Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Every day, more music is released. Most of it will be quickly forgotten, some of it will resonate with an audience, and a very, very small percentage will be listened to for years to come. An even smaller subset can fairly be said to embody a particular moment in time. Surrealistic Pillow, the second release by the Jefferson Airplane, is one of those special albums. Released in early 1967 by a group of hippies who also happened to be extraordinary songwriters and musicians, it is both a classic and a reflection of its era.
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Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

On December 27, 1967, Columbia Records released an album by a folk musician and a true poet (not necessarily in that order). It was different than anything he’d released before, but there was an audience for this new/old sound of his, and over the years, as the mysterious yet straightforward lyrics were analyzed and treasured in equal measure, the critically acclaimed album grew to be understood as a genuine classic, one that new generations discover and longtime owners rediscover to this day.

That album is, of course, John Wesley Harding by Bob Dylan. Funnily enough, you can describe Songs of Leonard Cohen exactly the same way, right down to the day it was released. Continue reading »

Feb 012013

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

The Doors are in the unfortunate position of being overwhelmed by their mystique. They were never a band that coasted on an image – they released eight albums (six studio, one live, one best-of) in the five years before Jim Morrison’s death, and two more studio albums afterward. Their dark voice was not always welcome in the peace ‘n’ love sixties, but they never stopped raising it. Some of their albums are spotty, but the best of their work has stood the test of time better than that of many if not most of their contemporaries. Alas, too many people today know them as nothing more than a vehicle for Morrison to wield the persona that famously led Rolling Stone to declare him hot, sexy, and dead. But in 1967, there was nobody like them, and their self-titled debut album proved them to be a cohesive unit with a vision only those four men could convey.
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Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Today we conclude our look at Decade, the compleat (at the time) Neil Young, by sharing covers of every song on sides five and six. (If you missed sides one and two, click here; go here for sides three and four.) Continue reading »

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Yesterday we took a look at the early years of Neil Young, as represented on the first two sides of Decade (if you missed it, click here to get caught up). Today, it’s sides three and four’s turn; a dozen artists looking at a dozen classics a dozen different ways…
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Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

The importance of Neil Young‘s 1977 career retrospective Decade, released thirty-five years ago this month, cannot be overstated. It served to establish Young as a major artist in the canon of rock, and was so full of transcendent moments that it needed three albums to hold them all. It offered unreleased tracks at a time when that Just Wasn’t Done, and the quality of those tracks conveyed the impression that Young wrote so many masterpieces he could afford to keep most of them locked away. It gave real insight to the creative process, with Young’s handwritten liner notes saying more in three lines than his critics could in three paragraphs. Its summing up a career with hits, rarities, and deep cuts selected by Young himself made it a sort of Mesozoic box set, one whose template wouldn’t be followed for years but is now de rigueur. Most of all, it’s a way to get some of the greatest music of the ’60s and ’70s in one place – and since Young’s range is so great, there’s always something on it that you’re in the mood to hear. Continue reading »

Last week, Pitchfork posted their People’s List poll results and, not surprisingly, Radiohead’s OK Computer took the top slot (Kid A came in second). Though the poll has generated some controversy-in-the-form-of-thinkpieces since then, few take issue with the winner.

Following our similar collections of Kid A and In Rainbows covers, we celebrate the victor with covers of every song on the classic album. As the Pitchfork poll yet again attests, no one does Radiohead like Radiohead and the best way to cover is to not compete. From big brass bands to bluegrass jams, these twelve artists find ways to do it different. Continue reading »

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Let It Be was the soundtrack of a band falling apart. That was never the plan, of course – the Beatles conceived the album as a back-to-basics effort, in which they would rediscover the joys of playing together without overdubs, only to find themselves bored, angry, and miserable, each one trapped with three bandmates who couldn’t understand what he was going through. They were unhappy with the results and shelved them, but a known goldmine won’t stay untampered, and Phil Spector was brought in to make something of the mess. Upon its release, the highest praise any Beatle gave it came from John, and his quote – “When I heard it, I didn’t puke” – scarcely counts as a ringing endorsement. Continue reading »

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