Maggie Clancy

Maggie Clancy is a writer/candle maker/TV junkie living in Los Angeles. She writes for Unbound Process with her sister and makes what her parents refer to as "hippy candles" on etsy. Follow her tweets @maggieclancy.

A little over a week ago, we heard a preview of the Father/Daughter release Faux Real II compilation that was originally supposed to come out for Record Store Day 2015 with LVL UP’s take on “Somebody Kill Me” from the Wedding Singer. Today, we bring you more late 90s/early 2000s nostalgia with Krill’s take on the “Billy Madison Victory Song.” Continue reading »

Last week was the 40th anniversary of Led Zeppelin‘s Physical Graffiti. To celebrate, Mojo magazine enlisted several contemporary bands and artists to revisit songs from the critically acclaimed album, including Laura Marling and Sun Kil Moon. Continue reading »

My Morning Jacket has an affinity for covering Elton John. Usually, the jam band will go into glam rock territory with “Rocket Man,” but for their One Big Holiday festival in Mexico, the band switched it up and performed “Bennie and the Jets.” Continue reading »

Say what you will about Adam Sandler‘s recent film offerings, but The Wedding Singer is still a solid comedy. Not only did the movie have a killer ’80s soundtrack, but it also boasted an original song by Sandler’s character Robbie Hart. “Somebody Kill Me” is an oddly endearing song, despite the subject matter. LVL UP has taken The Cure-inspired track and covered it for the Father/Daughter compilation Faux Real II. Continue reading »

At the beginning of the year, Sam Smith quietly settled a copyright dispute with Tom Petty over the striking similarities between Smith’s three-time Grammy-nominated “Stay With Me” and Petty’s “I Won’t Back Down,” co-written with ELO’s Jeff Lynne. Both parties have claimed that there are no hard feelings and have moved on since the incident, which wasn’t even supposed to be made public. In an odd way, it is fortunate for us, because we have been able to hear a myriad of mash-ups of the two songs, including this rerecording by love+war. Continue reading »

The term “emo” was loosely thrown around in the early 2000s to describe any pop punk band with angsty lyrics. With such a mainstream semantic shift, the idea of emo can be off-putting for some. Those who are over the age of 25 or consider themselves connoisseurs of punk, however, know that emo and popular forms of punk really originates from the 1980s hardcore punk scene in Washington D.C. and is more than simple angsty pop punk. Continue reading »

There is something about the minimalist funk of Frank Ocean‘s “Lost” that induces a dreamy feeling of sultry, summer nights. Live Footage, a duo of experimental dance musicians, captured this vibe perfectly with their live rendition of the channel ORANGE hit. Continue reading »

Josh Tillman, former Fleet Foxes member that goes by Father John Misty, just released his sophomore effort I Love You, Honeybear on Sub Pop. While promoting his second album, he stopped by Sirius XMU to perform. In addition to performing a stripped down rendition of a couple of tracks off the album, Tillman also paid tribute to fellow Seattleites Nirvana with his take on “Heart-Shaped Box.” Continue reading »

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