Eric Garneau

Eric Garneau is a freelance writer and musician from the southern Chicago suburbs. He is also kind of a nerd -- he even ran his own comic book store for a few years after college, and blogs about comics weekly on the website Nerdy Nothings. Music in all its forms is his number one passion, and he's always been especially drawn to covers. In fact, on the weekends he can sometimes be seen performing in the cover band Take Cover or as the solo acoustic Bruce Springsteen tribute My Own Boss. He probably couldn't name his favorite cover even if he was forced to, but this much is clear: it would NOT be by Manfred Mann.

Sep 212011
 

Every Wednesday, our resident Gleek Eric Garneau gives his take on last night’s Glee covers.

In “The Purple Piano Project,” Coach Schuester rallies the troops after last spring’s devastating Nationals loss in New York City. New Directions needs to recruit, and it needs its mojo back. But the antagonistic Sue Sylvester — now running for a seat in Congress – has once again made up her mind to squash the glee club’s dreams. Also, alliteration abounds.

Hi everybody! Welcome back from summer break to my weekly Glee write-ups. I enjoyed writing this feature last year, and it seems like enough of you enjoyed reading it to warrant my continuation, so on we go into season three!

The show made a few subtle (not often a word we associate with Glee) changes coming into this latest season to address criticisms from the last – most notably, that the show had grown aimless. To guard against that happening again, the creative trio behind Glee did something new over the summer – they outsourced their writing. Now Brad Falchuk, Ryan Murphy and Ian Brennan have a co-executive producer, two consulting producers and two staff writers to help them craft stories (most interesting to me is Roberto Aguirre-Sacasa, a veteran of Spider-Man comic books and, yes, the recent musical). Continue reading »

Sep 132011
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Claremont, CA’s The Mountain Goats began as the alter-ego of singer-songwriter John Darnielle, who’d record raw versions of songs on cassettes to distribute to friends in the early 1990s. Since then, Darnielle’s project has added a few members and become a major force in the indie world. Albums like The Sunset Tree, Get Lonely and most recently All Eternals Deck have received serious critical praise and become favorites among the college radio crowd. One might guess that’s primarily because of the compelling figure cut by Darnielle; his mix of brutal honesty and quirky humor speaks to listeners much in the way an artist like Ben Folds does, although instead of a massive piano between Darnielle and his audience, there’s usually just an acoustic guitar. Continue reading »

Sep 082011
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

Active in various music scenes since 1994, Neko Case has built herself an impressively deep resume. That’s based primarily on her position as super-pop group The New Pornographers’ co-lead singer, as well as her solo alt-country/folk career. Meanwhile, her non-musical projects command almost as much attention, whether it’s her considerable charity work for organizations like 826 National or her guest spots on Adult Swim shows like Aqua Teen Hunger Force or the truly bizarre Cheyenne Cinnamon and the Fantabulous Unicorn of Sugar Town Candy Fudge. Continue reading »

Aug 292011
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

In some respects, KISS embodies the quintessential American band, or at least the quintessential American four-piece rock group. You can take that assertion a number of ways, depending on how cynical you’re feeling. Perhaps if you’re not particularly a fan of the group – like many critics these days, one might guess – you could argue that their crass and unending commercialism speaks to American values in a way that no other act has mastered so purely. But that would miss two important points about this New York City foursome: one, that they’re a seriously important group that had a huge effect on the music industry and culture in general, and two, that a lot of their music rocks really, really hard. Continue reading »

Aug 232011
 

Though they’ve never really dropped off the map completely, Jim Henson’s lovable Muppets seem to be enjoying something of a cultural resurgence lately. A lot of that probably has to do with the upcoming Jason Segel/Amy Adams film simply called The Muppets, as well as the fact that many people who enjoyed the characters as kids are now coming to the age where it’s acceptable, even desirable, to embrace their childhood loves again.

You can add The Green Album to the list of cultural artifacts presaging the return of these creatures to full-on popularity. The record’s aimed exactly at the people described above, who in the years between their childhood and now have cultivated “cool” tastes, of which the Muppets have become a part. One look at the pedigree of bands and artists contributing to this compilation can’t help but impress — Weezer, My Morning Jacket, Andrew Bird and the rest all stand in the upper echelons of their respective fields, and it’s rare that any kind of tribute album could cull such noteworthy acts together. Continue reading »

Aug 092011
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

For most of their existence, Athens, GA quartet (later trio) R.E.M. has been synonymous with college rock. As early pioneers of the alternative movement that bucked popular trends like hair metal and new wave, R.E.M. gained significant notoriety among their core fan base with strong ’80s efforts like Murmur and Life’s Rich Pageant before finding mainstream success with hits such as 1987’s “The One I Love” and 1991’s monster single “Losing My Religion.” They continue to record to this day, and still have legions of devoted fans. In fact, they released their 15th studio album, Collapse Into Now, only a few months ago, taking them into the 31st consecutive year of their career. Continue reading »