Ray Padgett

Based in New York City and Vermont, Ray Padgett founded Cover Me in 2007 as a college student and has overseen it ever since. His writing has appeared in SPIN, MTV, Mashable, Consequence of Sound, and an upcoming Bob Dylan anthology. He's been interviewed about cover songs by the Wall Street Journal and the BBC and is currently working on a book on the subject. To preempt the oft-asked question, he doesn't think cover songs are better than originals; he just believes they're undervalued. Without covers, the world wouldn't have Frank Sinatra, Aretha Franklin, Elvis Presley, or even the Beatles. Follow him on Twitter or Instagram.

Jun 212016
 
RynoPhoto

I will admit, I was apprehensive when I saw this cover was tagged “electronic” on Soundcloud. The Flamingos’ “I Only Have Eyes For You” is a song that depends on soul and emotion, and I could just picture someone stripping it of all its tenderness with half-assed synths and an overbearing four-on-the-floor beat. Thankfully, I needn’t have worried. Though there may be a synthetic instrument or two in here, RYNO’s cover is all soul. Continue reading »

Jun 172016
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

BobDylanStreetLegal

When it was first released in 1978, Bob Dylan’s Street Legal got a bum rap. One culprit was the sound. Dylan always preferred recording with the whole band playing at once, and whereas with the right producer a wonderful spontaneity could emerge (think “Like a Rolling Stone”), here it just created a muddy mess. Reviews were scathing. Robert Christgau called it “horrendous” and Jon Pareles noted that “Dylan still needs a producer.” Even Rolling Stone – Dylan champions since way back – labeled it “dead air, or close to it.”

A remaster in the CD era has since redeemed it somewhat and helped push it its proper place in the Dylan pantheon. In the wake of albums like Empire Burlesque – really, all of the ’80s – the big band sound is no longer shocking, and not even bad. It’s no Blonde on Blonde, but a solid B-level effort with a number of gems. “Señor” and “Changing of the Guards” stand among his best songs of the ’70s (though they really fit in better with the late-’70s/early-’80s period than they do with the decade that led up to them). “New Pony” is a fun big-band blues jam, and “Where Are You Tonight” features a wonderfully emotive vocal. Continue reading »

Jun 162016
 
heaven's jail

When Motörhead’s Lemmy Kilmister died, hard-rocking cover tributes poured in from the likes of Dave Grohl, Alice Cooper, and Slash. The covers tended to be a lot like Lemmy himself: loud, brash, unapologetic. Now, Brooklyn quartet Heaven’s Jail have paid tribute with a very different sort of cover. Spacey and haunting, their version of “Capricorn” ditches the huge riffs and slows things down – way down. Continue reading »

Jun 152016
 
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We’ve already posted a couple bigger-name covers from this past weekend’s Northside Festival: Kacey Musgraves and Conor Oberst covering “Hey Good Lookin'” and Frankie Cosmos and Ava Luna covering Liz Phair and Serge Gainsbourg, respectively. But, like SXSW and CMJ, this Brooklyn festival is all about discovering the up-and-comers, the next generation of Kaceys or Conors. So we picked the five best bands we saw who we’ve never posted about, with a killer cover from each. Hear great takes on Billy Idol, the Beatles, a Christmas classic, and more below. Continue reading »

Jun 132016
 
frankie cosmos liz phair

For a Northside Festival showcase over the weekend, the music book series 33 1/3 hosted a series of all-cover shows dedicated to three albums they’re written about. Deradoorian covered Black Sabbath’s Master of Reality, Ava Luna covered Serge Gainsbourg’s Histoire de Melody Nelson, and Frankie Cosmos covered Liz Phair’s Exile in Guyville. We have videos from all three below. Continue reading »

Jun 132016
 
NCAA's March Madness Music Festival - Day 3

This past weekend was the Northside Festival, sort of Brooklyn’s answer to SXSW and CMJ. In addition to hundreds of baby bands, they had a few big-name headliners, including the pairing of Kacey Musgraves and Conor Oberst of Bright Eyes. They guested during each others sets: Musgraves sang her own “Back to the Map” during his, then he returned during hers for a duet cover of Hank Williams‘ classic “Hey Good Lookin’.” Continue reading »