May 062016
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

jeffdig

I was fifteen years old when I was first introduced to the world of Infinity Cat Recordings. I was immediately enamored with the punk DIY aesthetic presented by a group of young Nashville punks. When I say “young,” I mean YOUNG. Like only a few years older than me at the time young. Brothers Jake and Jamin Orrall, in their late teens at the time, formed the indie label with the guidance of their father in 2002. A host of psychedelic and grunge-tinged punk bands emerged from the label right from the get-go, leading publications like The Guardian and Billboard Magazine to name it one of the best indie labels in America. JEFF the Brotherhood, a two-piece psychedelic garage-rock band also formed by the Orrall brothers, acted as a sort of nucleus for the label, guiding the overall sound and feel of the rest of the bands that make up the collective.

In a way, the band has always been a source of centering for myself as well. Maybe they aren’t guiding my life choices, but they do have a way of bringing me back to my suburban teenage rebellion years – a time when I was determined to take the world by storm and (pardon my French) fuck shit up, Nashville punk style. JEFF The Brotherhood serves as a reminder to do what I want, and how I want to do it. Every now and then, I will go back to one of their first singles, Noo Sixties, and be reminded of that seemingly contradictory hard-working-punk ethos.
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May 032016
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Sister Sparrow & The Dirty Birds H&M Photo Shoot at SXSW in Austin, TX

“Our music is loud, fun, and it’s supposed to make you feel good.”

That’s straight from the mouth of Arleigh Kincheloe, the lead singer and Sister Sparrow to the collection of Dirty Birds that backs her up in this amazing rock/soul/funk band. Arleigh and her brother Jackson, who plays the prominently-featured harmonica for the ensemble, came from the Catskills to the band’s base of operations, Brooklyn. They formed in 2008, and by 2010 they had their self-titled debut album available. Since then, they’ve been road warriors, hitting venues and festivals all over the country. They’ve won listeners over the old-fashioned way: putting on the best damn shows they can and bringing to music to every pair of ears they can find.
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Apr 292016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

korgis

The Korgis really were an extraordinary group. With a name derived from the name of ubiquitous ’80s synthesizer makers Korg, they evolved out of the eccentric and often unclassifiable ’70s UK band Stackridge, at a time when fashion demanded shorter and hookier songs, shorter hair, skinny ties, and shiny suits, i.e. the ’80s. Stackridge were resolutely unfashionable and nominally prog, although their music could be an odd amalgam of twiddly instrumentals, folk, psychedelia and music hall. Their instrumentation could include anything from flutes and fiddles to dustbin lids, and bear tribute to the days when record companies had money to invest in the sometimes vainglorious pursuit of a hit, allowing a band to mature over several albums, rather than today’s one strike and you’re out.
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Apr 292016
 
landofleland2016edit

We’ve been Land of Leland fans for a while now – back in 2011 Cover Me readers commissioned him to cover Fleetwood Mac’s “Everywhere,” and then earlier this year we premiered his new Whitney Houston cover. Thankfully, we didn’t have to wait another five years for a follow-up, as he’s recently posted a cover of Björk’s “Unravel” to his Bandcamp. Continue reading »

Apr 252016
 
TheMountainGoats

Last week, the Mountain Goats wrapped up a short tour at NYC’s City Winery. It’s a venue much smaller than they’d normally play in town, which is no accident: the concept of the tour was playing lesser-known songs and rarities in listening-room environments. As frontman John Darnielle put it, “smaller rooms, audible frequencies, making eye contact with people in the back row”. These shows were for the superfans (though is there any other kind with this band?). Fittingly, the tour finale saw three rare and new covers: Dio’s “Rainbow in the Dark,” Goldfinger’s “Superman,” and even a huge singalong on the classic western song “Home on the Range.” Continue reading »

Apr 222016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

mia

“Paper Planes” was the penultimate track on M.I.A.’s second album Kala; it took thirteen months from the album’s release for the song to peak at #4 on the Billboard Hot 100. Guaranteed no other paper planes have flown so high and so far for so long. Riding a sample from “Straight to Hell” by the Clash (who are rightfully credited) and a chorus borrowed from “Rump Shaker” by Wreckx-N-Effect (who aren’t), the song had as great an impact on 2008 as the gunfire in its chorus. Critics fell over themselves praising the record’s sound, somehow both chaotic and serene, and its message, a sort of “Money (That’s What I Want)” gone global for the 21st century.

Now that the dust “Paper Planes” stirred up has settled back down again, let’s take a look at some of the covers it inspired…
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