Cover Commissions is a monthly series in which a featured artist covers a reader-selected song for this blog. Any artists interested in participating, email me.

Once upon a time, not so long ago…

A song covered as often as “Livin’ on a Prayer” presents a challenge to any artist.  When big haired Bon Jovi narrowly beat littler haired Arcade Fire in last month’s Cover Commissions poll though, Coconut and the Duke accepted that challenge.  The people had spoken, but could the Wisconsin duo ring any more life from the song that spawned a million fist-pumps?

They delivered in spades.  It’s folk, it’s jazz; it’s ironic, it’s sincere; it’s Mark Knopfler, it’s Dean Martin.  It’s hard to describe.  I’ll turn it over to them.

Coconut writes:



I talked to a former record store owner from Minneapolis (Roadrunner and Aardvark) who said he’d never heard Bon Jovi’s song ‘Living on a Prayer’.  That impressed me.  He said he “probably sold a lot of their records, but he didn’t see any reason to play their music”.  This song had to be one of the most popular of the 80′s.  If you didn’t listen to it, eventually, you were forced to hear it.  I thought this song would make a good cover mainly because I am interested in the final days of the record store music industry.  Where people went in and talked to an employee or other audiophile about who is making interesting music.  My reason for singing it is more nostalgia for an era than for a particular song.  Now more than ever, artists are ‘Living on a Prayer’ .  



The Duke writes:



When ‘Living On A Prayer’ was voted in by your readers, my first thoughts were: Let’s do it a la Frank Sinatra (another great New Jersey export).  But then I realized, to pull off Old Blue Eyes, we would need that Big Band sound.   A challenge to say the least.  I wanted to stick to a jazz style, as jazz is a big part of our Invasive Folk sound.  Joe and I bounced around some chord changes and different jazz styles, ultimately going with one of our favorite tunes.  After laying down some basic tracks, it took Coconut and I a few takes to “find” the song.  First there was too many instruments.  Then, the vocals needed developing.  After filling the song with loads of instruments and vocal overdubs, we realized less was more.  ’80s hair bands were known for excess.  We wanted our version to stray from BJ’s, using ukulele, electric guitar, mandolin, bass and simple vocals.

“Stray from BJ’s” it certainly does.  You ain’t never heard “Livin’ on a Prayer” like this!

Coconut and the Duke – Livin’ on a Prayer (Bon Jovi)

BONUS:  The guys even made a video for it (love the tongue-in-cheek title):


Check out more Coconut and the Duke at their website, MySpace or CD Baby.

This mp3 may be freely shared with the artist’s blessing. Post it on your blog, send it to your friends, tweet it to the world. When you do though, please include a link to this site to promote future installments of Cover Commissions.

Cover Commissions is a monthly series in which a featured artist covers a reader-selected song for this blog. Any artists interested in participating, email me.

We Are the Willows first hit the Cover Me radar back in December.  Minnesota songwriter Peter Miller’s ethereal singing entranced us, sounding like the Beach Boys if you removed everything but the highest harmony.  We knew that voice would create some unique covers.

Readers selected from songs by Imogen Heap and the Shins, but perennial underdog Randy Newman took the crown with “Political Science.”  As everyone knows, a Cover Commissions victory makes up for an Oscar loss.  Miller describes his approach:

I fell in love with this song because it was covered by one of my favorite bands, Pedro the Lion.  I really love basically anything David Bazan does and when I heard his cover of Political Science I really wanted to play it as well.  Randy Newman’s version is of course, also awesome.  I play this song at almost every show when I play solo.

One of my favorite parts about how this song turned out is that at the end there are these background “oooh’s” that sound like sirens and they are under the last verse about bombing all these other countries.  I didn’t really plan on that.  I recorded this song in my basement in Minneapolis, MN.

We Are the Willows – Political Science (Randy Newman)

On a roll, Miller recorded one of the other nominees: “Make the World Go Away,” by country music pioneer Eddy Arnold.  There’s a morbid humor in pairing a song called “Make the World Go Away” with one that implores us to “drop the big one.”  Well played, Peter.

This was one of my Grandpa’s favorite songs.  He was a real romantic guy and a very tender soul.  I played this song at his funeral and ever since it’s really stuck with me.  I know that seems sorta masochistic, but there is something about playing that song that keeps my grandpa alive in some way.  This song features Karin Hasse who plays in We Are the Willows when we play live.  This song was recorded by Danny Wolf in Madrid, Iowa.

We Are the Willows – Make the World Go Away  (Eddy Arnold)

Check out more We Are the Willows at MySpace, iTunes and Minnesota Public Radio.

This mp3 may be freely shared with the artist’s blessing. Post it on your blog, send it to your friends, tweet it to the world. When you do though, please include a link to this site to promote future installments of Cover Commissions.

Cover Commissions is a monthly series in which a featured artist produces a special cover for this blog. Readers choose the song from a list of suggestions provided by the artist. Any artists interested in participating in a future installment, please email Cover Me at the address on the right.


Once upon a time there were two young men going to college in Wisconsin. Being in Wisconsin, they didn’t have much to do except eat cheese and be cold. One day Student A (Joe Maurer) heard Student B (Lucas Stangl) rocking out in his dorm room. He invited him over for a jam session.

Coconut and the Duke was born.

One jam session became many jam sessions. Wisconsin became Pennsylvania-New York. College became the real world. Over the years Joe and Lucas kept recording, eventually releasing EP and, last year, an album, In the Bamboo Forest.

Joe (Coconut) and Lucas (the Duke) describe their music as “invasive folk,” which is as good a term as any. Their songs have hilarious names like “Venison Jerky” and “Skinny Dipping with Your Hot Sister,” but are delicately produced acoustic jams that incorporate mandolin and ukulele. Check out In the Bamboo Forest at CD Baby or iTunes, then head to their website to download their 2008 We’ll All Be Homemade Boats Someday EP for free.

Last August the duo began a “Cover of the Month” series on their website. Since kicking things off with Eddie Money’s “Two Tickets to Paradise,” they’ve tackled everyone from the Red Hot Chili Peppers to Jesus Christ: Superstar. Here’s a couple samples — get the rest at their site.

Coconut and the Duke – Music to Watch Girls By (Andy Williams)
Coconut and the Duke – Walcott (Vampire Weekend)

This month, they’re doing a special cover as April’s Cover Commissions artist. What song? It’s your call.

Each of the ten choices below is linked to a YouTube video. Listen to the originals, listen to Coconut and the Duke, then vote for what song you want to hear them tackle in the poll on the right.


Voting closes in one week, so get deciding! Vote in the poll on the right.

Cover Commissions is a monthly series in which a featured artist covers a reader-selected song for this blog. Any artists interested in participating, email me at the address on the right.


I consider one month a fast Cover Commissions turnaround, but this is just ridiculous. The polling for Tinyfolk’s Commissions closed just one week ago and we’ve already got the finished cover. Two versions of it in fact. Plus a bonus track!

Voting almost hit a three-way tie between Taylor Swift (“You Belong With Me”), Elton John and Jeremy Irons (“Be Prepared”) and Bonnie Tyler (“Total Eclipse of the Heart”), but in the end the ‘80s fans won out. Maybe synth solos are more popular than previously believed or maybe folks had seen the recent “literal video” for “Total Eclipse” that’s been making the rounds.

Taking on any song by legendarily epic songwriter Jim Steinman is a daunting task to be sure. There’s a reason there aren’t many “Paradise by the Dashboard Light” covers out there. Tinyfolk’s Russ Woods describes how he approached Bonnie’s epic ballad:

I’m pretty glad this got picked. I’m a huge Jim Steinman fan. I love his work with Bonnie Tyler, Meat Loaf, and yes, even Celine Dion. I’ve seen Streets of Fire, and own a CD of music from the German-language musical Tanz Der Vampire that Steinman scored. I’ve never covered one of his songs because they’re huge and epic and kind of intimidating. I put this on the list as a way to force myself to try it if it got picked. And it did.



We ended up with two different takes, one a bit dancier and one a bit folkier. Both involve me having to use the far extremes of my vocal range more than any song I’ve ever recorded. James Eric and I recorded them on Sunday after finishing up recording the new Tinyfolk album, Black Bears, which he produced. So, big thanks to James Eric, aka Garden on a Trampoline, for helping out.

Just like James did for us a year ago with his two versions of Devo’s “Beautiful World” and one of MGMT’s “Time to Pretend” (download them here), Russ has sent in not one cover, but three. First up, the Commissions winner. Turn around…

Tinyfolk ft. G.O.A.T. – Total Eclipse of the Heart (Dance Version) (Bonnie Tyler)

Tinyfolk ft. G.O.A.T. – Total Eclipse of the Heart (Folk Version) (Bonnie Tyler)

Apparently still having time to kill, Tinyfolk also tackled one of the other poll options: “Do Your Best.”

Tinyfolk – Do Your Best (John Maus)

Check out more Tinyfolk at CLLCT, Muxtape, Last.FM and Rain Above Records.

These mp3s may be freely shared with the artist’s blessing. Post them on your blog, send them to your friends, tweet them to the world. When you share these though, please include a link to this site. Check back for future Cover Commissions installments.

Mar 052010

Cover Commissions is a monthly series in which a featured artist produces a special cover for this blog. Readers choose the song from a list of suggestions provided by the artist. Any artists interested in participating in a future installment, please email Cover Me at the address on the right.


This month’s featured cover artist was passed my way by James Eric, who longtime readers will remember kicked off our very first Commissions (which actually makes this the one-year anniversary of the series). Tinyfolk is the brain child of Russ Woods, an Illinois native and absurdly prolific musician who, having just graduated school, already has five album, a bunch of EPs, and a smattering of compilation appearances to his name.

Woods records low-fi tunes either on his own or with Meghan Lamb of Iron Like Nylon. What started out as a series of twee pop nuggets (lots of ukulele) have evolved to include synthesizers, strings and all the other elements of, you know, actual production. Best of all, he gives everything away for free at CLLCT, Last.FM, Muxtape and pretty much anywhere else you turn (his latest is at Rain Above Records).

Best of all, for us at least, he has done a ridiculous number of covers. Poke around that CLLCT page and you’re likely to find dozens tucked away on various albums, EPs and comps. One of his best is “Goodbye Horses” by Q Lazzarus, a one-hit wonder in the purest sense that the only single she ever released was a hit. Tinyfolk’s cover comes with a video especially for all you pixilated-hose lovers out there.


Like I mentioned, Tinyfolk has covered a lot of songs. Here’s a sampling. Poke around CLLCT for his takes on David Bowie (“Five Years”), They Might Be Giants (“Stormy Pinkness”) and more.

Tinyfolk – (There’s) Always Something There to Remind Me (Burt Bacharach)

Tinyfolk – Will You Be There? (Michael Jackson)

Tinyfolk – You Can Call Me Al (Paul Simon)

What song will he cover next? Your call. Below are ten song choices, each linked to a YouTube video where you can listen. Check out the originals, listen to Tinyfolk’s other stuff, then pick which song he should cover in the poll on the right. While I wouldn’t be surprised if he ends up covering every last one of them eventually, at least you can tell him which to do first.


Voting closes in one week, so get deciding! Vote in the poll on the right.

Cover Commissions is a monthly series in which a featured artist covers a reader-selected song for this blog. Any artists interested in participating, email me at the address on the right.


These days Weezer is an unfunny joke, but it seems the classics don’t go out of style. In January’s poll for what song you wanted Kristy Brannon to cover, “Say It Ain’t So” won by the biggest landslide in Commissions history. I think that’s what the pols would call a mandate.

Unfortunately, frontman Rivers Cuomo probably won’t stop making YouTube-meme videos or party jams with Lil Wayne anytime soon. Fans must content themselves with Blue Album and Pinkerton, albums that have provided consolation in one form or another to disillusioned and isolated teenagers (ie. all of them) since time immemorial (ie. 1994).

Brannon strips bare the daddy issues of “Say It Ain’t So” with an acoustic cover that sounds so natural you forget that the original was actually pretty loud. She describes the recording process:

I learned to play guitar doing Weezer covers so I’m really glad I got to do this song! Weezer has to be one of my favorite bands, [but] I wasn’t that familiar with this particular song until I started using Pandora radio and it came up a million times. Eventually it was so stuck in my head that I had to learn it to play it myself.

I recorded the guitar track first and put on headphones to sing so I wonder what my roommate thought hearing me sing a song with no music over and over again in my room. I tried to sing it really quietly but it sounded so creepy and way too high pitched so I eventually just turned the mic around. It sounds like I’m far away but I kind of like that sound.

A far away recording seems thematically appropriate for a song with lyrics like “This way is a waterslide away from me that takes you further every day.” Whatever that means.

Kristy Brannon – Say It Ain’t So (Weezer)

Check out Kristy’s website and MySpace for more info, then go download her new EP The Untold Story for free at BandCamp.

This mp3 may be freely shared with the artist’s blessing. Post it on your blog, send it to your friends, tweet it to the world. When you share this though, please include a link to this site. Cover Commissions is a monthly occurrence. Check back for future installments.

Cover Commissions is a monthly series in which a featured artist covers a reader-selected song for this blog. Any artists interested in participating, email me at the address on the right.


When Blondie released “Heart of Glass” in 1979, the New Wave pioneers were accused of abandoning their roots for the emerging disco sound. For once the critics may have a point, since the tune was written as a funky blues number before producer Mike Chapman got his hands on it.

“We didn’t expect the song to be that big,” guitarist Chris Stein responded. “We did it as a novelty item to put more diversity into the album. It’s not selling out; it’s only one song.”

November Cover Commissions artist Brady Harris takes “Heart of Glass” back from disco. He takes it way back. Here’s what he has to say:

I always admired how Blondie could move comfortably from genre to genre – hit to hit.
 “Heart of Glass”, like most well written songs, lends itself easily to multiple stylistic interpretations and genres. Perhaps unconsciously taking a cue from The Lovin’ Spoonful, I decided to go with an Americana-30s kind of vibe when recording this arrangement.



I laid down the acoustic guitars and a scratch vocal here at my own humble home studio then I took the song to my friend, multi-instrumentalist John Adair and his studio in Santa Monica. John laid down the mandolin, banjo, upright bass, lead guitar, piano, backing vocals, etc. I re-cut my lead vocals there and we were done but for the mixing, which John did the following week. 



Musical geek-out note on the recording: I love how on the last “Ooh-ooh, ooh-oh” you can hear the bass reach up and grab the melody riff that the mandolin’s been playing the whole song, like some poor grunt reaching for the spotlight at the last possible moment.



Thanks to John Adair!

And thank-you, Ray!

No, sir, thank you. The rich folksy swing is sure to revitalize this oldies classic for anyone sick of the disco-cheeze original.

Brady Harris ft. John Adair – Heart of Glass (Blondie)

Check out Brady’s website and MySpace for more tunes (highly recommended: his Cover Charge album, featuring takes on the Vines, Culture Club and more) and catch more John Adair at his site or ‘Space.

This mp3 may be freely shared with the artist’s blessing. Post it on your blog, send it to your friends, tweet it to the world. When you share this though, please include a link to this site. Cover Commissions is a monthly occurrence. Check back for future installments.

Cover Commissions is a monthly series in which a featured artist produces a special cover for this blog, chosen by blog readers via poll. Any artists interested in participating in a future installment, email me at the address on the right.


During his fall tour, Bruce Springsteen pulled the standard seat-filling trick of playing classic albums in their entirety. Most shows got usual suspects Born to Run, Born in the U.S.A. or Darkness on the Edge of Town, but for the tour’s final night in Buffalo, Springsteen threw a mean left hook, playing his debut Greetings from Asbury Park, N.J. front-to-back for the first tiwme ever. As he said introducing the performance, “”This was the record that took everything from way below zero to…one.”

No, Greetings did not make much of a splash in its 1973 debut. The best legendary music critic Lester Bangs could muster in his tepid Rolling Stone review was, “He’s not the new John Prine.” At the same time, Robert Christgau snidely commented, “It takes real conviction to save ‘But did not heed my urgency’ with ‘Your life was one long emergency.’”

The urgency/emergency couplet comes from album highlight “For You,” either a romantic appeal or a suicide plea, depending on who you ask. It features Springsteen’s early hyper-literate lyrics, like all of “Desolation Row” compressed into four minutes.

And this brings us back to The Broken Chimneys, our Cover Commissions artist way back in August. The newest music creation from author/satirist/songwriter/ghost tour guide Adam Selzer, the Chimneys took on “For You” because of reader vote. After many months of arranging, recording, and overdubbing, the finished product is here. Here’s their description:

The Broken Chimneys spent some time in Milledgeville, GA, a town with about seven prisons, a mental hospital, miles of ghettos, and smokestacks reaching like the arms of God into a beautiful sky of soot and clay. Adam spent a whole summer listening to early Springsteen while he delivered pizza. He’d never heard those first two albums before that year, but fell in loves with the street poetry, the Dr. Seuss-style rhymes about masturbating teenagers and sages of the subway.

But his favorite was “For You.” The Broken Chimneys originally tried to do a punk version, reasoning that most punks have had the experience of loving someone whose “life was one long emergency,” but it never quite came together. So they did a chamber music-ish version, inspired by the piano arrangement on the first Springsteen tape Adam owned – the Bryn Mawr ’75 bootleg.

Download the bootleg that inspired the cover over this way, but not before you listen to the Chimneys’ haunting “For You,” recorded exclusively for Cover Me.

The Broken Chimneys – For You (Bruce Springsteen)

Pick up the Broken Chimneys’ latest album Satan’s Parents Basement, from iTunes, then check them out on the soundtrack for the new book I Kissed a Zombie and I Liked It. Plus, check back here next week for Brady Harris’ November Cover Commissions entry and February’s poll!

This mp3 may be freely shared with the artist’s blessing. Post it on your blog, send it to your friends, tweet it to the world. When you share this however, please include a link to this site. Cover Commissions is a monthly occurrence, and the more attention this draws the more exciting we can make future installments.

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