Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Tusk‘s reputation as an infamous failure is pretty much cemented at this point. But it didn’t actually fail at all.
Continue reading »

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question: What’s a cover song that introduced you to an artist?
Continue reading »

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

Gorillaz, the superband partnership between Blur’s Damon Albarn and Tank Girl comic artist Jamie Hewlett, mixed up indy rock and trip-hop and became the best-known cartoon band since Jem and the Holograms. Albarn and Hewlett would keep the revolving door on Gorillaz open, working with Lou Reed, Snoop Dogg, and De la Soul, among others; Albans insists that despite rumors of a falling out with Hewlett, Gorillaz is still swinging after more than a decade. They remain best known for “Clint Eastwood,” their first single from their first album. Let’s take a look at some of the better covers of this college classic.
Continue reading »

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

At this point, is there anything about Pink Moon that isn’t legendary? Age of artist: 23. Recorded in two nights. Voice and acoustic guitar, plus one small splash of piano. Not even a half hour long. Dropped off at the label’s office with barely a word. Sank like a proverbial stone upon release. Two years later, it was the artist’s turn. Then the pilgrimages to his home began, from listeners all over the world who’d connected with his songs. And then, two decades later, a show of hands in an ad agency office. All in favor of using the Church’s “Under the Milky Way” to score this car commercial? All in favor of Nick Drake’s “Pink Moon”? In the end, Nick Drake won (read more about the making of VW’s Cabrio ad from adman Shane Hutton in the comment section here), and in the very end, his work finally introduced to millions, he won again.
Continue reading »

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

OK, where do I begin? Cover Classics is the name of the game, yet few, perhaps, would accord Annie Lennox’s Medusa that status, at least not within the world of critics, who, by and large, were damning, back before it became the norm to decry the later efforts of Ms. Lennox. This isn’t an In Defense piece, so I am not required to address her current standing (to some relief), yet I want to. So what to say of an artist who was once so right, then suddenly so wrong? And is that view still applicable?
Continue reading »

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Kirsty MacColl was still in her teens when she wrote and recorded “They Don’t Know.” It should have been a major smash, and in a way it was, peaking at #2 on a UK airplay chart; unfortunately, her distributor picked a horrible time to go on strike, which meant the single never got released, which meant it never placed on the sales-based UK Singles Charts. It took Tracey Ullman’s near-soundalike cover four years later to bring the song into the top ten where it belonged. Kirsty helped out with the backing vocals (that’s her a cappella “BAY-ee-BEE-ee!”), and she never resented Tracey for coming up with the brass ring that in a perfect world would have been hers; instead, she said things like “I don’t mind a bit of reflected glory” and “I’m grateful for (her) paying the rent.”
Continue reading »

Jan 272015

“She may be young, but she only likes old things. And modern music ain’t to her taste.”

Death Cab for Cutie only released one album, Codes and Keys, during lead singer Ben Gibbard’s brief marriage to She & Him singer, Zooey Deschanel, but that album gave us with the lyric above, from the song “Monday Morning.” The line is likely about Deschanel, and perfectly sums up Classics, She & Him’s new covers record. The selections were all written before the 34-year-old singer was born, and the production (the album was recorded live with an orchestra) does nothing to make these songs sound like they came out any time recently.

For the most part, that’s okay. She & Him is a band that sounds like they belong from another era, so you have to come to their albums with expectations about the song. While it might have been more interesting to hear newer songs performed in the style of older hits, what they give us is still charming in its own right.
Continue reading »

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

The sun must have been approximately eight inches from my forehead as I wound my way through a crush of warm bodies – all of them panting and glistening in the fierce Texas heat. Perspiration beaded and trickled down the damp necks of an expectant crowd; condensation beaded and trickled down their cans of Lagunitas.

With the first loud and clear ring of an electric guitar, a roar arose from the crowd, and Paolo Nutini strutted onto stage at Austin City Limits – shirt unbuttoned like a golden god of 70s rock, tight pants that might have been painted onto his lithe frame, and a tousled mane that exemplified the definition of “sex hair.”

And then, the man proceeded to take us to church.
Continue reading »

© 2015 Cover Me. All rights reserved. Creative Commons License About | Contact | Staff | Subscribe | Write For Us Suffusion WordPress theme by Sayontan Sinha