Angela Hughey

Angela Hughey lives in Portland, Oregon with her husband and is ruled by two tiny people and a Boston Terrier named Rocko. When not Mommin’ it, she’s in her photography studio taking fine art portraits of other people’s tiny people. A musician of 30 years with a piano degree, she has been in several bands, most recently The Summit, an alternative/indie cover band consisting of music nerds who love to pick apart songs and talk about diminished chords. “If I should ever die, God forbid, let this be my epitaph: The only proof he needed for the existence of God was music” Kurt Vonnegut

Jan 252019
 

As anyone who checked Twitter yesterday is well aware, Weezer shocked the internet with a surprise covers album, dubbed the Teal Album for its absurd yacht-rock cover. The album precedes the band’s long-promised Black Album, set to release March 1st.

Weezer spent 2018 stoking the social media flames with their famous covers bout with Toto, and I think we all just expected “Africa” to be the end of it. But Weezer clearly saw an opportunity to generate some buzz for their new album and upcoming tour with The Pixies. Twitter flames aside, how do the covers on the album actually stack up? Let’s take a look at The Good, The Bad, and The (Really) Ugly. Continue reading »

Jan 172019
 
hannah georgas covers cranberries

It’s been a few years since Hannah Georgas released her last full length album For Evelyn, but the Canadian singer-songwriter has finally returned with an EP of cover songs called Imprints. The first song available from the new album is Georgas’ cover of “No Need to Argue” by The Cranberries.

Jess Wolfe and Holly Laessig of Lucius join Georgas to transform the song into a 1980s brat pack break up moment. With an easy drum machine beat, synth, sound effects, and luscious harmonies, the effect is decidedly lighter than The Cranberries’ solemn and slow dirge. Continue reading »

Oct 222018
 
tom petty the lumineers

It’s been one year since the death of Tom Petty, and the world is still decidedly more empty without his presence. But as is true with all beloved music makers, Petty continues to influence generations after him with his perfect melodies. The latest in a long and reverent string of covers comes from The Lumineers, with their version of Petty’s “Walls.” Continue reading »

Aug 012018
 
toto hash pipe cover

After days of hinting at it, Toto did it. They actually covered Weezer.

The saga began last year when an adoring fan implored Weezer to cover Toto, blowing up the internet when Weezer covered “Africa” – and had their biggest hit in years. In response to Weezer, Toto have returned the favor and covered…”Hash Pipe”??? “We figured since we were smoking hash since before they were born, that’s the one we should do,” explains Steve Lukather introducing their version of one of Weezer’s most divisive singles. Continue reading »

Jun 222018
 
westworld covers

As season two of the incredible HBO series Westworld wraps this Sunday, we’re taking a look back at the cover songs that have played an important role in setting the tone for this new and frightening world. Ramin Djawadi is the genius behind the scores for both seasons, relying heavily on unlikely covers of pop hits with lyrics that (subconsciously, given that the covers are instrumental) mirror the goings-on in the park.

Here are our five favorite Westworld covers: Continue reading »

May 302018
 

What a time we live in. It’s a time when a 14 year old fan can influence a major band with a simple hashtag. #weezercoverafrica began in December, with a young girl’s plea to her favorite band. Why Toto? Why “Africa”? Who knows? (She’s 14…I don’t think she even knows). But she chose the right combo to go semi-viral, enough to get the band’s attention

So then…Weezer covered Toto! She did it! Almost… In a hilarious twist, they covered “Rosanna” instead of “Africa.” Not entirely a surprise coming from the notoriously tongue-in-cheek band, not afraid of a little trolling themselves (see: “Can’t Stop Partying feat. Lil Wayne”).

So, how was it? Certainly nothing mind blowing, but all in all a solid cover of a less-remembered Toto hit. The instrumentation stays true to the original, although the drums are a bit messy. All of the fills and solos are treated similarly which is a wise choice as they are integral to the song as a whole. What sets the entire cover apart is Rivers Cuomo. It’s his distinctive, edgy, punky vocals that distinguish this version from the original and give it a far more current appeal. Continue reading »