig a little deeper into their catalogue.
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Jun 072012
 

In Defense takes a second look at a much maligned cover artist or album and asks, “Was it really as bad as all that?”

The tribute band. That staple of wedding receptions and all major birthday celebrations for those over 40. It’s hard to shake those memories of inebriated uncles dancing with drunken abandon to Guns N’ Roses songs being sung by an overweight, middle-aged, behandkerchiefed man who has yet to give up on his dreams of rock stardom. Or perhaps your mom is inspired to show everyone that she’s “still got it” by getting low to the Would-Bee Gees. Or maybe aged Auntie Brenda is making use of that new hip replacement by shaking it to “Twist and Shout.” The list of humiliations goes on. In fact, it sometimes seems that the psychological trauma inflicted on us at such events is so great that you could never embrace watching a tribute band as an enjoyable experience. You could never call it “fun.”

Well, that word never is exactly where you are wrong. Continue reading »

May 082012
 

In Defense takes a second look at a much maligned cover artist or album and asks, “Was it really as bad as all that?”

It is in no way difficult to see why you might find bluegrass covers of non-bluegrass songs completely musically offensive. Let’s put it out there: it’s no secret that if you sit there and knock out a pop classic on a banjo and fiddle, you are not asking to be taken seriously. For the most part, bluegrass covers exist simply for their novelty value. Continue reading »