Maggie Clancy

Maggie Clancy is a writer/candle maker/TV junkie living in Los Angeles. She writes for Unbound Process with her sister and makes what her parents refer to as "hippy candles" on etsy. Follow her tweets @maggieclancy.

Aug 312016

Working at an elementary school fundamentally changes the way you listen to and critique music. After only a year of working with children, I have become something of a pop music – dare I say it – enthusiast. I have listened to (and danced) the Nae Nae more times than my angsty-and-holier-than-thou-17-year-old-self would have ever though possible. I know all the words to even the Bieber songs that aren’t on a continuous radio loop.

I’m not even mad about it though. Pop music is fun as hell, and artist JLiNE knows this, too. His club-ready originals have a genuineness about them; he unabashedly calls on the listener to get in on the good times he is clearly having in his videos.  Cover Me has an exclusive of his cover mash-up of Rachel Platten’s “Fight Song” and  Justin Bieber‘ “Where R U Now?” and I dare you not to bob your head along. Continue reading »

May 062016

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.


I was fifteen years old when I was first introduced to the world of Infinity Cat Recordings. I was immediately enamored with the punk DIY aesthetic presented by a group of young Nashville punks. When I say “young,” I mean YOUNG. Like only a few years older than me at the time young. Brothers Jake and Jamin Orrall, in their late teens at the time, formed the indie label with the guidance of their father in 2002. A host of psychedelic and grunge-tinged punk bands emerged from the label right from the get-go, leading publications like The Guardian and Billboard Magazine to name it one of the best indie labels in America. JEFF the Brotherhood, a two-piece psychedelic garage-rock band also formed by the Orrall brothers, acted as a sort of nucleus for the label, guiding the overall sound and feel of the rest of the bands that make up the collective.

In a way, the band has always been a source of centering for myself as well. Maybe they aren’t guiding my life choices, but they do have a way of bringing me back to my suburban teenage rebellion years – a time when I was determined to take the world by storm and (pardon my French) fuck shit up, Nashville punk style. JEFF The Brotherhood serves as a reminder to do what I want, and how I want to do it. Every now and then, I will go back to one of their first singles, Noo Sixties, and be reminded of that seemingly contradictory hard-working-punk ethos.
Continue reading »

Nov 062015

Chromatics have been teasing us with previews of their long awaited album, Dear Tommy. Instead of releasing the album promised to us over a year ago, Chromatics has flirted with our impatience once more, giving us just enough to hold onto hope with their cover of Cyndi Lauper‘s “Girls Just Wanna Have Fun” for fashion brand MANGO. Continue reading »

Sep 242015

By no stretch of the imagination do I consider myself a Meghan Trainor fan. Between her confused mantle of feminist empowerment and overexposure, she simply wasn’t an artist to whom I was willing to give time. Fortunately, there are artists who are able to reinterpret some of her more recent and tolerable work. Her duet with John Legend, “Like I’m Gonna Lose You,” despite its simplicity, can have universal appeal to any of those who have experienced doubt within a relationship. Newcomers Smithfield take this somewhat generic ambivalence and manage to make it more personal and aching. Continue reading »

Jul 212015
flock of dimes

“Don’t Dream It’s Over,” first reentered the covers stratosphere with Miley Cyrus and Ariana Grande’s adorable rendition for the Happy Hippie Foundation earlier this year. Wye Oak’s Jenn Wasner (under her solo moniker Flock of Dimes) and Sylvan Esso also covered the Crowded House jam for AV Club’s Undercover series, and as much as I loved Miley and Ariana’s take, this one may have it beat. Continue reading »