“Don’t Dream It’s Over,” first reentered the covers stratosphere with Miley Cyrus and Ariana Grande’s adorable rendition for the Happy Hippie Foundation earlier this year. Wye Oak’s Jenn Wasner (under her solo moniker Flock of Dimes) and Sylvan Esso also covered the Crowded House jam for AV Club’s Undercover series, and as much as I loved Miley and Ariana’s take, this one may have it beat.
Is there an unwritten rule that all of the best dream pop has to come from Baltimore, Maryland? With Beach House, Future Islands, and Lower Dens all hailing from the birthplace of the Star Spangled Banner, it seems like it is. Lower Islands, whose latest release Escape From Evil is making every indie critic swoon, celebrated their recent success with this cover of Hall & Oates “Maneater.”
We may not get to see much of her face, but we have been hearing a ton from Sia. We have heard snippets of her The Mamas & the Papas cover during the trailer of the upcoming San Andreas film (starring Dwayne “The Rock” Johnson), but the Internet, being the Internet, has produced the full rendition.
Sia’s powerhouse vocals are at an all time high, backed by haunting orchestration. Sia has the uncanny power to transform anything, even a folksy, nostalgic sort of ditty, into an evocative anthem that demands to be listened to on repeat.
Listen to more Sia on her official website.
You know how during summer blockbuster season trailers for awesome movies being released in December are shown? Turns out Iron & Wine‘s Sam Beam and Band of Horses‘ Ben Bridwell decided to take a similar approach when teasing their upcoming covers album. Sing Into My Mouth, a joint effort in covers, is not being released until July 17th, but the two singer songwriters figured they would give us a taste three months early with two covers of Sade and Unicorn.
#1 Dads, a musical project of Big Scary frontman Tom Iansek, describes their music as “music your dad is into.” Well, Iansek must be hanging out with a lot of hip father figures, because this stunning rendition of FKA twigs “Two Weeks” is not something you would pull out of just any dad’s record collection.
Mark Ronson‘s “Uptown Funk” can seem inescapable at points. It is one of those songs that fits every radio station’s genre standards, whether it’s a JACKFM-esque or only plays Top 40. The track has been in at least twelve trailers of films starring Kevin Hart. Your Dad likes it. Your boss adds a pep to his step when it plays over the office PA. Several drunk girls at a party “WOOOO” in unison as soon as its instantly recognizable introductory “Duh-da-duh-da-duh-da-da-doh” ripples over the speakers. It’s not even a few days into April, and this has already become the “Blurred Lines” of 2015, minus the glaring problematic lyrics and Marvin Gaye lawsuit.
A little over a week ago, we heard a preview of the Father/Daughter release Faux Real II compilation that was originally supposed to come out for Record Store Day 2015 with LVL UP’s take on “Somebody Kill Me” from the Wedding Singer. Today, we bring you more late 90s/early 2000s nostalgia with Krill’s take on the “Billy Madison Victory Song.”