Three years ago, 30 Seconds to Mars stunned their many detractors with a slow, foreboding cover of Kanye West’s “Stronger.” It turned unlikely source material into something at odds with the boastful original. Their latest cover doesn’t reach the same transformative heights, but that’s because it takes on a much more easily-digested song: U2’s “Where the Streets Have No Name.” Continue reading »
‘The Best Covers Ever’ series counts down our favorite covers of great artists.
I’ve heard it said that one of the curses of having a hit song is that the artist is forced to sing it for the rest of their life the same exact way it was recorded. While that may be true for some artists (certainly for the Eagles), it has not been the case for the Grateful Dead.
Since they released their first album in 1967, the band has never viewed their recordings as sacred texts. Instead they treated their songs as blueprints, starting places to begin the next great jam. Every time they perform a track, it’s like they’re covering themselves.
Take a song like “Fire on the Mountain.” It was originally recorded by Dead percussionist Mickey Hart as an instrumental called “Happiness is Drumming” on his 1976 album Diga. Robert Hunter eventually added lyrics, and the band began performing it on their legendary Spring ‘77 tour. They later recorded a condensed studio version for their 1978 album Shakedown Street, sung by Jerry Garcia. Since his passing, it’s been performed by many Dead offshoot bands and sung by the likes of Bob Weir, Bruce Hornsby, Oteil Burbridge, and, even reggae singer Jimmy Cliff. Each version is so different that I couldn’t tell you what counts as the “original.” One can trace a similar pattern with many of the Dead’s songs through the decades — don’t get me started on “Dark Star.”
Artists covering a Dead song have an invitation to reinvent it, as if at the request of the ghost of Jerry Garcia. Given such freedom, it’s only natural that the Dead’s catalog has inspired countless musicians across genres to put their own spin on the songs. This explains why nearly six decades after the band’s formation, and with the latest incarnation Dead & Company wrapping up this weekend, the onslaught of covers shows no signs of ever, ever stopping. These cover songs guarantee the band’s music will live on long after the last remaining members have passed away.
Here is a list of our favorites…
–Curtis Zimmermann
‘The Best Covers Ever’ series counts down our favorite covers of great artists.
There was a time in this blog’s lifespan where a shocking percentage of the covers landing in our inbox and RSS feeds were of Lady Gaga songs. It only lasted a couple years, but for a minute there Gaga was doing Beatles numbers. Hell, even relatively minor singles like “Marry the Night” would dominate the covers world for weeks after people heard them.
As Gaga’s entered the Vegas-residency stage of her career, her new songs don’t get covered as often. But even still, there seems to be a respect from other musicians not afforded all her pop-star peers. A Katy Perry chart flop will get ignored. A Gaga chart flop will still likely land a few interesting covers.
Though the songs were never as weird as the outfits were, there was always some unexpected twist for other musicians to play with, from the rolled r’s of “Bad Romance” to the goofy theatricality of “Alejandro” to the best stuttering since “My Generation” (“pa-pa-pa-pokerface,” “stop telephoning me-eh-eh-eh-eh-eh”). Plus, even after a few years in the wilderness, everyone knew any minute she could return with a “Shallow.”
In our list of 30 covers below, all those big hits show up plenty. But even the more recent songs and album cuts make appearances. Lady Gaga’s songs are sturdy enough to remain infectious whether they’re performed as gothic metal or throwback rockabilly. See for yourself below.
The list begins on Page 2.
‘The Best Covers Ever’ series counts down our favorite covers of great artists.
In a 1994 interview with Rolling Stone, here’s how Kurt Cobain described the genesis of “Smells Like Teen Spirit.”
“I was basically trying to rip off the Pixies. I have to admit it. When I heard the Pixies for the first time, I connected with that band so heavily that I should have been in that band—or at least a Pixies cover band. We used their sense of dynamics, being soft and quiet and then loud and hard.”
Surprisingly, the Pixies’ most famous superfan – the man who said he should be in a Pixies cover band – never covered the Pixies. Nirvana were rarely shy about covering their influences, from the Vaselines to the Velvet Underground, but maybe the Pixies were just too obvious. Every Nirvana song, Kurt might have thought, was just a Pixies cover a few degrees removed.
That line of thinking didn’t stop many other artists, though. Pixies covers abound, both from obvious acolytes in the ’90s alt-rock scene to musician fans in other genres who found a way to make Pixies songs sound like bossa nova or doo-wop. We’ve narrowed it down to the best thirty for our list, below. We hope you la la love it.
PS. The artist for this month’s list was selected by our Patreon supporters. To have a say in who we tackle next, sign up for our Patreon here.
The list continues on Page 2.
Jared Leto is a hard dude to figure out. Some people still think of him as bad boy/dreamboat Jordan Catalano from My So Called Life, teens now know him as the lead singer of 30 Seconds to Mars, and others simply wonder what type of shampoo he uses for his luscious locks. In a surprise move on BBC Radio 1 Live Lounge, Catalano Leto performed a touching rendition of Rihanna‘s “Stay.” Continue reading »
They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!
There are a lot of ways to describe Kanye West: hitmaker, innovator, rapper, producer, fashion designer, philanthropist, controversy-starter, and (some would argue) egomaniac. This week Kanye turns 34, so we’re simply saying “Happy Birthday!” with five covers of his biggest hits. No matter what you think of his often inflammatory behavior, there’s no denying his musical talent. Considering the number of hits and amount of attention Kanye has had since releasing The College Dropout in 2004, it’s no surprise that a diverse and high-profile group of artists have covered his tracks. West is known for his diverse catalog of collaborators, and his admirers are just as widespread, from an emo forefather to a movie star turned musician. Continue reading »