Jordan Becker

Jordan lives in Tarrytown, NY and enjoys writing about music in his spare time. He has enjoyed discussing music since his first experiences with radio at sleep away camp in the 1970's. A stint as a D.J. and program director at WPRB-FM in the 1980's solidified his love of opining about music, and he has recently begun contributing to music blogs. Some of Jordan's friends think that he has an unhealthy interest in cover songs, so writing for this blog will only confirm this sickness.

Jun 302017
 

That’s A Cover? explores cover songs that you may have thought were originals.

Come on people now
Smile on your brother
Everybody get together
Try to love one another
Right now

Wow,  that sounds naïve in today’s world, doesn’t it? Watch the news or go on social media and all we see are people screaming at each other, dividing each other and hating each other. Not to mention, why only smile on your brother? What about sisters? And the gender binary should be rejected anyway, right?

In any case, the Youngbloods‘ “Get Together” has become an easy soundtrack shorthand when referring to the optimism of the 1960s (much as Buffalo Springfield‘s “For What It’s Worth” or Crosby, Stills, Nash & Young‘s “Ohio” is used to illustrate the disillusionment and violence of that decade). You just have to hear the opening notes, and you are transported to a world of flower-festooned long hair, tie-dye, fringed vests and pot smoke. Thus, the song’s ubiquity in films, TV and advertising. 

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Mar 312017
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

mavericks

Read any article about the Mavericks and you are almost guaranteed to see the word “eclectic.” And that is fair. Their music is a cocktail of country, rock, blues, folk, Cuban, Tex-Mex, swing, and probably other genres, that somehow all works together. It is surely a testament to the strong writing, tight playing, and maybe most of all, the rich vocals and riveting stage presence of singer Raul Malo, that the band is able to meld these influences into a coherent body of work.

Also, they are an amazing live act, which doesn’t hurt.
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Feb 212017
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

jordan

Jordan Becker lives in Tarrytown, New York, a suburb of NYC where the Tappan Zee Bridge crosses the Hudson (until the new bridge is finished and they knock it down). He’s been writing for Cover Me since 2013, debuting with an essay about Mermaid Avenue by Billy Bragg and Wilco (see below). Of all his Cover Me pieces, he’s “kind of proud” of spotlighting the Grateful Dead and defending Dexys Midnight Runners.
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Aug 262016
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

hem

Writing an “Under the Radar” piece inevitably forces the writer to address the elephant in the room: Why is an artist you like enough to spend time researching and crafting a piece about considered to be “Under the Radar” by the vast majority of people? Hem, a band that formed in 2002 and sporadically released music until last year, would seem to have had so many advantages – intelligent songwriting, fine musicianship, a distinctive sound and, maybe most importantly, a lead vocalist with a scarily gorgeous voice. Seven of their songs were used in national commercials for Liberty Mutual Insurance, a classic Christmas cover was used in an ad for Tiffany’s, and other songs have appeared in television shows. They created music, which was well received by The New York Times, for a production of Twelfth Night for New York’s legendary Shakespeare In The Park program, featuring Anne Hathaway, Audra McDonald and Hamish Linklater. They were touted by outlets as diverse as NPR and Entertainment Weekly. Yet it appears that radar just doesn’t pick them up.
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Jun 102016
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

golden smog

Back in the late 1980s, as the alt-country/No Depression sound began to spread, a group of bands centered in the Minneapolis area often played in the same venues. Sometimes members of these bands would do cover shows for fun. Although even the members of the band remember the band’s fittingly murky origins differently, ultimately, some of these friends began to perform as “Golden Smog” (originally a Flintstones reference), mostly playing covers. The core membership coalesced as Gary Louris and Marc Perlman of the Jayhawks on bass, Dan Murphy and Dave Pirner of Soul Asylum, Kraig Johnson of Run Westy Run (and later the Jayhawks) and Chris Mars of the Replacements (although the drum chair in the band has a near Spinal Tap-level rotating door), often augmented by guest musicians and singers. It was like seeing an incredibly talented bar band.
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Mar 282016
 

desperate timesIs it bad form to promote your own tribute? It almost makes you think about the crass sort of person who, say, slaps his last name on every building, golf course, airline, casino, steak, or bottle of wine or water that he has anything to do with. Now, what about if it is an employee who instigates a tribute to his employer? That seems pretty cool, especially since so many employees would probably be more likely to spit on something that glorifies their bosses than to work, unpaid, to create a monument to them.

So, let’s give kudos to Jeff “Jefe” Neely, the “website guy” for Old 97’s, who decided that it would be a good idea to get other musicians to cover Old 97’s songs and to use the project as a fundraiser for charity: water, whose mission is to “bring clean and safe drinking water to every person in the world.” The charity was founded in 2006 by Scott Harrison, a former nightclub and fashion promoter after a life changing trip to Liberia.

The band got behind the project, which became known as Desperate Times, and helped to get artists to contribute covers to the project, which was funded through a Pledge Music campaign. In fact, many of the artists had toured with Old 97’s at some point in the band’s two-decade-plus career, and a significant number are from Texas, where Old 97’s formed. Not surprisingly, therefore, most of them inhabit a similar Americana/country/rock space as the band they are covering. The contributors, all well-respected artists if not chart-toppers, seem to have embraced the challenge. For the most part, although the covers don’t generally stray too far from the originals, each is distinctive and all are of exceptional quality.
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