Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

B. Mitchel Reed, one of the most influential DJs in LA, had just played the first single off the new Fleetwood Mac album for the very first time. “I don’t know about that one,” he said dismissively to his millions of listeners. Within minutes he got a call from Lindsey Buckingham, the song’s author, demanding to know what the problem was. “I can’t find the beat,” he said. Suffice it to say that other listeners had a lot less of a problem with “Go Your Own Way” than Reed did.
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Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Weird Al Yankovic got a lot of attention this summer (and deservedly so) for releasing a new album that made it to number one on the charts, but he’s not the only novelty master from the ’80s to be doing well for himself lately. Big Daddy, the band that sprayed american graffiti all over the hits of the day back in the day, have a new album coming out next week – Smashin’ Songs of Stage & Screen, which Big-Daddifies songs from hit musicals ranging from Wizard of Oz to Saturday Night Fever. Earlier this year, they also put out a collection of their greatest hits of the ’80s and early ’90s, Cruisin’ Through the Rhino Years, that cherry-picks highlights from the four albums they released for the Rhino Records label. If you’ve already got The Best of Big Daddy, their 2000 compilation, you’ll have sixteen of these songs already – but you’ll want to spring for this to get five more.
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Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

 
Aretha Franklin is back in the news again, promoting her upcoming cover album Aretha Franklin Sings the Great Diva Classics and letting fly with her 72-year-old chops on Letterman. Meanwhile, Derek Jeter played his last game, and the Red Sox saluted him by inviting Michelle Brooks-Thompson from “The Voice” to sing “Respect.” She was promptly dubbed “Fake Aretha Franklin.”

Anyway, both events brought back memories of one of the undisputed greatest covers ever recorded. And the original’s nothing to sneeze at, either – this is Otis Redding we’re talking about, expressing as only he could what he’s got-ta, got-ta, got-ta have. “That’s one of my favorite songs because it has a better groove than any of my records,” Redding said. “Everybody wants respect, you know.” It was true – the song took him into the top 40 for only the second time, and the stampede to cover it began. Some of those covers were on the same level as the version by the nun in Airplane!, but a lot more of them rose far above that level…
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Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Loaded, released forty-four years ago this week, was the album that marked the end of the Velvet Underground as we knew them – or, more accurately, as we never knew them until after they broke up, when those few thousand who bought the first record formed their own bands and named them as an influence. Trying to make the slickest, most commercial album they could, they still failed to crack Billboard‘s Top 200, but they scored some of the best reviews of their career; Rolling Stone‘s Lenny Kaye wrote, “Each cut on the album, regardless of its other merits, is first and foremost a celebration of the spirit of rock ‘n’ roll, all pounded home as straight and true as an arrow.”
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They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

When it comes to religion and spirituality, I still haven’t found what I’m looking for. The paint-by-numbers elements of most religious rituals leave me cold. I am not moved by scripture, nor am I frightened by hellfire and brimstone preachers – all fury, self-righteousness, and condemnation, their empty words matched by their outstretched empty palms.

In my darker and much more cynical moments, I wrestle with the notion of a human soul. Does a soul really exist, or is it something that we conjured up to serve as a salve?

And then I remember Bruce Springsteen.
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Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

The Beatles being the Beatles, they’ve had several permutations of their work served up in full-album form. Reggae, bluegrass, punk, C&W, lullaby – you name it, somebody out there’s done it. What’s surprising is that it took a good quarter of a century after the genre’s arrival before someone thought of doing an all-shoegazing album of Beatle covers. With their 2013 album Beatless, the Meeks proved that it was absolutely worth the wait.
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Sep 122014

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

Eleven years ago today, Johnny Cash breathed his last. Two weeks before, Justin Timberlake’s “Cry Me a River” beat Cash’s “Hurt” for Best Male Video at the MTV Video Music Awards. Timberlake began his acceptance speech by saying, “This is a travesty. I demand a recount.” He went on to say, “My grandfather raised me on Johnny Cash… and I think he deserves this more than any of us in here tonight.” In a career that’s had far more right moves than wrong ones, this may have been Timberlake’s wisest move – not only did he cede the spotlight to a true legend, he acknowledged that Cash’s already-legendary cover of the Nine Inch Nails song was and would ever after be the true winner.
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In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

He sounds like a slowed-down Jeff Buckley on female hormones. – Listener quoted in The Times of London
Antony Hegarty has a voice that sounds like it belongs to a Dostoyevsky character. Every song rides on an undercurrent of mournful reflection. – NPR
[W]hat a discovery: a voice like St Theresa’s arrow to pierce the soul. – The Australian
Every emotion in the planet is in that gorgeous voice. – Diamanda Galas
When I heard him, I knew that I was in the presence of an angel. – Lou Reed

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