Patrick Robbins

Patrick Robbins lives in Maine, where he moves through life with the secure knowledge that, as Penn Jillette said, "In all of art, it's the singer, not the song," On Wednesdays he goes shopping, and has buttered scones for tea. He is the author of the novel To Make Others Happy.

Mar 272019
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Stevie Nicks’s induction into the Rock and Roll Hall of Fame is a historic one. She’s the first woman to be elected twice – once with Fleetwood Mac, and once for her solo career. Before Diana Ross, before Tina Turner, before Janis Joplin, before any other woman. We’ve discussed “Landslide,” her signature song that she brought to Fleetwood Mac; now we’ll pay tribute to what she accomplished after she emerged from their shadow. Continue reading »

Mar 172019
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

dick dale

Many of can say that rock and roll kept us alive and kept us going, but few meant it as literally as Dick Dale did. “I can’t stop touring because I will die,” he said in a 2015 interview, revealing that he needed to keep playing shows in order to raise the $3,000 a month he needed to treat his multiple health problems – rectal cancer, renal failure, diabetes, damaged vertebrae, and more. Four years after that interview, word came out that he’s played his last earthly concert, passing away at the age of 82.
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Mar 082019
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Wikipedia reports that Imaginary Records, an indie label founded 1985 in Manchester, England, specialized in indie rock and post-punk. What it really specialized in, though, was tribute albums. Roughly a third of their album catalog saluted other artists. These ranged from the usual suspects (Dylan, the Stones) to decidedly unusual ones (Captain Beefheart, Syd Barrett).

In 1992, they released Brittle Days: A Tribute to Nick Drake. This was at a time when Drake was still more a cult favorite than a favorite. Anyone who bought the album was as likely to be being introduced to Drake as to the artists singing his songs therein. These artists were themselves destined to remain cult favorites; no future jackpots here like there were on Imaginary Records’ first Velvet Underground tribute. Instead, devotees expressed their devotion to other devotees, resulting in an album that was quiet, reverent, and more than a little haunting.

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Mar 012019
 

That’s A Cover? explores cover songs that you may have thought were originals.

The term “groupie” was just starting to get a toehold in the American vernacular in the late ’60s. Groupies were written about in lengthy articles in Rolling Stone and Time magazines. They were the subject of a 1969 book (Groupie) and a 1970 documentary (Groupies). They were, in the words of Hall of Fame groupie Pamela Des Barres, the Mary Magdalenes to any and all Jesuses in the rock bands that came through town. And Rita Coolidge thought they would make an ideal subject for a song.

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Feb 222019
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

When David Bowie moved to Berlin, he took an apartment over an auto parts store. Iggy Pop shared a room with him. There were no chairs – they had decided chairs were unnatural. One night they were sitting on the floor waiting for Starsky and Hutch to start on the Armed Forces Network. The show started with a call signal – beep beep beep, beep beep beep beep, beep beep beep. Bowie picked up a ukulele (“it might have been his son’s,” Pop later remembered) and wrote out the chord progression. “Call it ‘Lust for Life,'” he told Pop. “Write something up.”

Describing their songwriting process, Bowie said, “I often gave him a few anchor images that I wanted him to play off, and he would take them away and start free-associating.” Pop later realized that Bowie’s title came from the Kirk Douglas film about Vincent van Gogh. “In the two albums we made,”said Pop, referring to Lust for Life and The Idiot, “I think Bowie wanted to make the comment that I was an idiot à la Dostoyevsky and insane à la van Gogh. Like, ‘Here I am producing albums for this insane idiot — let’s see what happens!'”

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Feb 152019
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Gordon Lightfoot

Gordon Lightfoot wasn’t happy. He’d learned that Warner Brothers intended to change the name of his album Sit Down Young Stranger, and he flew from Toronto to Los Angeles to ask them why. Stan Cornyn, head of merchandising, responded with his own question: “Gord, did you take algebra?”

“I took it, but I sure as hell never passed it,” Lightfoot confessed.

“Well, Gord, changing the name of the album is the difference between x and 8x.”

“Go ahead and change it,” said Lightfoot. Smart move on both their parts – as If You Could Read My Mind, the album went from 80,000 in sales to 650,000. Credit the now-title track, which peaked at #5 on the Billboard charts forty-eight years ago this month.
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