Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Are the Decemberists a band that “craft theatrical, hyper-literate pop songs that draw heavily from late-’60s British folk acts like Fairport Convention and Pentangle and the early-’80s college rock grandeur of the Waterboys and R.E.M.,” as described by Allmusic, or are their songs an “unbearable exercise in indie high-quirkiness, with each new release deepening the impression that Meloy thinks he’s Edmund Spenser or, at least, the only rock singer smart enough to keep a copy of The Faerie Queene on his bedside plinth,” as writer Jody Rosen wrote in Slate?

Although I lean toward the former, I can understand believing the latter.

There can be no doubt that the Decemberists’ focus on tales of pirates, highwaymen, shape-shifters, and interpretations of myths and legends from around the world, plus primary lyricist Colin Meloy’s empty-the-thesaurus writing style, not to mention their practice of performing live historical reenactments in their shows, set them up for being mocked by some, and beloved by others. And that is what makes life interesting.
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In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

The rock and roll bands that slammed on the brakes and took the turnoff at country music are numerous. Gram Parsons got high with Keith Richards and “Dead Flowers” was born. The number of times Elvis Costello has cheated on rock and roll with country’s graces is too numerous to count. Jack White turned the knobs for Loretta Lynn. And so on.

The postpunk and indiepop bands that have segued into a Ryman act are no less numerous. X gave birth to the Knitters. The New Pornographers cut loose chanteuse Neko Case. And the Archers of Loaf’s Eric Bachmann disbanded all notions of his indie rock band and spread out into numerous directions, including the roots rock band Crooked Fingers.
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They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

Forgive me, Father for I have sinned.

It has been….a really long time since my last confession. My sins are multitudinous (lust, blasphemy, coveting my neighbor’s ass… but in my defense, it’s a really nice ass), but the most egregious of all is idolatry.

See, ever since I could sway to music, Madonna has been my idol. The long-established Queen of my Universe and a musician I just can’t quit despite her numerous attempts to break my heart (that horrible faux English accent, sleeping with Vanilla Ice, sleeping with Vanilla Ice and then documenting it in her Sex book…).

I didn’t grow up Catholic, so I couldn’t seek solace in the open arms of Holy Mother Church. Instead, I sought solace from a leonine-eyed beauty who often incited the ire of the Catholic Church.

Madonna taught me lessons that have carried me through adolescence and well into adulthood.
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Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Interpreting song lyrics can be a dicey endeavor. Many songwriters seem to aspire to something poetic, obscure or obtuse. While it may not be hard to deduce the meaning of lyrics like, say, “I wanna rock and roll all nite, and party every day,” so many songs defy easy understanding, either because the lyrics are vague, or hard to hear, or even utter gibberish. R.E.M.’s early songs were filled with random words that made little obvious sense, and yet along with the music, they somehow created a mood. In 2008, Michael Stipe participated in a Q&A with fans, and he said about his early songs:

those songs were mostly written to be sung live. The pa systems were so crap that no one could ever really hear the singer anyway, including the singer. We just never intended to make records, and then suddenly we were making records and the songs were in my head like that, so we just blurred the vocal and turned it way down. The songs that do have words don’t really make any or much sense, it was about creating a feeling and emotion in the room in the moment. As it turns out the records turned out pretty great too, just inscrutable. I had to learn pretty fast how to write a good or great lyric after that. Please don’t analyze them, there’s nothing but feeling there. Sing along and make it up, that’s what I still do.
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Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

George Harrison was still struggling to get his voice heard when the Beatles recorded “It’s All Too Much.” They did so during the week that Sgt. Pepper was released (an album with only one of George’s songs); originally planned to appear on Magical Mystery Tour, it was delayed for the Yellow Submarine soundtrack, which came out more than half a year after the movie premiered. For a song that seemed determined to be an afterthought, “It’s All Too Much” has gone on to become best known as being perhaps the most underrated Beatles song. East meets West while tripping on acid, and hand in hand they sail into the mystic, taking the time to quote a line from the Merseys song “Sorrow” (which would have to wait for an immortalizing full-length cover until David Bowie came along).
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Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Before it was a depressing award-winning movie… before it was the name of a one-hit-wonder band… “Boys Don’t Cry” was the title of the Cure’s angstastic second single. The story of a boy with an aching heart who refuses to appear vulnerable under any circumstances has a dry spareness to it, but the guitar has as catchy a hook as you’ll find on the band’s later, lusher work.
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Jul 232014

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

The 27 Club is one of the most enduring legends of rock and roll apocrypha, and although the member list is distinguished, no one’s really clawing to get in. It refers to the peculiarly high number of prominent musicians who died at the age of 27 – blues legend Robert Johnson, Jim Morrison, Big Star’s Chris Bell, Janis Joplin, Jimi Hendrix, Rolling Stones founding member Brian Jones, and Kurt Cobain, amongst (too) many others.

In 2011, the club expanded its membership yet again with blue-eyed soul ingénue, Amy Winehouse.
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In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Matthew Sweet’s career is a textbook example of what happens if you are exceedingly good at something that is not considered to be cool. In this case, that thing is the musical genre of “power pop.” Sweet is almost universally considered to be a master of the genre (usually defined as being a cross between hard rock and pop, with serious Beatles influences), and his best album, 1991′s Girlfriend, is generally considered to be a masterpiece, even by people who generally look down their noses at “power pop.”

As a result, Sweet is a cult hero to some critics and fans who appreciate the tight, hook-filled yet intelligent songwriting that typifies the genre, while remaining unknown to the masses who may – may - have heard one of the two or three Sweet songs that occasionally sneak into a radio or streaming playlist. Of course, the music geeks who write for Cover Me are Sweet fans; we’ve featured his cover work repeatedly, even giving him a birthday tribute featuring covers of his songs by other artists. But never before has he received the sort of career-affirming fawning adulation that can only be found in an “In the Spotlight” feature.
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