Feb 032016
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

MatesofStateCrushesCoversMixtape

When Mates of State‘s Crushes (The Covers Mixtape) came out in 2010, we ranked it the sixth best cover album of the year. If I were redoing that list today, I’d make it #1 (or, at worst, #2 – I do still love that Peter Gabriel album). The reason Crushes holds up so well is the same reason a lot of people might hate it: Its almost gleeful irreverence to its source material.

On Crushes, the husband-wife indiepop duo of Kori Gardner and Jason Hammel draw their song selections equally from indie hits of the past decade and classic singer-songwriters. But they are beholden to neither group. Americana laments become dance celebrations. Outsider indie-prog becomes glossy toy-store pop. Electronic beats and gorgeous harmonies coexist in worlds far different than the ones the original artists envisioned. Continue reading »

Nov 042015
 
Bond Week

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

double o heaven

With James Bond Part XXIV being released this week, the time seemed right to take a look at some Bond-related covers. Tune in tomorrow for some of the best ever made; for today, we’re whetting your appetite with a look at an all-Bond cover album that’s not like all the others.
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Oct 302015
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Light_of_Day

Bruce Springsteen may not be rock ‘n’ roll’s future anymore, but he’s been so prolific – by 1998, three-quarters of his catalog consisted of unreleased songs – that we could very well see new albums coming out from him long after he’s gone. That abundance of gifts he’s given have not only made him a natural for the tribute album treatment, they’ve also given the covering artists a lot to work with – top-ten hits stand shoulder to shoulder with the barely bootlegged, and with no loss in song quality. The 2003 tribute album Light of Day: A Tribute to Bruce Springsteen showcased the breadth of Springsteen’s catalog – two and a half hours long, holding over three dozen songs – just as surely as it showcased the depth of his songwriting.
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Aug 212015
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

makrosoft

One of the perks of writing for Cover Me is the degree to which it gives you the chance to make discoveries. For instance, I was searching for some good Clash covers (more on why in a minute) and it led to find the 2006 album Stereo Also Playable Mono by MakroSoft. After listening to a few tracks, I got the impression that John Barry, Lalo Schifrin, and Ennio Morricone had gotten together, in a laboratory sponsored by Kraftwerk, and created film scores based on some of the immortal songs of the previous half century.
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Jul 072015
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

81JmWMfPv2L._SL1500_

Bob Dylan has been referred to as “the most important figure in pop-culture history,” and as such his songs hold a special place. It’s become de rigueur for artists to cover Dylan tunes, even full albums, and they’ve done so with varying degrees of success. Pop culture writer Kelsey McKinney once explained that “a good cover takes a song and transforms it to fit the new artist”; if that’s the case, then 2014’s Off the Grid – Doin’ It Dylan by the Charlie Daniels Band is one of the greatest Bob Dylan cover albums out there.
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May 012015
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

pickin

Anyone attempting to make the argument that Pickin’ On Modest Mouse: A Bluegrass Tribute Featuring Iron Horse is a Cover Classic – an argument that was promised/threatened by my response to this Q&A a few days ago and is related to a defense of bluegrass covers we made a while back – needs to refute two rational, gut-level reactions to the artifact that is this album. First, one needs to establish that the album is not simply another gimmicky entry in the Pickin’ On series, a collection of fairly obvious mid-oughties albums that attempted to pin the banjo on unlikely donkeys in ways that were often funny and almost always “pretty good for a novelty album.” Second, one needs to demonstrate that this album is somehow different than other albums attempting to strip away all of the Modest Mouse noise to reveal the sensitive songwriting lurking just beneath the shouting.
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Mar 202015
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

I guess I felt a little bad about by my recent damning by faint praise of Annie Lennox, so I’ve been feeling the need to redress with something topnotch. And I have it, with Relations, the 2004 LP by Kathryn Williams, silky-voiced folkish songstrel. I guess she isn’t well known outside her fan-base in the U.K., which is a shame because she damn well should be.
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Feb 032015
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

OK, where do I begin? Cover Classics is the name of the game, yet few, perhaps, would accord Annie Lennox’s Medusa that status, at least not within the world of critics, who, by and large, were damning, back before it became the norm to decry the later efforts of Ms. Lennox. This isn’t an In Defense piece, so I am not required to address her current standing (to some relief), yet I want to. So what to say of an artist who was once so right, then suddenly so wrong? And is that view still applicable?
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