Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Loaded, released forty-four years ago this week, was the album that marked the end of the Velvet Underground as we knew them – or, more accurately, as we never knew them until after they broke up, when those few thousand who bought the first record formed their own bands and named them as an influence. Trying to make the slickest, most commercial album they could, they still failed to crack Billboard‘s Top 200, but they scored some of the best reviews of their career; Rolling Stone‘s Lenny Kaye wrote, “Each cut on the album, regardless of its other merits, is first and foremost a celebration of the spirit of rock ‘n’ roll, all pounded home as straight and true as an arrow.”
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They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

When it comes to religion and spirituality, I still haven’t found what I’m looking for. The paint-by-numbers elements of most religious rituals leave me cold. I am not moved by scripture, nor am I frightened by hellfire and brimstone preachers – all fury, self-righteousness, and condemnation, their empty words matched by their outstretched empty palms.

In my darker and much more cynical moments, I wrestle with the notion of a human soul. Does a soul really exist, or is it something that we conjured up to serve as a salve?

And then I remember Bruce Springsteen.
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Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

The Beatles being the Beatles, they’ve had several permutations of their work served up in full-album form. Reggae, bluegrass, punk, C&W, lullaby – you name it, somebody out there’s done it. What’s surprising is that it took a good quarter of a century after the genre’s arrival before someone thought of doing an all-shoegazing album of Beatle covers. With their 2013 album Beatless, the Meeks proved that it was absolutely worth the wait.
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Sep 122014

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

Eleven years ago today, Johnny Cash breathed his last. Two weeks before, Justin Timberlake’s “Cry Me a River” beat Cash’s “Hurt” for Best Male Video at the MTV Video Music Awards. Timberlake began his acceptance speech by saying, “This is a travesty. I demand a recount.” He went on to say, “My grandfather raised me on Johnny Cash… and I think he deserves this more than any of us in here tonight.” In a career that’s had far more right moves than wrong ones, this may have been Timberlake’s wisest move – not only did he cede the spotlight to a true legend, he acknowledged that Cash’s already-legendary cover of the Nine Inch Nails song was and would ever after be the true winner.
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In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

He sounds like a slowed-down Jeff Buckley on female hormones. – Listener quoted in The Times of London
Antony Hegarty has a voice that sounds like it belongs to a Dostoyevsky character. Every song rides on an undercurrent of mournful reflection. – NPR
[W]hat a discovery: a voice like St Theresa’s arrow to pierce the soul. – The Australian
Every emotion in the planet is in that gorgeous voice. – Diamanda Galas
When I heard him, I knew that I was in the presence of an angel. – Lou Reed

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Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question, courtesy of staffer Stephen Gwilliams: What’s your favorite cover of a song from a musical?
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Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Are the Decemberists a band that “craft theatrical, hyper-literate pop songs that draw heavily from late-’60s British folk acts like Fairport Convention and Pentangle and the early-’80s college rock grandeur of the Waterboys and R.E.M.,” as described by Allmusic, or are their songs an “unbearable exercise in indie high-quirkiness, with each new release deepening the impression that Meloy thinks he’s Edmund Spenser or, at least, the only rock singer smart enough to keep a copy of The Faerie Queene on his bedside plinth,” as writer Jody Rosen wrote in Slate?

Although I lean toward the former, I can understand believing the latter.

There can be no doubt that the Decemberists’ focus on tales of pirates, highwaymen, shape-shifters, and interpretations of myths and legends from around the world, plus primary lyricist Colin Meloy’s empty-the-thesaurus writing style, not to mention their practice of performing live historical reenactments in their shows, set them up for being mocked by some, and beloved by others. And that is what makes life interesting.
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In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

The rock and roll bands that slammed on the brakes and took the turnoff at country music are numerous. Gram Parsons got high with Keith Richards and “Dead Flowers” was born. The number of times Elvis Costello has cheated on rock and roll with country’s graces is too numerous to count. Jack White turned the knobs for Loretta Lynn. And so on.

The postpunk and indiepop bands that have segued into a Ryman act are no less numerous. X gave birth to the Knitters. The New Pornographers cut loose chanteuse Neko Case. And the Archers of Loaf’s Eric Bachmann disbanded all notions of his indie rock band and spread out into numerous directions, including the roots rock band Crooked Fingers.
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