Mike Misch

The first cassette tape Mike ever owned was MC Hammer's "Too Legit to Quit." He has spent the following years trying to repair his severely damaged "indie cred." He first recognized the power of cover songs when he heard Dave Matthew's Band cover Soul Coughing's "Is Chicago, Is Not Chicago." As part of his musical education, he is working his way through Tom Moon's excellent book, "The 1000 Recordings to Hear Before You Die" and tracking his progress at Recording the Recordings and on Twitter. Mike currently lives in Wisconsin but his heart still bleeds for Cleveland sports teams (yes, really).

Nov 012017
 
slothrust covers

It’s been a minute since Slothrust was last featured at Cover Me: three and a half years to be exact. But the bluesy trio is back on our radar with a new EP of cover songs, spearheaded (pun intended) by their excellent version of Britney Spears’ “Baby One More Time”.

As we mentioned in our post on Slothrust’s version of Black Sabbath’s “Electric Funeral”, the influences and song stylings of the band run the gamut, and the tracklist of the forthcoming EP Show Me How You Want It To Be reflects that. From Sabbath to Spears, Marcy Playground to Al Green, there’s not much of a theme to the album. But if all the songs are as solid as “Baby One More Time”, the theme might just be “great covers”. Continue reading »

Jun 142017
 
sade covers

There’s something about Sade that’s hard to put your finger on. Her voice is beautiful, but always feels understated. Her music is soft, smooth R&B, but appeals to a population of listeners well outside the genre. With a career that has spanned over three decades, she’s made music that has influenced a wide range of artists. For proof, look no further than two recent covers by very different artists.

The first is by Rare Futures, a band started by Matthew Fazzi, the ex-guitarist of pop-punk group Taking Back Sunday. Rare Futures walk a line between rock and R&B in their cover of Sade’s 1992 hit “No Ordinary Love.” Their version is not revolutionary, but does add a little grit to the original. The song is heavy on bass and high hat and includes some callouts to the original: the hard stops following the heavy sighs and the spot-on harmonies are nice touches. The band throws in a heavier pre-chorus and nice dual guitar breakdown at the end, keeping the cover interesting. Continue reading »

Apr 202017
 
beck elvis

As we covered a few weeks ago, the soundtrack for the Amazon original show The Man in the High Castle is chock full of big names covering classic songs. The album is out now, and one of the highlights is Beck covering Elvis’ “Can’t Help Falling in Love.” Like many of the songs mentioned previously, Beck didn’t get too adventurous on this number, opting to stick with what worked the first time. Continue reading »

Mar 032017
 
Bill Frisell

Bill Frisell, a legend of jazz and guitar and the creator of one of our favorite cover albums of last year, sat down with Fretboard Journal to play a cover of Bob Dylan’s “A Hard Rain’s A-Gonna Fall”. But if you weren’t reading this on a website with a focus on cover songs, I think Bill’s almost unrecognizable version could have fooled you. Continue reading »

Feb 152017
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Mike Pic_

Mike is back in his hometown of Cleveland after many years away. His return was not necessarily the reason the Cavs won the NBA finals, but it hasn’t been ruled out. He’s been writing his essays for Cover Me since 2011, 4 states ago. He still thinks the Counting Crows do a damn fine cover and he loved being part of the crew that got to find the best Bob Dylan covers for Dylan’s 70th birthday.
Continue reading »

Feb 132017
 
ryan-adams-20112-500x375

Ryan Adams has written some great original tunes over the years, and he certainly knows how to lay down an incredible cover. But on his recent appearance on BBC 2 Radio to promote his forthcoming sixteenth studio album, Prisoner, he didn’t try to do too much with a Radiohead tune, and it turns out that’s just fine. Continue reading »