For a few years now, long-running French video company La Blogothèque has been filming a series they call “One to One” at Bon Iver’s various European festivals. They blindfold one audience member and bring them into a private room for a concert for one. Bon Iver did one, and Damien Rice’s is a must-watch. Personally, that experience sounds more awkward than enjoyable – especially with all the cameras in your face – so I’d rather just watch someone else’s personal concert on video. This one is a gem, feature The Staves with Anais Mitchell delivering a gorgeously-harmonized Sheryl Crow cover.Continue reading »
The first big film to to emerge in the post-Bohemian Rhapsody biopic boom is Rocketman. Compared to the Queen movie, critics like Rocketman better (somewhat), fact-checkers call it more accurate (somewhat), and LGBT advocates praise it for more honestly addressing the star’s sexuality (somewhat). Also – and hopefully this is unrelated – it has fared worse at the box office. Again, somewhat worse; it’s done fine, but does not seem to be the smash Bohemian Rhapsody was.
Unlike Queen, though, Elton John didn’t really need a mega-blockbuster to return to the public eye. He never left (after all, it’s hard to look away from clothes that sparkly). The farewell tour he launched last year will take him through 2020, and 2018 also saw two tribute albums featuring megawatt performers: from Lady Gaga to Ed Sheeran on the pop one, Miranda Lambert to Willie Nelson on the country one. For Elton, the Rocketman biopic is just the latest tribute in a career full of them.
And nowhere has tribute been paid more often than in the world of cover songs. From his second, self-titled album onward (no one covers songs off his 1969 debut), Elton’s songs have been covered constantly. Hell, Three Dog Night released their cover of that second album’s “Your Song” a month before John’s original even came out. Though artists inevitably gravitate towards the huge hits, John’s songbook boasts a long tail, with even some relative deep cuts generating classic covers. So this month we count down the thirty best Elton John covers ever.
Best so far, at least. At the rate he earns tributes, it won’t be long before the next batch lands.
Ashley O [Miley Cyrus] – Right Where I Belong (Nine Inch Nails cover)
The second-most-bonkers cover of the month (just wait ’til we get to “Spicy”) comes from – who else – Miley Cyrus. On a new episode of Black Mirror, she covers/parodies angsty Nine Inch Nails songs as the most insipid of pop jams. Trent Reznor, for one, says he is very much on board (given the lyric changes, these covers required his legal approval). Miley’s songs in character as Ashley O are outrageous and borderline offensive, which is kind of the point. “On a Roll” (FKA “Head Like a Hole”) has gotten most of the attention, but “Right Where I Belong” is more listenable. Marginally. Continue reading »
For a band now in its fourth decade, The Cure has enjoyed a surprisingly big year in 2019. Most notably, after fifteen years of being eligible for but mostly ignored by the Rock and Roll Hall of Fame, The Cure were finally inducted in April. Then May saw two big anniversaries: The band’s debut album Three Imaginary Boys turned 40 and their most-beloved album Disintegration turned 30. For a band firmly affixed in the classic-rock firmament at this point, they’ve suddenly found themselves back in the spotlight – even if, by all indications, they prefer the dark.
The Cure has never gone out of style in one area though: covers. Whether the band’s in the news or not, every year delivers dozens more versions of “Lovesong,” “Boys Don’t Cry,” and the rest. We whittled them down to the 30 best ever, dramatic reimaginings that veer from gorgeous orchestral ballads to dark post-rock drones. Listen below (and join our new Patreon for MP3 download and playlist versions of the full set).
The first of a couple Beatles covers this month, AURORA’s “Across the Universe” doesn’t reinvent the wheel, it just removes a few spokes. The Norwegian singer-songwriter strips everything away but keys and a bunch of voices (there’s a guitarist too, though barely audible). It’s all the song needs.Continue reading »
Joni Mitchell is 75 and won’t be with us forever. She suffered an aneurysm in 2015, and she’s coping with the little-understood Morgellons disease. She has difficulty walking, and has not spoken publicly in years. But if her place on earth is tenuous, her place in the heavens is secure; millions of people already look up to her every day.
Joni Mitchell’s songs are famous for being intensely personal, a deep expression of her self that people nevertheless relate to. Those who aspire to her voice become near-slavish devotees. There’s a great New Yorker piece about a small show of Joni’s that a drunken Chrissie Hynde gets overly caught up in (“That’s a REAL singer up there!”), and Hynde’s not alone. Mitchell isn’t just a real singer, though. She’s a real songwriter, a real painter, a real guitarist, a real follower of her muse – a real artist, one of the realest of the past hundred years. That authenticity is what continues to bring people into her circle on a daily basis.
In an excellent essay for NPR, Ann Powers wrote: “Like her prime compatriots Bob Dylan and Leonard Cohen and her favorite protégé Prince, no one can adequately echo her; even great singers, taking on her songbook, admit they can only hope to achieve proximity.” Indeed, a Joni Mitchell cover is never just a tribute – it’s an assertion, an artist coming forth to pick up a gauntlet she lay down decades ago.
We found 30 covers that show the artists doing an especially good job at matching their talents to Joni’s, creating new works of art that, no matter how novel or innovative they may be, never set out to eradicate the original artist’s signature. May her art continue to open eyes, whether through her own performances or those of others, for centuries to come.