Patrick Robbins

Patrick Robbins lives in Maine, where he moves through life with the secure knowledge that, as Penn Jillette said, "In all of art, it's the singer, not the song," On Wednesdays he goes shopping, and has buttered scones for tea.

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

If anybody deserves to be described as “X years young,” it’s Jonathan Richman, who’s been in this world for 61 years as of today. Robert Christgau famously called him “an almost powerless case of arrested development,” but that was before he wrote songs like “The Girl Stands Up To Me Now,” “Let Her Go Into The Darkness,” and “That Summer Feeling,” all of which have true maturity without ever giving up Richman’s trademark unaffected wide-eyed stance. Long after he made an undeniable impact on the rock world with the Modern Lovers, Richman’s become an acoustic troubadour, criss-crossing the country with his musical tales, and has won a fervid following doing so – when he appeared as the Greek chorus of There’s Something About Mary, his fans didn’t think of him as selling out, but congratulated the world on buying in. His is truly a birthday worth celebrating – we’re doing so with the following covers… Continue reading »

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

Brian Peter George St. John le Baptiste De La Salle Eno turns 64 today. Here are some reasons we will still need him and feed him: 1) He co-founded Roxy Music and proved you could be flashier and suaver than Bryan Ferry; 2)He invented ambient music; 3) He produced the best albums by U2, Devo, and Talking Heads, not to mention his involvement with David Bowie’s Berlin Trilogy; 4) His Oblique Strategies cards are to writer’s block what the Salk vaccine was to polio; 5) The noise Windows 95 makes when it opens? He wrote that; 6) He shows absolutely zero signs of stopping. Continue reading »

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Come September, John Fogerty will be touring in Canada and performing Creedence Clearwater Revival albums in their entirety. It’s a long way from the days when he vowed he’d never play CCR songs again, but in the end his songs proved just as irresistible to him as they are to his listeners. The album that’s arguably gotten the least resistance, and one that Fogerty and his little traveling band will be presenting on alternate nights this fall, is 1970′s Cosmo’s Factory. Continue reading »

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

When the third album by the Velvet Underground came out, the few people who had bought their last two albums and expected more of the same were stunned at what they heard. Lou Reed was determined not to lead a one-dimensional band, and with the poppier-minded Doug Yule taking over John Cale’s duties, they took a soft left turn and became a kinder, gentler quartet. Perhaps no cut better exemplified this change than side one’s closer, “Jesus.” Barely a year after the seventeen-minute cacophony of “Sister Ray,” Reed used just fifteen words to ask for help from above. The song’s delicacy may not hit as hard as a shot of “Heroin,” but its message goes deeper and stays a lot longer. Continue reading »

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

When Lyle Lovett first arrived, the country music scene was proud to call the tall Texan one of their own. As his career developed, though, the top-twenty hits dried up, and the establishment took a wary step back. Lovett’s songs may have had a southern feel, but they were also infused with folk, jazz, blues, and big band (make that “large band”), and there was nothing formulaic about his lyrics, which never met a cliche they couldn’t leave sprawling in the dirt. Continue reading »

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

The songs would just come from him, as if he was a vehicle from God that the songs flowed through… The man was driven to write songs. The music came out of a very deep place. And oftentimes, out of that deepness, John felt very alone. If you listen to his songs, there’s a lot of loneliness there. — Annie Denver

By the time of his death in a 1997 plane crash, John Denver’s image no longer fit the man. He had written more than 200 songs and had multiple gold albums; his concerts appealed to young and old alike; he used his fame to bring attention to environmental causes, championed the space program, and testified in Congress against the PMRC. But to the general public, he had become something to mock, a naive, uncool lightweight who said “far out” way too much and did his best work with Muppets. It’s telling that when USA for Africa was preparing to record “We Are the World,” they turned down Denver – who had founded the World Hunger Project back in 1977 – because they felt his presence would damage the song’s credibility. Denver, and his music, had not been getting the respect they deserved for far too long. Continue reading »

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

The Buzzcocks were unique among British punk bands of the late seventies; not only were they more melodic (at a breakneck pace, granted) than most of their peers, they were prone to lead with their hearts. Pete Shelley, lead vocalist and chief songwriter, was the reason why; while other groups traded furor and phelgm gems with their audiences, Shelley yelped about love and lust, found and lost, in a way that girls and boys could both relate to, and he did it in perfect three-minute bursts. Shelley turns 57 today and is still going strong; we’re honoring him with these five covers from the first phase of the Buzzcocks’ career. Continue reading »

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

In Memphis, Tennessee, Union Avenue is the name of the street where the legendary Sun Studio is located (706 Union Avenue to be exact, if you want to give your GPS a workout). In Edinburgh, Scotland, Union Avenue is the name of a band steeped in rockabilly-roots music that sounds like it got its start under the watchful eye of Sam Phillips himself. Both Union Avenues have a rightful claim of the legacy of Johnny Cash – Memphis was where Cash laid the first bricks in the building of his legacy, and Edinburgh is not only Cash’s ancestral home, it’s the home of bandleader Andrew Cardno, whose playing and singing make him sound possessed by the spirit of the Man in Black. Continue reading »

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