You searched for long black veil - Cover Me

May 182018
 
jerry garcia long black veil

Jerry Garcia was not exactly known for his talkative stage persona. Though the legendary singer/guitarist of the Grateful Dead was adept at providing quality sound bites during interviews, whenever he stood before a large stadium crowd he was more likely to tune his guitar than engage in the typical “Hello, Cleveland!” stage banter. That’s what makes his recently released cover of “Long Black Veil” so intriguing. On May 4, 1963 while performing the song at Top of the Tangent in Palo Alto with his then-wife Sara (Ruppenthal) Garcia, Jerry was practically Mr. Chatterbox on stage.

“We had a request, or at least I did, after this last set, to do a song called ‘Long Black Veil,’ which is a modern country song,” he told the crowd, during a lengthy introduction to the tune. “But it’s pretty anyway, even at that. It’s not even a folk song, or anything. It’s just a song. Somebody wrote it and it’s on records with electric guitars and everything. But anyway, it’s a good song.” The track was included on the new box set Before the Dead, which chronicles Garcia’s live recordings with various groups in Northern California from 1961 through 1964. Long before the days of YouTube, somebody was seemingly always following him around with a tape recorder.

In early 1963, “Long Black Veil” was hardly the standard it is today. Originally recorded by country singer Lefty Frizzell in 1959, it had only been released commercially by a handful of artists at this point. The most notable version was by folk revivalists the Kingston Trio in 1962. Many of the more famous renditions had not yet hit vinyl. Joan Baez’s live recording would not be released until November 1963 and Johnny Cash did not put out his cut until 1965.

Garcia’s take on the song is simple and straightforward. He plays it, strumming his acoustic guitar without a psychedelic solo anywhere in sight. His voice strains a bit as he attempts to hit the high notes. Listening to Garcia sing, it feels as if he does not quite know who he’s supposed to sound like. While the song is by no means an essential addition to the Garcia canon, listening this track, and in fact the whole collection, is a bit like reading the original scroll of Jack Kerouac’s On the Road. Though hardly a finished product, the music provides a fascinating window into an artist developing and honing his craft.

Click here to listen to more covers of “Long Black Veil.”

Aug 202012
 

Earlier this year, folk singer-songwriter Sam Beam, better known by the stage name Iron and Wine, joined a bill of prominent country artists including Willie Nelson, Lucinda Williams, and Sheryl Crow for a tribute show in honor of Johnny Cash’s 80th birthday. The concert was released on CD/DVD last week as We Walk the Line: A Celebration of the Music of Johnny Cash. Beam’s contribution to the album was a take on the much-covered track “Long Black Veil,” which Cash recorded for his 1965 album Orange Blossom Special. Continue reading »

Dec 032010
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

From the political science of “War Pigs” to the applied pharmacology of “Fairies Wear Boots,” Black Sabbath‘s Paranoid features seven of the most iconic heavy metal songs of all time…and an instrumental ditty with the evocative title “Rat Salad.” Ozzy Osbourne‘s original wail forever eclipses his latter-day cries of “Shaaaaroooon.” Tony Iommi is the Lennon/McCartney of doom-laden riffs. Geezer Butler and Bill Ward make a mean rhythm section and an even meaner rat salad. And as the following covers demonstrate, the quartet’s hard rock mastery sounds good in any genre. Continue reading »

Aug 152019
 
Woodstock Covers

You know the story – on August 15, 1969, an estimated 400,000 people coalesced on Max Yasgur’s dairy farm in upstate Bethel, New York, for “3 days of Peace & Music” at a music and art fair that ultimately defined a generation. Today marks the golden fiftieth anniversary of Woodstock, and to celebrate the occasion, the staff at Cover Me are going “back to the garden” to wrap you in the Top 50 covers performed by the legendary artists who graced the stage during that long weekend.

Continue reading »

Aug 082016
 
DSC_9327-980x654

This year marks the 40th anniversary of The Band’s legendary The Last Waltz final concert and to celebrate, NYC’s Lincoln Center hosted an all-star tribute concert Saturday night. Held down by Levon Helm’s longstanding Midnight Ramble Band, special guests included Bob Weir of the Grateful Dead, Lucinda Williams, Patty Griffin, and even Dr. John, reprising the song he sang at the original Last Waltz. Continue reading »

Mar 312015
 

I had high hopes for Robert Earl Keen’s new album, Happy Prisoner: The Bluegrass Sessions. My first exposure to REK was 1989’s West Textures, still for me his best work, partly because the acoustic band accompanying him on that is a bluegrass band, even if the songs aren’t. Keen’s style, for me, has never quite suited electricity. Combine this with my love of bluegrass, and surely this would be a no-brainer?

Well, I liked it, but if I’m honest, I only liked it some. Positives first: Keen has the ideal woebegone plaintiveness for this sort of material (think Droopy with a recording contract), as he plumbs death, prison and heartbreak in turn. (Have you ever heard a truly happy bluegrass song?) The band, including Danny Barnes of Bad Livers repute on banjo, underpin his singing with zest and vim, and a plethora of guests add to an agreeable mix. Of these, special mention to erstwhile Dixie Chick Natalie Maines (daughter of Lloyd Maines, the album’s producer), bringing more sprightliness to the oft-covered “Lonesome Stranger” than can be found on some of the album’s other numbers.
Continue reading »