Jack Garratt is one of the newest British R&B singers on the scene, releasing his debut album, Phase, earlier this year. The inevitable comparisons he gets to James Blake make sense, but in a new live cover for Australian radio station Triple J, Garratt shows some serious fire that contrasts with Blake’s icier style.
Back in 2012, when news of Whitney Houston‘s death came out, there was a massive outpouring of love for her work. Her legendary career and persona had an effect on music fans of all ages and backgrounds. There were tributes, vigils, and in at least one case, an impromptu dance party.
Justin Keller, the artist behind the band Land of Leland, recently recorded his version of Houston’s “I Wanna Dance With Somebody (Who Loves Me)” but the story behind the song goes all the way back to the day the news of Houston’s death broke.
If you haven’t heard of Natalie Prass yet, just wait until the end of the year “Best Albums” lists start rolling out. Prass’s self-titled debut, released early this year, is a gem. The lush backgrounds support her (usually) reserved delivery. She’s had many comparisons to Jenny Lewis (for whom she has previously sung backup) but Nick Drake references work as well. With that in mind, a cover of Simon & Garfunkel‘s “The Sound of Silence” seems an apt choice, but Prass flips the script with a stripped down funk cover of the folk classic.
Nick Drake has been covered a lot. His music has a straightforward beauty to its melodies but contains enough complexity to be open to endless reinterpretation. Typically this shows up as a cut by a singer-songwriter or indie-folk group, but rarely as a jazzy R&B version. And let me be the first to say: we need more R&B Nick Drake covers.
Indie-electronica group Hot Chip know how to rock a cover, as they proved when they put out one of last year’s best covers of the year. Now they’re back with one that could put them on that list in 2015 as well. The group is on tour now and has been performing Bruce Springsteen‘s “Dancing in the Dark” live at shows this summer. They recently released an official video and studio version of the song and its well worth a listen.
“Country pop.” “Slick country.” “Bro country.” All terms, of varyingly negative connotation, used to describe the current landscape of country music. It can be hard at times to put your finger on exactly what makes a song with some twang, electric slide and a rock beat fall into the “pop” camp or the alt-country camp, but that fine dividing line often causes consternation among listeners who prefer one over the other. Sturgill Simpson seems to get lumped into the “outlaw” or “alternative” country camp, but however you describe the up-and-coming country star he can belt out a tune, as we saw when he cracked our top 5 best covers of 2014.