If Rihanna‘s latest single “Diamonds” has been running rampant in your brain as of late and you need at least a variant (beyond the remix with Kanye West) then you’re in luck. Zola Jesus posted a version of “Diamonds” as a “small thank you to fans and followers” November 15th.
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
It must have been a real drag to be young and watch the whole love and peace era go down the drain. JFK, dead. MLK, dead. Paul McCartney, dead. The music of the turn-on-tune-in-drop-out generation had become so absorbed with its own self-importance that the weight was too much to carry, especially with the early ’70s promising no bright future “comin’ up around the bend.” Bryan Ferry‘s These Foolish Things, one of two all-covers albums released in October 1973 (David Bowie‘s Pin-Ups was the other), served as a healthy reminder that these hippie anthems and cultural touchstones are, after all, pop songs.
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
Just over three decades since The Birthday Party helped spark off the doom & gloom sub-stream in ‘80s post-punk, Nick Cave now belongs in the great club of certified songwriters. Like several members of that club, Cave has his share of skeptics, and it’s not so easy to bring them into the fold. Nonbelievers in latter-day Nick Cave would benefit from checking out the Birthday Party, or Cave’s earlier albums with The Bad Seeds, to better appreciate one of the most prolific and consistent musicians to rise from the ashes of the punk era.