Over the weekend, Howard Stern’s SiriusXM show aired a massive set of 25 new David Bowie covers by big names across classic rock (Peter Frampton, Todd Rundgren, Daryl Hall), 1990s alternative (Garbage, Smashing Pumpkins’ Billy Corgan, Slipknot’s Corey Taylor), and current indie favorites (Dawes, Car Seat Headrest, Sun Kil Moon). Gems abounded, but we’ve picked out the best eight covers of the bunch.
They are, not coincidentally, the songs that changed the most from the originals. David Bowie was constantly reinventing his sound, so it seems wrong to cover his songs too faithfully.Continue reading »
Once or twice a year, Britain’s great music magazine Mojo will curate a tribute album to accompany an issue. The latest issue features Nick Drake on the cover, for what would have been his 70th birthday this year, and a CD featuring new covers by younger folk and indie admirers.
Many of the songs follow Drake’s quieter templates, like Joan Shelley’s gorgeous “Time Has Told Me.” Others veer further afield, like a version of “River Man” by Field Music that lurches in stops and starts with a hint of krautrock. Or “Fruit Tree” by The Saxophones, which features periodic blasts from their titular instrument.Continue reading »
During their 1970s heyday, the family band Five Stairsteps were dubbed “The First Family of Soul.” These days, though, they’re best remembered for a single song: the uplifting slow-burn “O-o-h Child.” It’s become something of a standard over the years, covered by everyone from Nina Simone to Hall & Oates.
The latest make things easier/brighter is Lisa Loeb. Like the Stairsteps, she’s had multiple hits, but one stands above all else: 1994’s “Stay (I Missed You).” Her cover of “O-o-h Child,” off her new off her new kids covers album Lullaby Girl, keeps the basic Five Stairsteps format but slows it down a bit, replacing the big group vocals with a tender ballad croon.
“I’m not the first person ever to cover ‘O-O-H Child,’ but it is one of my favorites from the ’70s and I was really excited to approach it within the context of my Lullaby Girl album with my creative collaborator and producer/arranger Larry Goldings,” Loeb told Billboard, who premiered the video. “I feel that the video really looks like this song recording: it’s real, it’s intimate and it’s calming, but it has a good hint of the real energy behind it, like the original recording that inspired it.”
If someone told you to sing “This Land Is Your Land,” how much could you do off the top of your head? Redwood forest, check. Ribbon of highway probably too. But do you know this verse?
Was a high wall there that tried to stop me
A sign was painted said: Private Property,
But on the back side it didn’t say nothing —
That side was made for you and me.
That rarely-sung verse, from Woody Guthrie’s original lyrics, helped inspire Anthony D’Amato’s shimmering new cover (which features background vocals from Josh Ritter). Though written in 1940, that line about walls dividing people holds increasing resonance today. And it’s a subject D’Amato cares a lot about; his last album included the Trump-inspired original “If You’re Gonna Build A Wall” and both tracks appear on new charity EP Won’t You Be My Neighbor.Continue reading »
At the first show of their recent three-night run in NYC, The Decemberists brought out singer Olivia Chaney for a mysterious song they didn’t really explain. Featuring Chaney leading on harpsichord and vocals, it was weird and proggy in a similar way to the Decemberists’ own album Hazards of Love. Now, a few weeks later, we know what the performance was teasing: an upcoming Decemberists/Chaney covers album under the band name Offa Rex.Continue reading »
Any band from Asbury Park has an obvious choice to make. You can run like hell from any Boss comparisons or embrace your city’s favorite son. Levy & the Oaks has chosen the latter, healthier option on a new cover of Bruce Springsteen’s “I’m on Fire,” premiering below.
“I’m on Fire” is one of Springsteen’s most-covered songs, and the first few guitar strums might make you expect another paint-by-numbers Americana version. But the moment Lou Panico starts singing, it becomes something special. He may hail from Springsteen’s stomping grounds, but he is not too beholden to tradition, changing the song’s melody and rhythm to make it his own.Continue reading »