Ocean’s, the girl/buddy heist film starring Sandra Bullock, Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, Rihanna, Helena Bonham Carter, and Awkwafina was spawned from the George Clooney – and before that, Frank Sinatra – series’ of similar name. The film opened on Nancy Sinatra’s birthday (June 8) with her iconic, Lee Hazelwood-penned 1966 #1 hit “These Boots Are Made for Walkin’” featured predominantly in the trailer and the soundtrack. Both trailer and soundtrack include the original and an even more up-tempo cover version by electronic artist Nick West.
Long-running British synth-pop duo Erasure completed their “World” trilogy of albums with last month’s release of World Be Live. The 24-track live album was recorded earlier this year in London, where the band was touring in support of the outfit’s seventeenth studio album, 2017’s World Be Gone.
With a deep catalog of originals and hits stretching over three decades, singer Andy Bell and founder/keyboardist Vince Clarke have plenty of crowd-pleasing material from which to choose. So choosing the Blondie song “Atomic” as the sole cover performed on the current tour says a lot about Bell’s admitted affection for the iconic 80s new wave band.
In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.
On this day 20 years ago, America lost its greatest entertainer when Francis Albert Sinatra passed away at the age of 82 after suffering a fatal heart attack. The renowned singer/actor/producer had been in ill health and out of the public eye for over a year following an earlier heart attack. While it’s appropriate to celebrate his amazing, resilient life, today marks the silver anniversary of a sad day. With that, we thought it would be just as appropriate to remember his talent for interpreting some of the sad songs that were often a source of comfort for many.
I was inspired to take this approach after reading an insightful thread in the popular Steve Hoffman music forum titled “Sinatra’s best sad songs.” There, one member astutely posted: “With Sinatra, there are sad songs, sadder songs, and ‘dark night of the soul’ sad songs.” Many have become pop/jazz standards and Sinatra is often credited with recording a definitive version. Here are covers of five songs that were mentioned frequently; we believe The Chairman would have smilingly approved.
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
Our casual Sex Pistols stroll down memory lane concludes today with a look at the covers they performed themselves. If you’ve been with us through the series, we’ve presented their one-and-only studio album Never Mind The Bullocks, Here’s The Sex Pistols as a Full Album feature along with several single-artist tributes to the entire album. We’ve also covered the covers spawned from each of their four singles: “Anarchy In the U.K.,” “God Save The Queen,” “Pretty Vacant,” and “Holidays In The Sun.”
Covers performed by the band first started to appear on official commercial releases only after the Rotten/Jones/Cook/Vicious line-up imploded in January of 1978. However, like most new bands with limited original material, covers were part of their live sets from the start. And since the band’s break-up, several poorly recorded versions from those early shows have found their way to market. But the bulk of any discussion about cover versions performed by the punk icons will focus on The Great Rock ‘n’ Roll Swindle, the early 1979 double soundtrack album from the “mockumentary” film about the band of the same name.
Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.
Two weeks ahead of their much-hyped, one and only studio album in 1977, the Sex Pistols – for the last time as a complete unit – first chummed the water with the release of their fourth and final UK single following “Anarchy in the UK,” “God Save the Queen,” and “Pretty Vacant.” The iconic sound of marching boots from the introduction of “Holidays In The Sun” marked the beginning of the single and also the first track on Never Mind The Bollocks Here’s The Sex Pistols.
Lyrically, the song can be best described as John (Johnny Rotten) Lydon’s sarcastic observations about the band’s getaway from London and as a critique of consumer culture. To escape its pressures, an ill-fated trip to the Channel Islands (“They threw us out.” said Lydon.) gave way to a two-week blowout in Berlin. He likened it to the exchange of one “prison camp environment” for another. Musically, the song lifted its chord progression from the Jam’s “In The City” and the riff subsequently went on to become recognized as one of Rolling Stone’s 100 Greatest Guitar Songs of All Time. It was also the first Sex Pistols single to give a co-writing credit to John Simon Beverly – also known as – Sid Vicious. It’s not clear who came up with the repeating chant of “Reason! Reason! Reason!”
A deep look at the countless covers available turned up the widest variety of genres for any Sex Pistol single (nearly a dozen) but only a relatively small group of standouts. No “cheap holiday” here – so join us as we go over the Berlin Wall!
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
The hype and controversy brought on by the release of “God Save The Queen” had barely subsided before the Sex Pistols followed up with their third single. “Pretty Vacant” was released just over a month later, on July 1st of 1977. Both songs rode the UK Top 40 charts simultaneously throughout that month with “Pretty Vacant” ultimately peaking at #6 during an eight-week run. In a half step towards “establishment” legitimacy, the band was invited to perform the song – via a promotional video – for its first and only appearance on the popular BBC television show Top of the Pops. Even this track – and, of course, this appearance – garnered controversy when the special emphasis John Lydon (a.k.a. Johnny Rotten) was placing on the second syllable of the word “vacant” become obvious.
Glen Matlock, an original founding member of the band later replaced by Sid Vicious, cited ABBA’s “SOS” and Small Faces “Wham Bam Thank You Mam” as inspirations for the iconic opening guitar riff and arrangement. The song was lauded by NME magazine as its 1977 “Single of the Year.” It would chart in the UK three more times: in 1992 on its 15th anniversary, a live version from the re-formed group in 1996, and most recently on its 30th anniversary in 2007. According to our research, it’s spawned more cover versions than any other Sex Pistols song outside of “Anarchy In The U.K.”
As you’ll see, the covers here represent an embarrassment of riches. So stick with us as we pogo through five standouts and then call your attention to another more-than-a-baker’s dozen!