Five Good Covers Archives - Page 4 of 39

Five Good Covers: “A Taste of Honey” (Scott/Marlow)

Posted by Tom McDonald at 2:00 pm No Responses »

Jan 132023

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Hundreds of covers of “A Taste of Honey” exist, but only a few people will recognize it if you hum a few bars. The folks who recognize it may not be able to name the tune, and no one will be able to name its composer.

It was Robert William Scott. He wrote the piece initially as an instrumental, a motif for the 1960 Broadway production of A Taste of Honey, the notorious British play. Bobby Scott was known mostly as a pianist, singer, and producer, but he did have another songwriting win with “He Ain’t Heavy, He’s My Brother,” a modest hit for The Hollies in 1969.

Luckily for Bobby Scott, someone had the idea to put words to his tune, so that they could get rising star Tony Bennett to record it. Enter Ric Marlow, a struggling singer/actor/writer/fabric salesman, who turned in a poetic lyric that clicked with the music. With that, a hit was born, though it took the public a few years to realize it.
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Five Good Covers: “Here Comes the Rain Again” (Eurythmics)

Posted by Hope Silverman at 9:00 am 2 Responses »

Nov 032022

The Mayflower Hotel was located at Central Park West between 61st and 62nd street in New York City. It was constructed in 1926 and stood for over seven decades before being demolished in 2004. It was not a fancy place (the New York Times called it “drab and brown”) and its sad, singular claim to fame was that Pat Sullivan, producer of the Felix the Cat cartoon lived there in the ’30s.

Even though it stood for nearly 80 years, the only acknowledgment of the hotel’s existence is a tiny plaque on a nearby bench on Broadway featuring this clinical and decidedly unromantic inscription:

The funding for these benches was provided in 1996 by The Mayflower Hotel

Whatever New York City office was responsible for the text on that plaque blew it. They opted for cold acknowledgment when they could have imbued that bench with magical, magnetic pop power forever. Here is what the plaque should have said:

In 1983, Dave Stewart and Annie Lennox, the musicians collectively known as “Eurythmics” composed “Here Comes The Rain Again” during a stay at The Mayflower Hotel.” Continue reading »

Five Good Covers: Eminem’s Diamond Singles

Posted by Sara Stoudt at 12:00 pm No Responses »

Nov 012022

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song. In this post we present one cover for each of Eminem’s five diamond singles.

In Adam Bradley’s Book of Rhymes: The Poetics of Hip Hop he provides some background on why covers by and of rappers are so hard to come by:

“The likely explanation for the dearth of covers in rap is that rap’s audience and rappers themselves wish to propagate the belief– and sometimes the illusion– that a rapper is delivering his or her own words, that we are hearing directly from the mind behind the voice. This is a fundamental tenet of rap authenticity, partly the product of acculturated belief and partly the product of the fact that rapping, as a means of vocalization that’s close to speech, carries with it the same presumption as speech: that speakers speak for themselves.”

Despite this, we have talked about Eminem on this blog before, from banjo to mashup cover, from an old-school T-Swift interpretation to a take on the controversial “Kim”, and many more. Perhaps this is because he inspires others to speak period, if not for themselves per se. In this same book that interprets rap lyrics as literature, Bradley gives some context about what makes Eminem’s approach to rap so novel:

“It’s easy to spot rap’s true lyrical innovators because not only will they likely be rapping about different things from everyone else, they’ll be using different words to do it. Eminem, for instance, had to conceive a bunch of new rhyming words to describe the experiences of a working-class white kid from a trailer park in Detroit who rises to superstardom. Who else would think to rhyme “public housing systems” with “victim of Munchausen syndrome”?

Rappers have slowly made their way into the Rock and Roll Hall of Fame (if rappers are poets, why not also be rockers). Jay-Z’s turn came last year, and The Notorious B.I.G.’s turn came the year before. This year Eminem takes his place among legends. This time around we try to find covers that haven’t previously been showcased on this blog, and in honor of Eminem’s induction, we find covers of each of his five diamond-level singles.

Five Good Covers: “Faith” (George Michael)

Posted by Patrick Robbins at 4:30 pm 2 Responses »

Jun 242022

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

The title track from George Michael’s Faith album saw the former Wham! member further shedding his bubblegum image. After the shock of the lyrics to the first single from that album, “I Want Your Sex,” the second single was more about the music, combining blue-eyed soul with rock ‘n’ roll, mashing up Bo Diddley and Duane Eddy into a very hot and tasty stew. “Faith” wound up being Billboard’s number one single for all of 1988. Accept it before it destroys you, it said. Oh, wait – sorry, that was Dana Carvey as George Michael.

As “Faith” covers go, Limp Bizkit made the biggest impression with theirs, racking up over 25 million YouTube views and over 55 million Spotify plays. But not everyone liked it, including Michael himself: “What we’ve heard from George Michael’s people is that he hates it and hates us for doing it,” said guitarist Wes Borland. So we decided to seek out five other covers that may be less famous, but which have something that hits us just right.

Five Good Covers: “Long Train Runnin'” (The Doobie Brothers)

Posted by Seuras Og at 11:00 am No Responses »

Jun 072022

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Just how good a song is the Doobie Brothers’ “Long Train Runnin'”? No, I mean it–just how good is it? Yes, yes, I know the sun is shining and it feels like Spring At Last, but this song, y’know, isn’t it pure essence of get outside and dance? Unassailable on all fronts, it is the spirit of yeah, the unashamed shake yer head, shake yer hips of boogie, and from the casual shake of the wrist in the first few bars, it has defied its near-half-century age to infect me once again.

Tom Johnston should be revered for this song, rather than just being the bloke in the Doobies before Michael McDonald. Or, for that matter, the bloke in the Doobies after Michael McDonald. Or, indeed, with Michael McDonald, such has the revolving door of band membership been. But, however mighty was the McDonald-helmed version, and before his silver hair and tonsils became their calling card, the band had had a run of singles, all written and sung by Johnston, all instantly recognizable, if likewise all easily confused, being all cut from a similar cloth.
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Five Good Covers: “Strangers in the Night” (Frank Sinatra)

Posted by Patrick Robbins at 1:30 pm No Responses »

May 062022

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

SecondHandSongs says that the two most-covered songs written in 1966 were by the Beatles – “Eleanor Rigby” and “Here, There and Everywhere.” That’s no surprise. The next two most-covered songs from that year were written by another songwriting team; Burt Bacharach and Hal David came up with “The Look of Love” and “Alfie.” Also no big surprise.

But then comes the fifth-most-covered song of 1966: “Beddy Bye” by Bert Kaempfert. Ring any bells? If not, perhaps you’ll recognize it from the movie it appeared in – the James Garner comedy-thriller A Man Could Get Killed. Still no? Well, at the time it had no lyrics, but once they arrived, and once Frank Sinatra sang them, it became immortal as “Strangers in the Night.”
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