Nov 042016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Doors

When the Doors went to number one with “Hello, I Love You,” many of their fans called them sellouts. Never mind they’d already gotten to number one with “Light My Fire” the year before; this time around, the thinking went, they were out to write a hit single and leave their darker stuff behind. More than half a century has passed since Jim Morrison wrote about that dusky jewel walking across the California beach sands, and while you can count the number of people who hum “Horse Latitudes” these days on the thumb of one hand, “Hello, I Love You” has maintained its status as a much-beloved classic of the sixties.
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Oct 142016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

otis redding

Otis Redding built one of his greatest songs out of almost nothing. Guitarist and co-writer Steve Cropper explains: “‘I Can’t Turn You Loose’ was just a riff I’d used on a few songs with the MG’s. Otis worked it up with the horns in about 10 minutes as the last thing we did one night in the studio. Just a riff and one verse that he sings over and over. That’s all it is.”

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Jul 272016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

bobbieg

In the summer of ’67, when Sgt. Pepper ruled the land and light pop songs like “Windy” and “Pleasant Valley Sunday” were high on the charts, a song came out of the South the like of which had never been heard. Murky and mysterious, prompting far more questions than it answered, “Ode to Billie Joe” cast a spell over America, and Bobbie Gentry (who turns 72 today) was thrust into the spotlight to say what she knew about the unknowable song she’d written and sung.
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Jul 082016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

mj

Michael Jackson released his Off the Wall album the month he turned 21, and nothing showed his artistic maturation like the opening track and lead single, “Don’t Stop ‘Til You Get Enough.” Penned solely by Jackson, it marked the first time he used his falsetto and the squeals and yelps that soon became identified with him. It got him his first solo number one hit in seven years, succeeding 1972’s “Ben,” and it was a very long way from singing about a pet rat to the love and sensations of the Force (featured in arguably one of the most misheard lyrics in 20th century music). Most importantly, the revelation of his talent(s) prompted an instant reevaluation of his stature as an artist. Michael Jackson had arrived; the public couldn’t get enough, and he wasn’t stopping.
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May 132016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Moon River Audrey Hepburn

“Moon River” has been recorded over five hundred times. Clearly, there’s something universal about the song. It has touched a great number of people, and artists across a diverse range of genres have given it a shot. What is it about this song that causes such a reaction?
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Apr 292016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

korgis

The Korgis really were an extraordinary group. With a name derived from the name of ubiquitous ’80s synthesizer makers Korg, they evolved out of the eccentric and often unclassifiable ’70s UK band Stackridge, at a time when fashion demanded shorter and hookier songs, shorter hair, skinny ties, and shiny suits, i.e. the ’80s. Stackridge were resolutely unfashionable and nominally prog, although their music could be an odd amalgam of twiddly instrumentals, folk, psychedelia and music hall. Their instrumentation could include anything from flutes and fiddles to dustbin lids, and bear tribute to the days when record companies had money to invest in the sometimes vainglorious pursuit of a hit, allowing a band to mature over several albums, rather than today’s one strike and you’re out.
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