You searched for call me maybe - Cover Me

Mar 152024
 
teenage joans call me maybe cover

2012’s song of the summer, “Call Me Maybe,” launched Carly Rae Jepson’s career with a little thanks to Justin Bieber. If you were a tween when it came out, it likely made as much of an impression as it did on the members of Australian duo Teenage Joans.

Teenage Joans, whose name echoes no wave legends Teenage Jesus and the Jerks, are an Adelaide-based punk-ish guitar-and-drums pair that have received considerable acclaim in their native state. But they grew up with pop like “Call Me Maybe” and decided to honour that heritage for Triple J’s legendary cover program “Like a Version.” Continue reading »

Jul 252012
 

We first rounded up a batch of “Call Me Maybe”s back in the spring, and – surprise surprise – there have been one or two more since (shoutout Obama). We’ve whittled down the best recent additions, the ones worth overcoming your aural exhaustion from summer’s leading earworm to give these a go. Continue reading »

May 302012
 

For the past few months pop radio have been dominated by a handful of previously unknown acts who have used super-catchy breakout singles to displace superstars like Nicki Minaj and Flo Rida at the top of the charts. With their own massive single “We Are Young” sitting at number four on the Billboard chart, New York Indie-Pop outfit and punctuation mavericks fun. played an off-the-cuff cover of the ubiquitous “Call Me Maybe,” Carly Rae Jepsen‘s current number two single, on Giel Beelen’s radio show in Amsterdam. All it needed was a Gotye guest appearance to make this the perfect storm of Top 40 earworms. Continue reading »

May 012012
 

Best (So Far) finds the finest first-round covers of the latest pop hits.

To American fans of pop music, Carly Rae Jepsen may seem to have come out of nowhere with her hit “Call Me Maybe.” For Canadian listeners, however, Jepsen has been on the pop radar since placing third on the fifth season of Canadian Idol, and she’s been releasing music there since 2008. It was “Call Me Maybe,” though, that launched her to international stardom. Continue reading »

Oct 132023
 

We stretched our own meaning of cover version previously, when we gave the earlier three volumes of the Jeffrey Lee Pierce Sessions Project a belated review. Now, and against the odds, lo and behold, here is a fourth. Its title, The Task Has Overwhelmed Us, provides a small glimpse into the work that went into it and its end result.

As before, Task has been put together by London-based guitarist and one-time Pierce sideman Cypress Grove. Once again, it is based on demos and early recordings by the prolific Gun Club auteur, with earlier volumes stemming from cassettes squirrelled away in a drawer and found after Pierce’s untimely death. As with the others, it brings together quite the cast of contributors, many reprising roles from the earlier sets. In a reflection of the time it took to put this Task together, this includes both the living and the dead–perhaps fitting, as Pierce himself also “appears,” like a ghost at the feast, across a fair few of them.

With 18 tracks spread across four sides of vinyl, it would be impossible to talk about all the tracks here. Of course, there is the issue that few, if any, of these songs can be compared to any original. Even if you think you recognize the name of the song, possibly from one of the many Gun Club albums, the chances are that the words will be different; Pierce was notorious for writing completely different versions of, nominally, the same song.

A word is necessary for the production duties, which transcend the occasional slip from the sublime, transforming even the slightest melodic sow’s ear into a a golden purse. Sharing those duties with Grove is Australian singer, Suzie Stapleton, herself also based in London, and who appeared, if just as a performer, on the last volume. Here she steps right up, showing a sure and deft hand on the sound balance, as well as giving one of the album’s more striking vocal offerings.
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Sep 152023
 

Van Morrison, very sadly, is no longer Van The Man. More Van the Curmudgeon. But curmudgeon doesn’t rhyme. However, Van the Also-Ran does. A bit harsh? Maybe. Though a procession of erratic (and, in the case of Latest Record Project: Volume 1, irascible) albums, probably since 2016’s Keep Me Singing, hardly offer a robust defense.

Oh, but when he was The Man, he was good. Real good. In his ’70s pomp Van Morrison was on a whole other wavelength (if you will). High on that amorphous thing we call soul, he made us high too on the likes of Moondance, Tupelo Honey and Veedon Fleece. And then there was Into the Music, a collection that accommodated the instantly irresistible “Bright Side of the Road” and “Full Force Gale,” as well as the deeper dives “And the Healing Has Begun” and “It’s All in the Game.”
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