Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Loaded, released forty-four years ago this week, was the album that marked the end of the Velvet Underground as we knew them – or, more accurately, as we never knew them until after they broke up, when those few thousand who bought the first record formed their own bands and named them as an influence. Trying to make the slickest, most commercial album they could, they still failed to crack Billboard‘s Top 200, but they scored some of the best reviews of their career; Rolling Stone‘s Lenny Kaye wrote, “Each cut on the album, regardless of its other merits, is first and foremost a celebration of the spirit of rock ‘n’ roll, all pounded home as straight and true as an arrow.”
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Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Are the Decemberists a band that “craft theatrical, hyper-literate pop songs that draw heavily from late-’60s British folk acts like Fairport Convention and Pentangle and the early-’80s college rock grandeur of the Waterboys and R.E.M.,” as described by Allmusic, or are their songs an “unbearable exercise in indie high-quirkiness, with each new release deepening the impression that Meloy thinks he’s Edmund Spenser or, at least, the only rock singer smart enough to keep a copy of The Faerie Queene on his bedside plinth,” as writer Jody Rosen wrote in Slate?

Although I lean toward the former, I can understand believing the latter.

There can be no doubt that the Decemberists’ focus on tales of pirates, highwaymen, shape-shifters, and interpretations of myths and legends from around the world, plus primary lyricist Colin Meloy’s empty-the-thesaurus writing style, not to mention their practice of performing live historical reenactments in their shows, set them up for being mocked by some, and beloved by others. And that is what makes life interesting.
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Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Astral Weeks, insofar as it can be pinned down, is a record about people stunned by life, completely overwhelmed, stalled in their skins, their ages and selves, paralyzed by the enormity of what in one moment of vision they can comprehend. — Lester Bangs, 1979

I was so shocked when I was teaching a seminar at Princeton just a couple years ago, and out of 16 students, four of them said their favorite album was Astral Weeks. Now, how did it enter their lives? We’re talking about an album that was recorded well before they were born, and yet it spoke to them. They understood its language as soon as they heard it. — Greil Marcus, 2009

To paraphrase the singer of “Sweet Thing,” Astral Weeks is dynamite and we don’t know why. The album Van Morrison created in his early twenties has detonated in more psyches than thousands of better known works, but when its biggest fans try to explain its greatness, more often than not, their tongues get tied every time they try to speak.
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Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

There are certain things that you always remember. Meeting the love of your life. Seeing your children for the first time. And, of course, the first time you heard Talking HeadsRemain in Light. Maybe that isn’t a statement of general applicability, but it is true for me.

In October of 1980, I was a college junior and assistant program director of WPRB-FM. It was my responsibility to swing by the post office every day to pick up the station’s mail, including the packages of records. This meant that I got to see the new releases before anyone else. By that time, I had become a pretty big Talking Heads fan (and rued my error in having skipped their show on campus back in my freshman year). We fans knew that the band was moving in new directions after the previous year’s Fear of Music, which had begun integrating more complex rhythms, dance beats and world influences into their sound, and the music press was buzzing with anticipation about what they were going to do next. So, on that cool October morning, when I ripped open the box from WEA as I walked toward the station, I was thrilled to see Remain in Light. After scurrying down into our basement office, I quickly threw the record on the turntable, and was immediately blown away.
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Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

November 22, 1963 is a date that resonates with people the world over – not least because it’s the day that both Aldous Huxley and C.S. Lewis passed away – but it’s an important date in the music world too. It was on this day, fifty years ago, that the Beatles released their second album, With the Beatles. Certainly that date resonated with the Beatles – they released the White Album five years later to the day, and that was no coincidence – and the music they released on that fateful day had proven to resonate just as long.
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In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by. Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

This is a hybrid piece, melding together two Cover Me staples, “In Memoriam” and “Full Albums,” prompted by today’s anniversary of the plane crash that killed Lynyrd Skynyrd members Ronnie Van Zant, Steve Gaines, and his sister Cassie Gaines. We’re remembering them by giving the Full Album treatment to the band’s debut album, (Pronounced ‘Lĕh-’nérd ‘Skin-’nérd). While neither of the Gaines siblings appeared on it, they certainly played its classic songs in concert, and probably even some of the lesser-known ones. So this piece may lack a certain consistency, but if a band can tour as Lynyrd Skynyrd with only one original member, then we can still do this.
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Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

The early- to mid-’70s marked the pinnacle of Stevie Wonder’s career, both in terms of chart success and recorded output. Between 1972 and 1976 he released one Top-5 and three Number 1 albums, including his 1976 magnum double-opus Songs in the Key of Life, recorded when Wonder was only 26 years old. Innervisions, released in 1973, is arguably the cream of this crop.
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Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Side four of the Beatles’ White Album has some of the widest stylistic swings on one side of one record, ever – there’s music hall (“Honey Pie”), there’s chaos (“Revolution 9″), there’s what John himself called “possibly overlush” (“Good Night”). We close our four-part salute by matching the shifts in sound stride for stride, and believe us, we have a fine time doing it.
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